7" is Limited to 300. With Download Card and Insert. 
http://nightschoolrecords.bigcartel.com/product/lssn019-sally-dige-forget-me-losing-you

Statuesque Vancouverite Sally Dige is emblematic of a restless spirit flitting in and out of view, an apparition just out of reach. 

On "Forget Me"the idea of self is brought into focus then blurred  as Dige intones a gothically-enhanced hymn to self-erasing. Over an emotionally wrought 4 mins, post-punk bass lines and moody synth-leads edge the author into willed obscurity from view. On the edges of the song are hints at a fractured, fragile character: "I'd rather go alone / and not be missed by anyone." Is it auto-biographical? Or a character impeccably acted? On the other side "Losing You" proves that Sally Dige never gives too much away. Here she wears the mask of a jaded lover watching the physical and moral collapse of someone once loved, confronted with something unrecognisable. Melding an Italo Disco skeleton with dark analogue synths, in many ways the music is similarly an eroded form once recognised, now perverted into a propulsive, strange new language.

Forget Me (From LSSN019)

When it's Over

DISCONNECT

these eyes they don't show what you know
the shedding of lies will unfold

remember the scars you have sewn
but there's nothing to recall nothing to recall
remember the dreams you've been told
but there's nothing to believe and there's nothing to pray for
surreal and confined the frills and the rind
receding receding receding
the science of grief despair no relief in silence you wait cause

you forgot how to feel 
as revealed in your eyes

these eyes they don't show what you know
nothing to believe and there's nothing to pray for
remember the scars you have sewn 
but there's nothing to recall nothing to recall
surreal and confined the frills and the rind
receding receding receding
the science of grief despair no relief in silence you wait 

you forgot how to feel 
as revealed in your eyes

COME FEEL

Display Model

Harsh Symmetry - Mirror twin

English: 

Elliot, Francis, Maxime and Simon could have met on the night of October 2nd 1988 in Middlesex, Virginia. Meeting outside a Wipers concert, they would have then started a band with a raw sound chiseled by post-punk guitars and analog synths. 

Instead, it is in Paris in 2012 that they combined their love of the guitars from Cleaners From Venus, the melancholy of The Cure and the synths of Fad Gadget and Oppenheimer Analysis to create a new band; Rendez-Vous. 

The 4 boys deliver a tight sound that vacillates between spontaneous bursts of energy and a catchy dark melodic pop ambience. Heavily influenced by both the naivete of the 80s and the resonance of the 90s. Their track "Donna" sounds like it could be blasting out of Donnie Darko's Walkman. 

Rendez-Vous is releasing their debut EP November 25 on Zappruder Records. 

Rendez-Vous - Plasticity

Kkaash00-She Dont

never a fit for the whirl
what's within the core
there was something here before
down in the commons
away from the door

and here i was always out looking for ways to stay sound
i got lost along the way
and here i was always out praying for ways to stay down
i got lost along the way

i was unfit for the game
i aimed a gun at the world
slept in the piss of the poor
down in the bottoms
away from the door

Whirl (Demo Version)

Wish

"Cataracts" by Dancing Plague.
www.dancingplaguemusic.bandcamp.com
www.facebook.com/dancingplaguemusic

Cataracts

HELL HOTLINE

Soft Kill and related projects. 

IG: @softkillpdx
email: softkillpdx@gmail.com
US booking: natasha@flowerbooking.com

Whirl (Demo Version)

SOFT KILL