I Can Hear You.

Google Play:
http://app.oroyawave.com

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Message - Dernière nuit

English: 

Elliot, Francis, Maxime and Simon could have met on the night of October 2nd 1988 in Middlesex, Virginia. Meeting outside a Wipers concert, they would have then started a band with a raw sound chiseled by post-punk guitars and analog synths. 

Instead, it is in Paris in 2012 that they combined their love of the guitars from Cleaners From Venus, the melancholy of The Cure and the synths of Fad Gadget and Oppenheimer Analysis to create a new band; Rendez-Vous. 

The 4 boys deliver a tight sound that vacillates between spontaneous bursts of energy and a catchy dark melodic pop ambience. Heavily influenced by both the naivete of the 80s and the resonance of the 90s. Their track "Donna" sounds like it could be blasting out of Donnie Darko's Walkman. 

Rendez-Vous is releasing their debut EP November 25 on Zappruder Records. 

Rendez-Vous - Plasticity

new single by the australian duo!
written/recorded - marcel whyler
mixed/mastered/produced - jonathan schenke

Buzz Kull -Dreams

First track from "Standard Of Living" LP 2015

Second Skin

Clan Of Xymox - Something Wrong

Format: 7"
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Artificial Heart

Pale and sick

07 August in winter

In memory of Eric Miranda. 

Original version on album Fracture. Repair. Repeat (2016). https://soundcloud.com/inletterform/

Remix produced at Blue Door Studios, Brighton UK by Paris Alexander.

Video: https://www.youtube.com/watch?v=7b5WptOkRkk

In Letter Form - Edison's Medicine [Antipole | Paris Alexander Remix]

The Dreams Never End - Imagem

The Agnes Circle - Porcelain

Taking its inspiration from the minimal synth and coldwave genres of the 1980s, Soma Sema exists as the musical collaboration of Clara Hall (voice) and Th. Tot (machines). With interest and experience in working with other forms of music, including pop, drone and noise, Soma Sema seeks to simultaneously transcend and pay homage to the wave genre. The project's music experiments with ambient interludes while nevertheless embracing pop structures. In the process, it creates music that sounds polished yet also rough around the edges at the same time.