Name: 4Elise by somlodavid
Duration: 34 s
Description: A great moment caught on an old Ericsson phone.

Nobody

Wheniseeyou

Our final mix of 2016 comes from S Olbricht & Yinna!

S Olbricht is a producer and co-owner of Hungarian electronic music label, Farbwechsel Records. He walks on the obscure side of the electronic music landscape, exploring the blurred territories between murky techno and melancholic house combined with ambient sound and abstract rhythms. 
He has previously released on Lobster Theremin, UIQ & Farbwechel to name just a few. He is also appearing on the Boiler Room, Budapest in January alongside Imre Kiss, Asquith, Route 8 & Snow Bone.

Yinna is a Techno & House dj/producer based in Budapest. She is the host of Outline, which is a radio show on Tilos Radio.

We are delighted that they have produced this fantastic mix for us and we hope you enjoy it as much as we do! 

To check out more from S Olbricht & Yinna, please check the following links..
S Olbricht
Soundcloud: https://soundcloud.com/s_olbricht
Facebook: https://www.facebook.com/s0lbricht/
Twitter: https://twitter.com/s_olbricht

Yinna
Soundcloud: https://soundcloud.com/yinna
Facebook: https://www.facebook.com/Yinna-272837519477443/

Hypnotic Groove Mix #129 - S Olbricht & Yinna

Clip from the latest Subtext Recordings release by Ellen Arkbro - For organ and brass. For organ and brass is comprised of two works by the Stockholm-based composer Ellen Arkbro. Both works focus on tuning, intonation and harmonic modulation. In previous projects, Arkbro composed for early music ensembles, wrote a series of durational pieces utilising synthetic tones and processed guitars, and, most recently, presented a work lasting 26 days at the Stockholm Concert Hall. for organ and brass looks back to Arkbro’s studies in Just Intonation with La Monte Young, Marian Zazeela, and their disciple Jung Hee Choi in New York, as well as with kindred spirit Marc Sabat in Berlin.

The title composition was written for an organ with a specific kind of historical tuning known as meantone temperament. It was only after locating an appropriate instrument—-the Sherer-Orgel dating back to 1624 in St. Stephen’s Church in Tangermünde, Northeastern Germany—-that Arkbro set about recording both for organ and brass and its counterpart, three. “Hidden within the harmonic framework of the Renaissance organ are intervals and chords that bare a close resemblance to those found in the modalities of traditional blues music,” explains Arkbro. “The work can be thought of as a very slow and reduced blues music.” 

The work moves gradually through a series of long, sustained tones played by the organ and in parallel by a brass trio comprised of horn, tuba, and trombone. Arkbro’s treatment of pitch resembles the tuning strategies of La Monte Young. The brass parts were performed by microtonal brass trio Zinc & Copper, a group whose repertoire has included works by C.C. Hennix and Christian Wolff.  http://www.zincandcopper.org/

In Arkbro’s words, “the brass instruments and the organ fall into patterns of interaction in which a new breathing instrument emerges.” three, which follows the 20-minute title work, deploys the same principles of harmonic relativity. In removing the organ from the instrumentation and switching to a different meter, three acts as an intimate counterpoint to the ritual drone cycles of the title piece.  

Ellen Arkbro is currently studying for her Master’s degree in music composition at the Royal College of Music in Stockholm. Her work has been performed in Brooklyn, Stockholm, Norberg, Bologna, Gothenburg, Berlin, Birmingham, and Malmö, and on Swedish National Radio.
for organ and brass was recorded in Tangermünde, Germany in September 2016. 
The performers were Johan Graden (organ), Elena Kakaliagou (horn), Hilary Jeffery 
(trombone), and Robin Hayward (tuba).

Ellen Arkbro - For Organ & Brass Clip

A great moment caught on an old Ericsson phone.

4Elise

https://www48.zippyshare.com/v/vwapRkGr/file.html

original: Cosmonov - Kati

mobil telefon csengohang letoltes ingyen

from live concert using different types of just intonations
don't forget to DECOLONIZE YOUR MIND!
recorded @ Akvarium, CAFe Budapest on 19/10/2019

Andras Halmos - drums
Gyanyi Marcell - double bass
Mate Pozsar - synth
Daniel Vaczi - glissonic
Balint Szabo - guitar

Stupid Fucking White Man (live version)

Jürota: Untitled
Jü featuring Dorota Live in Müszi, Budapest
on "Jazzaj Karambol" series 
2013-02-01

Jü (jobb oldalon / right side):
Mészáros Ádám: gitár / guitar
Hock Ernő: basszusgitár / bass
Halmos András: dob / drums

Dorota (bal oldalon / left side):
Somló Dávid: gitár / guitar
Makkai Dániel: basszusgitár, klarinét, effektek / bassguitar, clarinet, effects
Porteleki Áron: dob / drums

Felvétel, produkció + fotó / recording, production + photo: Pap Dávid Tamás
Köszönet / Thanks to: Tesfay Áron

A koncert (majdnem teljes) egészében meghallgatható és letölthető az alábbi linkeken (két félórás blokk) / You can listen and download almost the whole concert on the following links (two 30 minutes sets):
http://tilos.hu/online/2013/02/08/tilosradio-20130208-0100.mp3
http://tilos.hu/online/2013/02/08/tilosradio-20130208-0130.mp3

Jürota (Jü & Dorota): Untitled

David Somló. "I'm a clown. I collect moments." I am a hungarian guitarist/composer/improviser, currently in London. 

more on davidsomlo.com

4Elise

somlodavid

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