This is my first single! I hope you like it!💙

Solomon Post’s 75 is a hauntingly evocative meditation on love, loss, and the relentless pull of nostalgia. With cinematic lyricism and a wistful yet propulsive energy, the song captures the bittersweet tension between longing for the past and the fleeting nature of reconciliation.

The imagery is striking—“Old black Lexus backseat / Seven five Springsteen / Baby, I was born to run”—invoking a Springsteen-esque Americana where highways become metaphors for freedom, regret, and the inevitability of moving forward. The interplay between love found and love lost is painted with poetic resignation: “Cut the screen, fade to black / Roll the credits, no one claps.” This closing sentiment is devastating in its simplicity, suggesting a romance that plays out like a film with no satisfying resolution—just a quiet, uncelebrated ending.

Musically, the structure reinforces the song’s emotional depth. The refrain, “I’m so lucky that you want me back”, carries an aching sincerity, underpinned by the tension of uncertainty: is this luck, or is it the last gasp of something that was never meant to last? The shift from high-energy escapism to reflective melancholy mirrors the emotional turbulence of chasing something just out of reach.

Post’s 75 stands as a modern road song for the heartbroken, weaving together the timeless appeal of yearning with a sound that feels both intimate and anthemic. It’s a track that lingers—much like the memory of a love that once burned bright in the rearview mirror.

75

Solomon Post

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Solomon Post

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