Bed for solardonut2015 project for collaboration.  And as standalone collaboration, Colin and I double tracked.


Sd 07132015 - 7 13 15, 2.11 PM

Wheel Turns Slowly / raelx2013    07132015

World Wide Collaboration Project 
Croatian Ocean Photo: Regina H.

Low traffic account with lots of sketches, explorations & unreleased tracks, some of them for download. I come here myself every now and then.

You can also download the opening track of my Album Hippopotamus from The Wire Tapper CD:
https://www.thewire.co.uk/audio/the-wire-tapper/the-wire-tapper-46/9

For bookings, contact http://datamusicalism.com Paris.

Here on my SoundCloud we have varying levels of quality - some tracks that are stable / final and then lots of explorations & sketches, mostly for personal archiving.

Shout out to @venderstrooik @davidspeligro @svs-records @schamoni-musik @version111a @david-sardelle @danieldoor @leroyschlimm @protein-music @camilafuchs @belial-pelegrim @drumcorps and a million other people I love & forgot to mention...

3rd year /Heading Further Out
Artists worldwide sharing, posting, collaborating music in experimental and other ambient, concrete,electronic genres.

This is the fourth version in the donut collaboration series, solardonut2015, lunardonut2016, galacticdonut2017, dimensionaldonut2018. Involving artists through the years from all over the world.
Pick up track and collab, repost, drop off track for others to collab.
Contact for inclusion: @mdmooser twitter

booking/inquiries : tocovervisch@gmail.com
29.10 Les nouveaux sauvages (Vélvélé)
21.10 Supersonic (Vélvélé)
08.07 Pointe Lafayette (Solo)
28.06 Charbon Collectif, Bagnolet
21.06 Chaton indépendant (Vélvélé)
14.06 Non Jazz (Stéphanie Lotion )
08.06 Tour Orion, Milieu Studio (Stéphanie Lotion)
06.06 Plateforme Paris (solo)
04.06 Olympic Café (solo)
29.05 Ground Zero (Stéphanie Lotion)
25.04 Furium, les Nouveaux sauvages ( Stéphanie Lotion)
19.04. Non Jazz, Cantine pas si loin (solo)
25.01 Vanilla café, cmptrmthmtcs (Stéphanie Lotion)
21.12 Pan café (solo)
13.12 Théatre Berthelot, Montreuil, Collectif Coax et Instants chavirés (Stéphanie Lotion)
30.11 La Berge, Saint Aignan, 41 (Stéphanie Lotion)
05.11 Olympic café, Sport National (solo)
19.10 Tour Orion, l'Amorce des consignes (solo)
02.10 Shakirail, dernière de vaagues de chaleur (Stéphanie Lotion)
28.09 Festival l'Ode Mère (Stéphanie Lotion)
20.09 Consulat (solo)
12.07 Sport National Café de Paris (solo)
27.06 Beaux arts Paris (Stéphanie Lotion)
01.06 Le boulingrin Rouen (solo)
13.06 Beaux arts Paris performance avec Margot Bernard
05.06 l'international (Vélvélé)
04.05 Feux avec (Stéphanie Lotion et Vélvélé)
16.04 Instants Chavirés (solo) Quasi
16.03 à DOC performance avec Laure Mathieu 

__
12/01/24 Chapelle Port Royal avec Stéphanie Lotion 
13/12/23 Pointe Lafayette avec Velvélé (silence kills concerts)
10/11/23 Zorba, (La sale pépinière) solo 
03/11/23, Café de Paris, Sport National avec France Connect
26/10/23 Supersonic avec Velvélé
18/08/23 Pallistock festival 
11/04/23 Instants Chavirés, solo show

Occasional Musician. Post-Deconstructionist.

A lot of my older material from here has been deleted (by me) to create space for newer material. But all the older stuff is available on  Bandcamp.

     Practically swimming in music as a child, Michael Ferentino had already released two independent albums by the time he reached high school. Teaming up with Andres Karu, Michael was lead singer, guitarist, and principle songwriter for Love In Reverse, an electronic rock act that signed a deal with Warner/Reprise. The two subsequent albums, “I Was Here,” produced by Grammy award winner Russ Titelmann, and the self-produced “Words Become Worms” were both critically successful and allowed the band to join some more high-profile tours such as Republica, Stabbing Westward, Gravity Kills, and Ian Astbury (the Cult). In 1998, Michael joined up with Andres again to form Amazing Meet Project, which caught the attention of Clerks director Kevin Smith, in turn leading to score work for the film “A Better Place” in early 2001. Later that year, Michael embarked on a solo career, more acoustic in direction, and toured North America and the U.K. with Miles Hunt, lead singer for the legendary British pop band, the Wonder Stuff. During this period, he released two albums of his “stripped-down-to-Earth” material. In 2003, he switched gears and recorded several independent experimental music recordings under the moniker Bedtime for Robots, an excursion into the dark depths of ambient noise. Inspired by films, noise, and neuroscience, Bedtime for Robots has been oddly self-described as David Lynch wrestling with Brian Eno and the members of Kraftwerk while nearby, little Alice daydreams of her simple life milking cows on the farm before she fell deep, deep down into the rabbit’s hole…and awoke to the sounds of scratchy old children’s records bleeding out creepy little noisescapes. Check out the Bedtime for Robots Soundcloud profile as well.