There is a tide within me,
pulling toward a shore I have never seen,
a place unnamed, yet familiar,
woven from the mist of forgotten dreams.

I step into the water,
watch as it swallows my reflection—
a face I no longer recognize,
a drift between the currents of what was and what could be.

I have spent lifetimes chasing shadows,
tracing the outline of something just beyond reach,
a whisper lost in the crash of waves,
a question without a language to hold it.

What if I am only the echo of a life never lived?
A ripple fading before it meets the sand?
Perhaps I was never meant to arrive,
only to drift, to dissolve,
to become part of the endless tide.

Not to grasp, but to feel,
not to own, but to remember
that once, for a moment,
I was more than water.

lighthouse

Floating

A meditative journey through death and the afterlife. “Ashes” drifts between silence and sound, existence and disappearance — ambient reflections on mortality, memory, and what lingers beyond.

Tobias Lorsbach, professionally known as Logic Moon, is an artist based in Mainz, Germany. His musical trajectory encompasses a broad spectrum, beginning with his role as a guitarist in a death metal band, followed by endeavors as a DJ, and ultimately establishing himself within the ambient music sphere. This diverse background informs the conceptual depth of his recent works, which seamlessly incorporate experimental and neoclassical elements.

Produced and mixed by Tobias Lorsbach (Logic Moon)
Mastered by Tobias Lorsbach
Cover picture by Tobias Lorsbach
Cover design by Dionis Afonichev (Dionisaf)

Ashes

Remember Me

cricket decay

Evening Light

Old Times

from my album h e a r t w a a a v e

An experimental vaporwave release that drifts through chill, blissful soundscapes and introspective moods. Delay-drenched vocals and emotional synth leads guide a lucid, dreamlike experience... psychedelic not in form, but in feeling.


life will f o r g i i i v e you

this is a re-upload of a song I made in summer.

Velvet Lightning

Sous un ciel infini, où les vents du désert murmurent encore les prières des anciens, Ankh of the Sky élève le souffle humain à la rencontre du divin.
L’album tisse un pont entre l’Orient éternel et la modernité spirituelle — un voyage sonore où le saxophone devient prière, la flûte un souffle d’âme, et la basse un battement du cœur du monde.

À travers des paysages sonores inspirés par Jan Garbarek, Karunesh et Kenny G, chaque morceau explore un degré de l’ascension intérieure : du sable brûlant de la Terre aux sphères célestes baignées de lumière.
Les nappes méditatives se mêlent aux mélodies orientales et aux harmoniques jazz, invitant l’auditeur à retrouver le symbole originel de l’Ankh — la clé de vie — suspendue entre le ciel et la conscience.

C’est une musique d’élévation et de silence, un dialogue entre l’ancien souffle d’Isis et la résonance contemporaine du monde.
Ankh of the Sky n’est pas seulement à écouter : c’est une traversée intérieure, un rite de lumière pour ceux qui entendent encore les dieux respirer dans le vent.

Last Chapter G

Brewed in Silence

limerence - yves tumor (instrumental edit) slowed

Hey, I’m Solar Sol. I make slow, dreamy, slushy, emotional stuff, mostly influenced by vaporwave, slushwave, lo-fi, and space ambient. 

I really like long rhymes too, so I incorporate them into my music sometimes as well! For instance, "under the vast sky, SPENT the NIGHTS RIFE with PAIN // cause part of me died when you WENT to BRIGHT LIGHTS LANE", but still figuring out how to implement these types of rhyme schemes into singing and slower songs.

With rhymes in mind, I also make what I call "frenzy rap", which is based on (a) a rapping throughout the entire beat (no interludes, pauses, hooks, etc.) and (b) long and complex rhyme schemes! 

I currently have three albums in the works, all with their own unique identities / soundscapes. I expect at least one of them to be done by mid-August 2025!