Suction records

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New Playlist 2

modular synth music

Com Truise - Galactic Melt (10th Anniversary Edition) release 11th March

Ghostly International_part3

Taken from the cassette "Pulsdisco#1" released on Complete Command 2014.
Video link: https://www.youtube.com/watch?v=rDsFI7WdRCo

Betong

ARTIST: Celldöd
TITLE: Pulsdisco
LABEL/CAT: Suction Records / suction030 
FORMAT: 12-inch / digital EP
RELEASE DATE: Feb.3, 2015

Suction Records is pleased to present "Pulsdisco" (suction030, 6-track 12-inch), the debut vinyl release by Celldöd﻿, a new name to the Suction Records roster. Hailing from Stockholm, Sweden, Celldöd's output to date has been a series of extremely limited cassettes. This 12-inch is a selection of tracks from the first two tapes, Pulsdisco#1 and Pulsdisco#2.

Celldöd is the solo project of Anders Karlsson, well known in the EBM scene for his involvement in the band The Pain Machinery and as a live member of Severe Illusion. It's no surprise then, that the Electronic Body Music pulse of bands like DAF, Nitzer Ebb and The Klinik is at the heart of Celldöd's sound as well, but with a twist. Celldöd strips EBM down to it's core, eliminating vocals and any superfluous details. Celldöd offers a raw, minimal, and purist vision of EBM; hardware tracks recorded live to tape using just a handful of machines. Celldöd's bare bones dance cuts are dirty and primitive, but manage to steer clear of retro trappings, sounding fresh and contemporary. Despite being driven by Nitzer Ebb-style basslines and militant electronic percussion, you can also hear the squelch and funk of vintage acid house and proto-techno in Celldöd, giving Pulsdisco the same techno/EBM crossover appeal of artists such as Silent Servant, Adam X and Terrence Fixmer. 

Tracklisting:
A1: Betong
A2: Pulsdisco 1
A3: Deffad
B1: Pulsdisco 2
B2: Stålull
B3: Som Rakblad

Celldöd "Deffad" A3 (suction030 PREVIEW CLIP)

Celldöd "Stålull" B2 (suction030 PREVIEW CLIP)

Celldöd "Som Rakblad" B3 (suction030 PREVIEW CLIP)

The original version of this track is featured on Celldöd - Pulsdisco (Suction Records ‎– suction030).

Pulsdisco (Fishermen Body Mix)

Lunchbox

Down In The Park

The Colour And The Shape

My Hero

Monkey Wrench

There Is Nothing Left To Lose

Learn to Fly

Moog

I Am A Spaceman

Realistic Source

You Have Been Selected

Mixed Waste 4.2

Micro Melodies

New Ways: Music from the Documentary I Dream of Wires

Transfer Function

Apples & Synthesizers

My Radio

Live

Bad Kingdom (Live)

R+B=?

All For Now

Some Kisses

Avalon Blonde

Taken from the Album "The Princess" - OUT NOW!

www.parovstelar.com 
www.facebook.com/parovstelar 
www.etagenoir.com

The Art Of Sampling

All Night

Rough Cuts

Psychedelic Jazz

Glimmer

Goldengrove

Dare-gale

Solid State Logik 1

Doctorin’ The Tardis

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.

