It’s been written about so often but rarely this well, yes!

Beautiful acoustic guitar-ing...haunting mood terrific XOXOXO

i like how you guitar.  you got the touch.

Beautifully Captivating👏
Nicely produced 💯
👏👏👏👏Bravo👏👏👏👏

I love this instrumental, it’s so nice! - ❤️ 🕊️ 🙏

This is some profound playing my dude. I can feel the emotion shine through - excellent job

In 1887 when he was 21, and before before his famous Gymnopodies and Gnossiennes had been completed, Erik Satie composed this first Sarabande as one of three he wrote for piano. At the time he was an impoverished conservatory dropout making his living as a piano player in bohemian taverns and cabarets like Le Chat Noir. The Sarabandes were not published until 1911 with the support of Ravel who also introduced and performed the second Sarabande in concert in 1911. Satie's sometime friend Debussy wrote orchestral arrangements of the piano Gymnopodies in 1897 and conducted them to Satie's great acclaim in 1911 in Paris. Here Berkeley composer Guillaume Pearson has written a lovely orchestral arrangement to accompany my two guitar version of Satie's 1st Sarabande. Hope you enjoy the quiet mystery and captivating harmony that attracted me.

listen to more of Guillaume's beautiful soundtracks here:
https://soundcloud.com/guillaumelecompositeur/tracks

cover artwork Matisse La Musique

Erik Satie 1st Sarabande

Artax rides again

Hiraeth

Embrujo

Hey Victoria

Satellite

Love (instrumental)

▶ https://youtu.be/uD3YouAYPcw
▶ https://distrokid.com/hyperfollow/chrisjunos/a-water-poem
▶ https://chrisjuno.bandcamp.com/album/spirits-of-the-aegean

A Water Poem - Ένα Ποίημα Για Το Νερό

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

In the haze of the morning
The crow dances to the breeze
In the maze of this life
Shattered pieces of a dream 
From the playground downtown 
The lights flashing aloud 
Far beneath the ground
The echos Vibrating sound 
Clarity I see looking into your eyes
Drifting away, to the seas, to the skies 
A land filled with peace, there in your arms 
A glimmering sky…far from harm
A rainbow sky..passing inside 
Butterfly dreams..dragonfly sky

Concrete walls, years down these halls 
Silent nights, seven flights
Riverbend, far from the eye
River send, peace to the right
On this perch I sit and wait
For the bleeding sunset cast over the lake
The ancient place where the grackles sing 
The ancient place where the last breathe brings
Love yourself, tend the needs, destiny, find the seed
Let it grow, overfill, let it be, time will tell 

The WU it sleeps, it breathes, it eats
From the valley, the screams, they show, money
Rooftops, light rocks, meth melt to the ground
Willow tree, people see, what can’t be dealt
1203, explosive company, down to the ground 
Straight to the sea
Rise above what’s in front of me
Reflections of pieces of a dream

Řeflections øf å ðream

Third Ave 352

.50 cal’d back
Stay tuned for SeoulStreet Trading Company and SolaceStreet’s Spirt Walk in Las Vegas

Love (instrumental)

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