No Strings Attached

BABYDOLL

SAYING GOODBYE

TOXIC

Thomas LaRosa - Scream My Name

VILLA
https://soundcloud.com/villa-oktogon
https://instagram.com/villa__music

GRÜVCAST05 • VILLA

Beau Didier @ Indigo Malta 10HRS

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://lostepisodesrecords.bandcamp.com/

Shlomi Aber returns with a four-track EP on his vinyl-only imprint Lost Episodes, delivering another potent dose of raw, dark techno.

Artist: Shlomi Aber
Title: Episode 7
Label: Lost Episodes
Catalogue: Episode7
Format: Vinyl 12” (vinyl only)
Genre: Electronic
Style: #Techno
Release date: August 22, 2025

Tracklist
1.	Applications
2.	Ride
3.	Gridding
4.	Knocking Twice

Known for his analog-heavy production style, Aber explores deep, driving rhythms and shadowy atmospheres across the release, staying true to the label's underground ethos.

Episode 7 is a stripped-back yet powerful statement, reaffirming Lost Episodes as a vital outlet for uncompromising techno purism

Follow #ShlomiAber here:
http://www.shlomiaber.com/
https://soundcloud.com/shlomiaber
https://www.instagram.com/shlomiaber/
https://www.facebook.com/shlomiaberofficial

Follow #BeAsOne here:
https://soundcloud.com/beasoneimprint
https://www.instagram.com/beasoneimprint/
https://www.facebook.com/beasoneimprint


___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

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Episode 7

Applications

Premiere: Shlomi Aber — Applications [Episode7]

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://dunarecordings.bandcamp.com/music

In nature, dunes are sand formations often formed by wind that sculpt elegant and dynamic silhouettes in constant transformation. As in nature the concept of constant evolution and movement will be the cornerstone of “DUNA”. 

“My Visions Aren’t Still" is the label's fourth release with, presenting the unique and uncompromising sound of Jack Nolan.

Artist: Jack Nolan
Title: My Visions Aren’t Still
Label: Duna
Catalogue: DUNA004
Format: 12" Vinyl + Digital
Genre: Electronic
Style: Techno
Release date: September 1, 2025

Written and produced by Jack Nolan.
Distributed by Triple Vision.
Mastered by Giuseppe Scaccia.
Artwork by M.I.R.U.EL.
Released by Duna.

Follow #JackNolan here:
https://soundcloud.com/jacknolannms
https://www.instagram.com/jacknolan____/

Follow #Duna here:
https://soundcloud.com/dunamusic2022
https://www.instagram.com/duna_____________/
https://www.facebook.com/Dunarecordings

UNCOMPROMISIG ELECTRONIC MUSIC
https://linktr.ee/duna__

Tracklist:
01 - Leave No Trace
02 - Drown Your Ego
03 - Ghost In a Shell
04 - Expect Nothing
05 - My Visions Aren’t Still
06 - Six Sixties
07 - Sit In A Chair And Pictures Change
08 - It Danced In Your Eyes
09 - Foighne
10 - Time That Binds


___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

Follow us on INSTAGRAM and FACEBOOK for releases previews and news:
https://www.instagram.com/hate_collective
https://www.facebook.com/hatecollective/

Follow us on SOUNDCLOUD for exclusive podcast series:
https://soundcloud.com/hate_music

My Visions Aren’t Still

Ghost In a Shell

Premiere: Jack Nolan — Ghost In a Shell [DUNA004]

Disguised – A dynamic techno duo that has been setting dance floors on fire since 2015.
Alvaro and Domenik combine their passion for oldschool techno with modern elements,
creating a unique blend of driving beats, hypnotic melodies, and dynamic soundscapes.

In their mix for Habitus, Disguised showcase a selection of their current favorite tracks – music that inspires and moves them right now. The set offers an energetic glimpse into their recent live performances, filled with driving rhythms and hypnotic passages.

Instagram: https://www.instagram.com/disguised.wav/
Bandcamp: https://disguised030.bandcamp.com

HABITUS Invites #60: Disguised

Hailing from Paris, Sicion has gained a following for his captivating live sets, blending complex rhythmic structures with abstract textures and deep, psychedelic atmospheres.

A distinct voice in the French scene, his sound leans into intensity without losing nuance.

Tune in for #261

Artwork by @ankhsious

Vault Sessions #261 - Sicion

in.di.go Co-Founder and Resident, Patient, takes control of the 2nd live recording from in.di.go x Vault Sessions Weekender back in May.

A 2-hour mind bending journey full of raw energy that ignited the dancefloor.

Enjoy the ride 🐈

Patient - in.di.go x Vault Sessions May 2025

Support here:

 https://positivesource.bandcamp.com/album/cluster-src008
https://soundcloud.com/positivesource
https://www.instagram.com/kolo55_official/

PREMIERE: KOLO55 - Zertac [src008]

Jon10
https://soundcloud.com/jon10traxx
https://instagram.com/jon10.ie
https://fr.ra.co/dj/jon10

GRÜVCAST07 • Jon10

Instagram: https://www.instagram.com/benza.___/
Bandcamp: https://benzamusic.bandcamp.com

HEISSS HOTCAST 038: BENZA

Digital: AVAILABLE NOW
Physically: 10th May 2010 (PRE-ORDER NOW)

TRACKLISTING:

1.	M1
2.	Terminal EMA
3.	DISinformation Desk
4.	Passport Control
5.	Wait Behind This Line
6.	Empty Seat Calculations
7.	Strip Light Hate
8.	Future Delay Thinking
9.	Lounge
10.	Delay 9
11.	Sleep Deprivation 1
12.	Sleep Deprivation 2
13.	He Knows
14.	Business Car Park 9

The Project.
Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. 

Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human control which only elevate the stress of their transient occupiers. Airports’ promise travel, exploration and excitement but endlessly break that promise with their stale, tedious pressure. They are intense and overwhelming environments. Anyone who travels by air will have been puzzled by the way that airports tend to reduce us to worthless pink blobs of flesh, the human equivalent of the bags on the conveyor belt. Yet despite the frustration of being in that atmosphere, some of the best of human nature is revealed, alongside some of the very worst. Airports make for great “people watching”.

The artistic intent of Music for Real Airports is therefore to examine the nature of airports and to explore what they could be. The Black Dog argue that, considering their importance in our lives, airports have not been sufficiently represented by artists. Perhaps the best known artistic response to airports is Brian Eno’s Music for Airports, whose purpose seems to be largely elegiac, even if conceived as an antidote to the stress of plane delays. tBd performances, events and installations are a more accurate update to Eno’s work, and to a degree, a riposte. Some members of The Black Dog were disappointed by Eno's treatment of the subject in 1979 and have been considering how to produce a more meaningful response ever since.

The Album.
Airports have some of the glossiest surfaces in modern culture, but the fear underneath remains. Hence this record is not a utilitarian accompaniment to airports, in the sense of reinforcing the false utopia and fake idealism of air travel. Unlike Eno's Music for Airports, this is not a record to be used by airport authorities to lull their customers. The album is a bittersweet, enveloping and enormously engaging listen. It is ambient, but focused. This is not sonic mush, nor adolescent noise. Nor is it a dance album. Much of the raw material of the album was made in airports over the last three years. While on tour, the Black Dog made 200 hours of field recordings, much of which was processed and combined with new music in the airport itself, waiting for the next flight. This vast amount of content has been slowly distilled into a set of particularly evocative pieces of music. 
Composed in large degree of drones there is little in the way of beats until half way through - but rhythm is plentiful within the buzzing synthetic warmth. This record is not necessarily a comfortable listen. But it captures the spectrum of emotions stirred by airports. There is tension and disappointment. But there is also romance and excitement.

The Music
Opening the album is M1, capturing the familiar and re-assuring sound of Motorway life; the beginnings of a journey. A hovering chord, a soundscape, the dulled tones of the world passing, all gradually build towards the entrance of this supposed utopia. Optimism and hope stand hand-in-hand as you realise you’re here again, at Terminal EMA. The numbing and sterile ambience welcomes you to East Midlands Airport, as the distant voice of the airport echoes throughout. The introduction of beats raises the tempo, the sense of apprehension grows, with DISinformation Desk, anger and impatience flair. Ill-founded paranoia sets in a Passport Control, with heavy breathe and guarded pulse, eventually ending in relief, as deep respire floods back. The Black Dog experiment with the solemn strings of Empty Seat Calculations as they toy with dizzying percussion until the bass drops and beats commence. Strip Light Hate is one of the most uncomfortable tracks on the album with its searching and razor-sharp synth work, intense and heavily processed percussion. 

Onto the whine of the engines shifting pitch and frequency throughout Future Delay Thinking, giving an unenviable feeling of being stood bang in the middle of the runway. A Dub-step influenced beat sits behind piercing and intense sounds, until a moment of madness fleets through into a brief 4x4 beat and hectic resonant tones. Then respite arrives with the brief Lounge, combining the ambient and relaxed mood of the gate with futuristic and disconcerting glitches of sound. Delay 9 brings a typical droning voice over the PA system, while soft and calming keys carry feelings of achievement that are soon joined by deep and haunting strings. Sleep Deprivation 1 brings back the uneasy tensions. Irregular beats sit awkwardly, but become peaceful in a contrived manor with a distinct numbness pulsing through. The uneasy tensions don’t reach the serenity of part 1, in Sleep Deprivation 2, but do carry the deadened feeling of indifference. Finally He knows brings a brief interlude with an almost aquatic and muffled atmosphere that barely settles, before leading into Business Car Park 9, which closes the album with the trademark Black Dog beauty. End.


Empty Seat Calculations

Produced, written & performed by: Dutch Melrose

fanlink.to/dutchmelrose

www.instagram.com/dutchmelrose
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Sleepless

One of the world's leading electronic dance labels, and one of the longest running. We have been putting out great music since 1991. Co-founded by Slam.

Empty Seat Calculations

Soma Records

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