A SENTINEL'S JOURNEY WITH THE TIME MACHINE

Without patience without time
Can't sustain this can't unwind
One last time for old withdrawal 
Lash the mast it’s curtain call

How do I change?

Curse the failure curse the past
Curse the dirt that holds you back
It clings on tight the more you run
You are now your father’s son

How do I change?

Build my bridge of steal and stone
Childproof matches impulse prone
Antifreeze in something sweet
Pass the night in blissful sleep

How do I change?

How Do I Change?

sometimes I think that maybe it was a mistake to use the name Pa' Shot The Canary, but it's a bit like when you tell a little white lie, it spirals out of control, you get in too deep and then it all becomes irreversible and you are stuck with it. This is Me trying to kill him, in a nice way though. 

Anyway, thanks a lot for all the support of my music, SoundCloud is a wonderful community, it feels like the talent on here has just skyrocketed since covid, the standard is crazy, and always a pleasure to hear. 

Cheers for the inspiration, take care folks.

said Michael


Does This One Sound Like Me

Lyrics

does this one sound like me or
Pa' Shot The Canary

folks used to say that he looks a bit like me

but I paid for the right

to hide in plain sight

they say he's playing in some backstreet dive tonight

and when he stole my books

well he took my records too

I only wish he was half as good as you

and I won't give a damn

when he is so long gone

no I won't stay in touch

and he can keep a hold of 

all of those crumby songs

I hope that he takes ill 

and I'll just walk on by

it's not as if we're living the same life

I know that he'd feel the same

boy he don't even got no name

he's just a pawn in some fabricated game

that I'm playing

does this one sound like me


Recorded and mastered, as best I can, at home on my 8 track.✌️




Does This One Sound Like Me

Vocals - Cass Dvorak
Electric Guitars - Rock Sinders
Bass and Acoustic - (@Mazeppa)

I have a place, a special place
down by the river, on a sunny bend

That is where I saw her, that day that we met
A bounce in her walk, so light on her step

I have a place, a special place
down by the river, on a sunny bend

Here comes my girl
Oh, she looks so cool i can hardly wait
Oh ya, i can hardly wait

I can hardly wait
Oh ya, i can hardly wait

I have a place, a special place
Down by the river, on a sunny bend

That is where I saw her, that day that we met
A bounce in her walk, so light on her step

Here comes my girl
Oh, she looks so cool i can hardly wait
Oh ya, i can hardly wait

V5.03

Light Step

Dark Matter is all around us.....recent evidence indicates that the Perseus Galaxy cluster (pictured) is held together by the stuff! 
Dark Matter's gravity effects may be responsible for many unexplained mysteries....who knows?
Track details: 
Flute ensemble with dark clarinets.
Tenor sax bursts (left channel)
Alto sax improvisation (right)
Soprano sax ensemble.. fanfares and themes.
Amalgamated dance beats throughout. 


Dark Matter Invasion

In The Spotlight:

Recorded / mixed: Audacity. 
Guitar / Beat: Synth Mashup
Keyboard: Roland E-X20 
Mic: Rhode USB Mini

LYRICS: 

I used to think
That I would be someone
If you called my name
I used to think that
Every day

I used to think 
That I would feel something
If you held my hand
It was perfect 
In my mind

You were the melody
And I was the harmony
You were a symphony
And I was the leading beat

You were the band
And I was a fan
Then you walked walked away
From my open hand

Cos this is a song
For the artist's way
This is a song
To know it will be okay
We are the art
And the road on which art is made

This is a song for the girl
Who turned my head
Caught my eye
Now she's all alone
In the spotlight

I used to think
That I would be someone
If you called my name
I used to think that
Every day

I used to think 
That I would feel something
If you held my hand
It was perfect 
In my mind

© Tam Hastings, Ben-Tam Jennifer, 2022

In The Spotlight

In The Spotlight (2022)

Journey In Space

Music, Lyrics, All Instruments, Vocal: Jan Schonander
Music, Vocal: REKHA IYERN [Fe] https://soundcloud.com/rekha-iyern-fe

All sounds except the drums are Nord Stage 3 native.

Anything wrong with right now? It is sometimes easy to fall into the trap of thinking  that everything was better before, especially as a parent. Thought I'd look up some statistics and see how things stack up vs around 30 years ago. Turns out violent crime is down by over 50% since a high in the early 90s - property crime is also down by 40% - of course there is nothing about that meaning we shouldn't strive to improve further and try to get back to the even lower rates in the 60s. Like the crime rate, the poverty rate fluctuates a lot, but in 1990 it was estimated that 13.5% of the US population lived under the poverty line whereas in 2021 it had been reduced by 14% to 11.6%. In this song I have focused a bit on hard to measure things like the choices a lot of people have today compared to before, in terms of finding their own path vs being set on a path by parents and, importantly, the choice to love who you want. So, we are safer, less poor and have more freedom, but overall happiness levels in the US are apparently at the lowest level in 50 years. Given that the US is predominately a middle class society this might be explained by a fifty year trend of increasing income inequality. The wealthy and poor are better off economically but for a very large swath of the US population things have become more difficult. Clearly there are things to work on. Nevertheless, in many ways, especially with a longer perspective we are so much better off today vs before. 

THIS TIME

Talk about the past
About early and late
What might happen

They say it was better 
You gotta watch your watch
Soon it’ll all pass you by

Why can’t you be like them
Perfect, always
Right there, right now

I feel it, I need it
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

In this time black or white
I could choose a boy
I think I’ll choose a girl

At this time or any other  time
I choose, I choose what to say
I think, I don’t have to care

For this time I might be there
I could change my mind
I think I’ll change my mind, yeah

Right now
I feel it, I need it
Right now
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

Yeah, oh yeah....

In this time
At this time
For this time

This Time

Spotify

This Time | REKHA-IYERN [Fe] 🎤

The Age of the Clockwork Men has given way to the Golden Age of Truly Mechanical Man- the Age of Homo Electricus. And the new race of robotic men begin building images of their mechanical gods and to tell fables of the ancient race of giants. 

Admiral Krank and His Mo Sheen.

Thanks due to Commander Fullyard for help with the title.

Uberius, Die Asen Maschine

(Free WAV Download available here under '••• More'; and eventually as part of my BandCamp PWWO #07 album)

Happy 2023 everyone. I hope your year is starting off positive, creative and brimming with potentiality. Mine has definitely begun on a high note, getting to collab with our dear friend Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com/). And after a full year of music lessons with this kind and generous soul, I’m finally feeling quite good about my music theory and piano skills (knowing full well, this is just me happily floating on the tip of the proverbial music theory/musical instrument iceberg). :)

This one in particular (for those of you who might be interested in the specifics) started with Carlos providing an impressively wild drum track, and a warm, rich bass track playing Ostinato in E (I wasn’t familiar with that term at first. But it means playing a singular note rhythm as a foundation for the rest of the song). From there, E Aeolian (or Natural Minor) felt like it provided the nicest fit to Carlos’s stems. I was able to play out many of the melodies you hear in this song with just a few takes, and very minor MIDI note adjustments after the fact. That is exciting beyond words.

So without further delay, I joyfully offer you my first collab of 2023 with one of the coolest folks you’ll find in this grand music community. Carlos and I hope you enjoy ‘The Nine Sentinels of Aeolis’. :)

PWWO07

The Nine Sentinels Of Aeolis | Carlos Vivanco & GrevusAnjl

N-Gothic Groove 9

A tribute to one of my closest friends Andy who passed last year from cancer. He left two beautiful daughters and his wonderful wife behind. 
Also a long lasting effect on me and I never got to tell him he really was one of my kings.
This is a raw live recording because that’s seems  more relevant to him coming from a punk background. 
I worked, socialised and shared some unbelievable memorable moments with Andy stretching over a 30 year period.
He was an original punk rocker in his younger days and played as a drummer in many different punk bands. Carried the tattoos of punk and that period carried him through the rest of his life. Very knowledgeable about music and cultures. 
He always got up behind the kit and blasted out at our soundchecks and when we were breaking down after the gig, he just couldn’t help himself. Always supported live new music and my band projects. 
Andy was one of the Co founders with me of underground music magazine Blag. Known as Andypunkrock to the readers.
I will never forget him and think about him everyday.
You don’t realise until certain people leave you how much it affects you. 
RIP Andy you were One Of My Kings.

One Of My Kings (Acoustic Live RIP)

Happy Friday!

Makin that bacon and I'm bringin it home 
Theres a pretty woman waitin for me
We're hittin the beach
gettin takeout for dinner but  I know that all that takeout ain't free

Cool cool morning on a summer day
the alarm clock won't give up
I gotta punch my card so that I get payed
Pour my coffee in my cup

We all spend our weekdays workin
take our orders from above
but I guess it's not the worst thing
when we're doin it all for love

We're lucky to be worthy of
all of the good good things 
that make up our lives
and give us reason to put up

Now it's real easy to just hang your head
and only look at all of the bad
but for everyday that you get out of bed
you got to think of all that you have

So when you punch the clock all day and night 
think of the roof that's sittin above
cause the money ain't comin
if you're not there runnin 
for the things and the people you love.

We're lucky to be worthy of
all of the good good things that make up our lives and give us reason to put up

We're hittin the beach
gettin takeout for dinner but  I know that all that takeout ain't free

Cool cool morning on a summer day
the alarm clock won't give up
I gotta punch my card so that I get payed
Pour my coffee in my cup

So when you punch the clock all day and night 
think of the roof that's sittin above
cause the money ain't comin
if you're not there runnin 
for the things and the people you love.

Makin that bacon and I'm bringin it home
Theres a pretty woman waitin for me
We're hittin the beach
gettin takeout for dinner but  I know that all that takeout ain't free

Makin that bacon and I'm bringin it home
Theres a pretty woman waitin for me
We're hittin the beach
gettin takeout for dinner but  I know that all that takeout ain't free


V5.81 - DC - DB - MA - HL

Punchin The Clock

GetTogetherStayForever

A sleepwalk in an empire of richess - featuring Linda Diamondsky

keep it up, poets
burning from within, laughing at my skin
little shutter girl, 
graveyard shift
six feet underground, laughing in my skin

take me with you
after glow
red light district, when I grow

little angel, in my heart
wild flowers blow,
leave me a promise, 
take me slow

hidden by the dark, nothing in my head, graveyard shift

once more the wolf is dead & left at my door
little shutter girl, take it slow

devil on the prowl, laughing at my skin
circle underground

Grave Shift

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

(Don't follow me here, best on my main page ;)

Grave Shift

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