Mowgli's Road (Cover) [Stripped Version]

Chinatown (Cover) [Acoustic Version] ft. Barryyaya & SUZU

Happy Birthday Song

True Colors (Cover) [2023 Version]

堅強的理由 (Cover)

The Nightingale (Cover)

Never Tear Us Apart (Cover)

Rock Lobster (Cover) ft. Jade Chieh Chen

Chinatown (Cover) ft. Barryyaya & SUZU

Three-Song Medley (Heather X The Good Side X Gimme Love)

No Surprises (Cover)

Mowgli's Road (Cover)

Daylight (Cover)

Last Christmas (Cover) ft. Emily D. & SUZU

Blue Banisters (Cover)

Solomon Post’s 75 is a hauntingly evocative meditation on love, loss, and the relentless pull of nostalgia. With cinematic lyricism and a wistful yet propulsive energy, the song captures the bittersweet tension between longing for the past and the fleeting nature of reconciliation.

The imagery is striking—“Old black Lexus backseat / Seven five Springsteen / Baby, I was born to run”—invoking a Springsteen-esque Americana where highways become metaphors for freedom, regret, and the inevitability of moving forward. The interplay between love found and love lost is painted with poetic resignation: “Cut the screen, fade to black / Roll the credits, no one claps.” This closing sentiment is devastating in its simplicity, suggesting a romance that plays out like a film with no satisfying resolution—just a quiet, uncelebrated ending.

Musically, the structure reinforces the song’s emotional depth. The refrain, “I’m so lucky that you want me back”, carries an aching sincerity, underpinned by the tension of uncertainty: is this luck, or is it the last gasp of something that was never meant to last? The shift from high-energy escapism to reflective melancholy mirrors the emotional turbulence of chasing something just out of reach.

Post’s 75 stands as a modern road song for the heartbroken, weaving together the timeless appeal of yearning with a sound that feels both intimate and anthemic. It’s a track that lingers—much like the memory of a love that once burned bright in the rearview mirror.

New tracks tagged #queer singer