Electronic / Rock / Noise / Ambient
Ig: Epilefvalley

Still based in Southwestgermony ,I make IDM ,Ambiet & Produce Singer, Songwriter, Folk, Ballads and any Type of Bands...Lets collab, Folks! ^^ Representing the generation that started out using digital audio workstations with capabilities that even rich people could hardly dream of just some decade ago, there are also certain limitations to the digital sound creation compared to analog music. By today these limitations have become smaller than ever. The latest generation of virtual instruments can indeed become very hard to distingish to analog sound synthesis. Almost all recorded music nowdays is digitally rendered anyways, and just like it is pretty much impossible to notice a difference between a 96kHz and a 44kHz sampling frequency sound file, the differences and limitations are not so much in soundquality anymore, but more in controlling and influencing the sound. The speakers have basically become the instrument. I personally shifted my focus away from the limitations of the latest technical developements that always shaped the sound of the time, which led me to a quite mathematical and digital way of understandig music. I often end up calculating certain timings and frequencies based on a mathematical approach of variations and harmonics to see what that may sound like. That for example led me to discover the incredible coincidence that my bodysize of 1,85m is the only spectrum where 185cm wavelenght translates to 185Hz around room air temperature and i worked with the golden ratio that is acually not yet really part of conventional music though it actually sounds similar to the octave in a way interestingly enough. Musictheory is after all a pretty small, limited and lucid subject as far as our logical, basically only mathematical, understanding of music really goes. I expect future developements in that realm of mathematical musictheory. Most of my music is opimized to be played on high quality systems at high volumes to get the most out of high end gear. I always love to push the euquipment, soundsystem or acoustics available atm to its limits! Many people have been complaning about the clean, sterile and in a way dead sound of the digital matrix thas has taken over music a while ago, but in my humble opinion there is also new creative potential, especially also in including analog, as well as random generated signals that i like to use a lot. When i make a track, most of the time i start with the bass harmonics that usually shape the core and already define the musical concept. I often have very little in mind in the beginning, but as i jam out a certain mood developes and i freely associate concepts that i then try to somehow translate into the signal, as well as just fooling around and exploring the unexpected of course. Usually i'm mostly interested in things that just sound musical, interesting, intelligent, advanced and mighty. I'm trying to find an efficient and minimalistic defining essence while leaving as much wild, uncontrollable, but musical and harmonic chaos as possible blank in pursuit of a rather pleasant mood. I'm always looking for other musicians to form a psychedelic band!!!

working some surreal music for a bike ride smoking weed

Find my full albums at bandcamp! 
buy it with bitcoins! 

Anarchy, love and NO SCENE MUSIC

mándenle un cheque a rafa, y tendrán mi canción

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