"Light and Lens" - from the "Time Capsule - 808 Box" on Fundamental Records.

https://www.facebook.com/solvent

I made this track approx 2009. The bassline is a Roland ProMars, sequenced by the Sequentix P3 sequencer - lots of edits made here, especially the 2nd half where I put the sequence into random mode. Drums are TR-808, CR-78, and some white noise percussion from the Korg MS-20, also being sequenced by the P3. The pads are Jupiter-4, and are directly and intentionally referencing Polygon Window. I used to play this one live sometimes, but it always tripped up people who were trying to dance, so I think this one is better suited to the braindance-floor.

Light and Lens

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii


NEXT SHOWS -->

14.11.2025 L’Antre, Nice 
20.12.2025 Hotel Vegas, Austin 

PASSED SHOWS -->

12.10.2025 nulovyi, Lviv

19.09.2025 Hitness club, Leipzig

29.08.2025 La Salle gueule, Marseille 

21.06.2025 Spazio, Marseille 

14.04.2025 Westwerk, Leipzig 

12.09.2024 La Salle gueule, Marseille 

01.08.2024 Diamant d’or, Strasbourg

10.02.2024 La Salle Gueule, Marseille  

7.10.2023 Grisbi, Maseille 

22.07.2023 Loophole, Berlin

7.07.2022 Coco velten, Marseille 

10.02.2022 La salle gueule, Marseille

Find "Hostage" in Station Station, Paris and 
Ola Radio, Marseille podcasts by DJ JUUULA:

https://on.soundcloud.com/MPHVj

https://on.soundcloud.com/4ANupobrJkpwg3jz6

Find "Aspen" on Voices Radio, London 

https://on.soundcloud.com/8uqskb1vThrZKoC58

Bandcamp: https://karinablur.bandcamp.com 

Label Paravision music - - - >

||| Vinil |||
https://paravision.bandcamp.com/track/aspen-ft-karina-blur-2
&
||| K7 ||| https://paravision.bandcamp.com/album/bona-fide

YouTube: 

https://youtube.com/@karinablur__?si=EiF_kczKcKRnUZwg

Booking ---> blurkarina@gmail.com 

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.

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