New Kingdom X Shygirl:
https://open.spotify.com/playlist/3WNx7oWQJaoCrAF3cigNMs

Inquiries: contact@fadetomind.net

For serious inquiries/booking contact: wuktui@gmail.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Booking North America:
Brad Owen (Wasserman)
bowen@teamwass.com

Booking Europe:
Paul McQueen
paul@primarytalent.com

Valentino Khan’s talents exhibit limitless creativity and versatility.  From performing at some of the world’s largest festival stages to producing for some of the most prominent figures in the music industry he is the quintessential example of what it means to be an incredible DJ + producer.

In addition to performing at world renowned events such as EDC and Lollapalooza, Valentino has taken his electrifying ‘High Power’ live shows into sold out venues, determined to leave the audience with a spectacular core memory from every performance.  While specializing in house & techno, Khan’s musical knowledge runs beyond any single genre.  His adaptability as a DJ has afforded him the ability to play in every kind of environment and connect with any crowd.

As a producer, Khan has also crafted widely successful tracks like ‘Welcome to the Party’ with Diplo, French Montana and Lil Pump; which went RIAA Platinum in the US. Khan also secured gold plaques as a producer for ‘Oops’ by Yung Gravy & Lil Wayne and ‘Bubble Butt’ from Major Lazer, Tyga & 2 Chainz.

He is also no stranger to creating dance floor hits.  Valentino’s record ‘Deep Down Low’ propelled him into an entirely new stratosphere. The record was statistically the most played song in live DJ sets for 2 years in a row and was coupled with an award-winning, mind-bending music video.  Valentino’s versatility has also allowed him to collaborate with a wide range of dance music artists such as Skrillex, Diplo, Alison Wonderland, Dillon Francis and Deorro. 

Whether it’s house, techno or everything in between, Khan’s tracks and DJ sets always carry his signature touch.  Valentino Khan has placed no ceilings on his world.  The sky is truly the limit.

DJ Nasty Nas is a French-Congolese-Algerian DJ & producer signed to Akon’s Konvict Kulture. Based in London with residencies at Maddox, Reign & Tabu, he built his name in Paris clubs like VIP Room & L’Arc before taking over the international scene. Known for high-energy sets blending EDM, Trap, Afrobeat & Hip-Hop, he recently dropped the official remix of Akon’s “Beautiful Day”. With shows across 20+ countries, Nasty Nas is more than a DJ — he’s a global experience.

Somo Tamon is following