Persian Feeling

Sound of grief_ آوای حزن

There is a sacredness in tears. They are not the mark of weakness, but of power. They speak more eloquently than ten thousand tongues. They are the messengers of overwhelming grief, of deep contrition, and of unspeakable love. @Washington Irving

DEEP IS HIGH!

موسیقی ایرانی

FUNEREL

Favo

Iranian Traditional

Favorite

Block 2, Ekbatan, Tehran, Iran

Makan Ahgvari and Pouya Ehsaei ring in the air.

318. (18.04.2013) - Our street artist,  singing in snow, rain or sun.

Musicians:
Shadi Yousefian: Vocals
Ardalan Payvar: Piano
Salmak Khaledi: Trombones
Arash Sobhani: Electric Guitar
Kasra Saboktakin: Bass
Dante Pope: Drums

Music: Ardalan Payvar
Mixing: Ardalan Payvar
Mastering: Piper Payne

Buy the album on CDbaby: www.cdbaby.com/cd/eendo5
Check out our website: www.eendo.com
Facebook: www.facebook.com/eendomusic
Instagram: www.instagram.com/eendoofficial

Bia Bereem  |  بیا بریم

The Last Turn is the final track of the album IN TURN, solo oud and vocals by Negar Bouban.
the poetry is by Ahmad Shamlou.
هنگام آخر» قطعه‌ی پایانی از آلبوم «به هنگام»: عود و آواز نگار بوبان است».
شعر این قطعه از احمد شاملوست.
http://www.cdbaby.com/cd/negarbouban

قطعه‌ی «هنگام آخر» در زمستان ۱۳۸۸ ساخته و ضبط شد.

The picture used here, is captured from a short stop-motion animation made by Negin Sharifzadeh, in conversation with THE LAST TURN. The film is named EVEN GRAY FEELS BLUE.
https://www.facebook.com/EvenGrayFeelsBlue

the Last Turn هنگام آخر

آهنگ زیبای "نقش تو" با صدای بی نظیر "نیاز نواب" و غزل حافظ، که به تازگی در رادیو فرهنگ فرانسه  در برنامه "شام ایرانی" اجرا شده:

Radio France culture, Numéro 42. Un dîner persan
http://www.franceculture.fr/player/export-reecouter?content=4643164

هرگزم نقش تو از لوح دل و جان نرود
هرگز از یاد من آن سرو خرامان نرود

در ازل بست دلم با سر زلفت پیوند
تا ابد سر نکشد وز سر پیمان نرود

هر چه جز بار غمت بر دل مسکین من است
برود از دل من وز دل من آن نرود

آن چنان مهر توام در دل و جان جای گرفت
که اگر سر برود از دل و از جان نرود

گر رود از پی خوبان دل من معذور است
درد دارد چه کند کز پی درمان نرود

هر که خواهد که چو حافظ نشود سرگردان
دل به خوبان ندهد وز پی ایشان نرود

(حافظ)

Niaz Nawab - Naghshe To | نیاز نواب - نقش تو

Karen Homayounfar 
madaraneh...Tv series.

Madaraneh... Karen Homayounfar

انگار دستام... سرد سردن
انگار چشمام... شب تارن
آسمون سیاه... ابر پاره پاره
شرشر بارون... داره میباره
حالا رفتی و من... تنها ترین عاشقم رو زمین
تنها خاطراتم... تو بودی فقط همین
گفتی برو... تنها بمون
با غصه ها... همراه بمون
دیگه نمیتونم... خسته ی خسته ـم
طلسم غم رو زدم شکستم
داره چشمام ابر بارون
روگونه هام شده روون
رفتی و رفتی تنها میمونم
تا آخر عمر,واست میخونم
حالا رفتی و من... تنهاترین عاشقم رو زمین
تنها خاطراتم,توبودی فقط همین

Engar Dastam

Fardin Khalatbari - Cheshmhaye Taghriban Negaran

Milad Derakhshani - Yarom Yarom

Shadow of the sun (part 2)

خواننده ی این اثر علیرغم تصور اشتباه برخی، فریدون فروغی نمی باشد

Reza Roohpoor - Tanhatarin Ashegh | رضا روح پور - تنهاترین عاشق

Soheil Mokhberi - OrdiBehesht From Dorouj Album - Published From " BARBAD MUSIC INC " © 2013 Tehran, Iran | 

Ordibehesht, is of the Dorouj Album Pieces had Made by Combining two Local Instruments | Kamancheh & Gheychak | which Turns to National Instruments Nowadays. On the other Hand it Made a Newfound Tone using the Same Primitive Elements. |

Dorouj 
Compose & Arrangement, Kamancheh, Kamancheh Alto & Gheychak Alto : Soheil Mokhberi | 
____________________________________________________________________________________

OrdiBehesht - From Dorouj Album © - Tehran, Iran 2013  |

Composer : Mohammad Reza Aligholi
www.facebook.com/mohammadreza.aligholi

Harshab Tanhaei | هر شب تنهایی

توسط کانال ساند کلود پسرکبریت فروش.امیــد


صدای پای اب سهراب سپهری خسروشکیبایی

ما
انبوه کرکسان تماشا،
با شحنه های مامور:
مامورهای معذور،
همسان و همسکوت
                       ماندیم
...

در کوچه باغ های نشابور،
 مستان نیم شب به ترنم،
آوازهای سرخ تو را
                           باز
ترجیع وار زمزمه کردند.
نامت هنوز ورد زبان هاست.

* محمدرضا شفیعی کدکنی

* من و ساقی به هم سازیم و بنیادش براندازیم ...

آوازهای سرخ

Hossein Alizâdeh, Afsâneh Rassâ'i & Madjid Khaladj - Avâz-É Abouata~Masnavi (Sâz-é nô)

Fariborz Lachini - Leaves Of Light

همنوازی پیانو و تار

موسیقی تلفیقی،  مسعود شعاری / کریستف رضاعی - نشر هرمس

Seir

Negar Bouban Ud o Vocal, Babak Bouban Santur o Avaz - Che Bi Taabaane Mikhahamat 

Rouzi Hezar Baar

::: II زادبوم :::
[ کارن همایون فر - سرانجام ]

Zadboom II

Christophe Rezai is French-Iranian, he was born in 1966 in Toulouse (France). He studied singing and composition both in Toulouse and in Paris. He has been living in Tehran since 1994, where he composes music for the movies, theater plays and TV shows. He records his work in his own recording studio based in Tehran: Dohol Studio. He has founded both the "NOUR Ensemble" and the "Aria Musica" ensemble which is dedicated to baroque music.
 
 	 

cemetery-christophe Rezai گورستان-کریستف رضاعی

Rumi - Poem Of The Butterflies

Track 2 from the EP "Neoclassical Suicide".

Imagining My Future

Track 3 from the EP "Neoclassical Suicide". This is a cover of the song "Nostalgia", originally written by Nocturnal Depression

Nostalgia (Nocturnal Depression cover)

Hossein Alizadeh - Masnavi

♫ ♥ اذا غنى القمر و رقصت الفراشات♫ ♥
http://www.facebook.com/m3zofaty

هنُٱگ  قُلِۆبٌ تُعٱنِي

پيانو مينيمال
به زمستان مهاجرت‌های بیشمار و به تنهایهایی که بی‌ حضور تو  گذشت

زمستان در تنهايی‌- Winter in lonliness

<a href="http://wp.me/p2XxM7-116">دربارۀ آردو تونجبویاجیان، گوشه
</a>


درخت زیتون، آردو تونجبویاجیان

	
	  

مسعود شعاری, کریستف رضایی

 	  	  
ريتم، رنگ آميزي و قالب در موسيقي مشرق زمين عمومآ نقطه شروع و آخرين متفاوتي دارد و پيمودن اين فاصله در آن خود بيانگر نوعي سير در ريتم و مضمون است. از گوشه اي به گوشه اي ديگر، از مقامي به مقامي ديگر، از حضيض تا اوج و از اوج به حضيض. مبناي اين اثر نيز سفري است به ميان رنگ آميزي هاي مختلف و هارموني هاي شرقي و غربي. همراهي تبلا و حضور سازهاي غربي همچون گيتار، سازهاي زهي و جلوه هاي صوتي در کنار سه تار، مكالمه اي را برقرار مي كند كه در آن سه زبان موسيقيايي متفاوت ايراني، هندي و اروپايي مفهومي مشترك را بيان مي کند.

مسعود شعاری, کریستف رضایی/  سِیر

Night(mare) At The Seaside

BO PEEP (DO U RIGHT)

ME + JEREMIH

----------------
"Bo Peep (Do U Right)" is the first official collaboration between Shlohmo and Jeremih and the latest in Yours Truly and adidas originals "Songs from Scratch" series.

Witness the making of this and other songs from scratch by Danny Brown, Joey Bada$$, Angel Haze, and more at www.yourstru.ly

Shlohmo + Jeremih will also perform TOGETHER on April 5th & 6th in San Francisco (http://www.1015.com/events/1015/040513) and Los Angeles (http://www.fondatheatre.com/events/eventdetail.php?event_id=2960)

art by: Saiman Chow

Jeremih: https://twitter.com/Jeremih
Shlohmo: https://twitter.com/shlohmo

@wedidit-collective

Shlohmo - Bo Peep (Do U Right) ft. Jeremih

Afterglow - Ana Criado (Tay Lung Instrumental Cover)

لای لاهن/ لحظاتی برای شادی و خوشحالی‌
آهنگساز: حسین علیزاده


حسین علیزاده - لای لاهن

NevazesH-Shevash Group

Desert Peace

می‌گذرد در شب آئینهٔ رود خفته هزاران گل در سینهٔ رود
گُلبُـن لبخنــد فــردائــی مــوج سـر زده از اشک سیمینهٔ رود

فَرازِ رود نغمه خوان
شکفته باغ کهکشان
مـی ســوزد شــب در ایــن میــان

رود و سرودش اوج و فرودش مـی رود تا دریـای دور
بـــــاغ آئینـــــه دارد در سینــه مـی رود تا ژرفای دور

(موجی در موجی می‌بندد
بر افسون شب می‌خندد
با آبی‌ها می‌پیوندد) ۲

فـردا رود افشـان ابـریشـم در دریـا مـی خوابــد
خورشید از باغ خاور می‌روید بر دریا می‌تابد

(موجی در موجی می‌بندد
بر افسون شب می‌خندد
با آبی‌ها می‌پیوندد) ۲

فـردا رود طغیـان شــورافکـن در دریـا مـی خـوابــد
خورشید از شرق سوزان می‌روید بر دریا می‌تابد

(موجی در موجی می‌بندد
بر افسون شب می‌خندد
با آبی‌ها می‌پیوندد) ۲

سرود کوهستان ـ آیینه رود

The first time members of Gachpaj (گچ پژ) played together was back in the spring of 2007 when they played live for a performance of the play “The Beauty Queen of Leenane” in Tehran. What kept the members together till 3 months later they chose the name Gachpaj, was reaching a common musical ground from the beginning which was a direct result of the members’ similar musical ideologies. This same commonality is still apparent in the band’s improvisational styling.

Gachpaj is a jam band and like all other jam bands does not subscribe to one specific musical style. The band’s style is a combination of various musical genres such as Funk Rock, Alternative Rock, Experimental Rock and Krautrock. The Eastern influences seeping into the band’s music at times makes their sound close to Oriental music.

The instrumental make up of the band is the usual line up of bands playing the same style with one key difference: In Gachpaj, Saxophone replaces Keyboard giving their music an energetic, fresh sound.
They are well known for how they use Farsi lyrics in their Rock style songs.

The current members of Gachpaj are: Hooman Hamedani (Vocal), Hadi Sabet (Tenor Sax), Sohrab Hosseini (Acoustic & Electric Guitar), Arash Fattahi (Bass) and Pedram Hajbashi (Drums). Hooman Hamedani (Vocal) and Masoud Ahmadzade (Alto Sax) are past members who’re not actively playing with the band at the moment.

The band members got together for the first time in April 2007 to compose and play their music for the play The Beauty Queen of Leenane. Three weeks later with the addition of their vocalist the band was on stage at Sharif University’s Music Festival with three songs: Tashee Jenaze (The Funeral), Faramooshi (Amnesia) and Sahne 9 (Scene 9 – the last Scene of the play The Beauty Queen of Leenane).

Gatchpazh - Tashee Jenaze (Funerel)

Soheil  Mokhberi-FarbodNia | May 20,1990 |
based in Tehran, Iran

Soheil Mokhberi is graduated in music from the Azad university of Tehran(Art and architecture faculty). His master was ARDESHIR KAMKAR one of the prominent masters of Kamancheh was among his masters along with Vartan Sahakian, Mohammadreza Tafazzoli and Amirmahyar Tafreshipour.

He has several years professional activity in music as well as cooperation with Iranian and non-iranian musicians, bands, albums and concerts as musician and composer, Receiving a diploma of honor and took part in different festivals since 2004 and also released his first independent album named "Dorouj", in fall 2013.

"Man equals Man", his second independent album based on a view to the life and artworks of Bahman Mohassess, classical music and maqami and native music, human and Iranian mythological culture. And these works are among his compositions between 22 to 25 years old.


Ardeshir Kamkar Says About Him and his First Album , Dorouj :

Dorouj is in a term of our national music ,focused on Kamancheh accompanied Ghichak,In this virtu he used both Persian traditional music themes and Rhythm, Melodic and Counterpoint espressions ,Dominate sence , performing technique and emphasizing the tensile ensemble that finally created innovating masterpiece in its kind.

Proper use of audio and exact introducing of these two instruments is done really significant as its best.Soheil tried to shown the original character of Ghichak.According to this, one of the most important feature of this artwork is creative use of Ghichak’s voice range compared to Kamancheh and even its correct usage instead of Percussion.
On the other hand he bring many Rhythmic motives out of Ghichak which was kind of Dulcet harmony for this instrument .

Adequate fiddlesticking, well-timed silences, Logical positions and his firmly stable solo terms make an abstract atmosphere to his work which finally achieved to the track DOROUJ progressively .he also used some Intervals of Persian traditional music that we hadn’y have befor.

As a conclusion I wish a prosperous future for him . Meanwhile it’s a pleasure that  we have such talented ,promising and creative young musicians playing Kamancheh whom are ready to elevating Persian traditional music .

"Man Equals Man"
his second independent album based on a view to the life and artworks of BAHMAN MOHASSESS, classical music and maqami and native music, human and Iranian mythological culture. And these works are among his compositions between 22 to 25 years old. 
The production of both albums was done by Soheil Mokhberi.