Video : https://www.youtube.com/watch?v=484U5K-mi24

This piece represents a sonic journey of introspection and renewal, inspired by moments of burnout and the desperate need for respite.

Close your eyes and let the music carry you away. 

Experience the gentle sway of the tide, the warmth of the sun on your skin, and the whispers of the sea breeze. Dive into a world where reality blurs with hallucinations, where the boundary between dreams and waking life dissolves

"Oceanic Fever" is a reminder to pause, to breathe, and to find beauty in moments of stillness.

Oceanic Fever

Croque

Ian Greaves

Playthings 140 BPM

Alcune note esplicative:
-English version below-

Questa danza trae ispirazione da un manoscritto databile abbastanza precisamente in un periodo compreso tra il tardo Neolitico e il Luglio 1750. 
La pergamena sulla quale è stato vergato era incorporata nella rilegatura di un volume di epoca successiva che raccoglie diverse ricette di cucina a base di cinghiale. 
La provenienza del volume sembra essere legata a un monaco cuciniere dell'ormai estinto ordine dei Frati Trigliceridi di San Circonflesso, una congregazione di cui si conoscono poche evidenze storiche.

Da un’attenta analisi del metro musicale e dei pochi appunti coreutici — che purtroppo risultano in gran parte indecifrabili, eccetto per alcuni passaggi scritti con quella che sembra essere salsa di pomodoro — si evince che i danzatori di questa singolare danza dovessero possedere un numero dispari di arti, una caratteristica che, sebbene non del tutto chiara, sembra fosse una condizione fondamentale per la corretta esecuzione della coreografia.

____________________________________________________________________________

Some background notes:

This dance is inspired by a manuscript that can be dated quite precisely to a period somewhere between the late Neolithic and July 1750.
The parchment on which it was written was incorporated into the binding of a later volume, which collects various recipes for cooking wild boar.
The origin of the volume seems to be linked to a monk-cook from the now-extinct order of the Triglycerides Friars of Saint Circumflex, a congregation about which few historical records exist.

From a careful analysis of the musical meter and the few choreographic notes — which unfortunately remain mostly undecipherable, except for some sections written in what appears to be tomato sauce — it can be deduced that the dancers performing this peculiar dance were required to possess an odd number of limbs, a characteristic which, while not entirely clear, seems to have been a fundamental condition for the correct execution of the choreography.

Giga

I See Time

Guinevere 
(Maria Bourgeois: Lyrics, vocals. Guitar music composed by Bryan McDaniel)

I am a fair, good girl
I do whatever everyone wants
But what do I want for myself?
It’s hard to ask and harder to know.

Chorus 1:
I am a ghost, a phantom of myself. Not real
Like a magical elf
You want to capture, contain my soul
Somewhere in between
A holy thing and evil and base
My body you think unclean 
But you say I have an angelic face

Ch 2: Ahh Ahh Ahh Ahh Ahh Ahh Ahh 
Ahh Ahh Ahh Ahh Ahh Ahh Ahh
Aaa Aaa Aaa Aaa
A white shadow, white wave
Aaa Aaa Aaa Aaa
A white shadow, white wave
Ohh, Ohh, Ohh, Ohh Lost
Ohh, Ohh, Ohh, Ohh Lost

V2: There’s no way I cannot fall
If I let you be in control of it all
I cannot see what is clear
The mists surround. I stumble in fear.

I will fall down in the mists
I prefer to be on an even plain 
My battle of Camlann
A war in myself
Strong waves within.

Chorus 1:
I am a ghost, a phantom of myself. Not real
Like a magical elf
You want to capture, contain my soul
Somewhere in between
A holy thing and evil and base
My body you think unclean 
But you say I have an angelic face

Ch 2: Ahh Ahh Ahh Ahh Ahh Ahh Ahh 
Ahh Ahh Ahh Ahh Ahh Ahh Ahh
Aaa Aaa Aaa Aaa
A white shadow, white wave
Aaa Aaa Aaa Aaa
A white shadow, white wave
Ohh, Ohh, Ohh, Ohh Lost
Ohh, Ohh, Ohh, Ohh Lost

Oh, the mists surround her
Oh, the mists confound her 

Oh, the mists surround her
Oh, the mists will drown her.


Guinevere

Here's the first track for our new live album, coming in March! LET'S ROCK!

Cooper Ryan LIVE FROM STICK FIGURE CITY 1/3/2025!

Definitely the last track from my second lyric notebook, 1979 original. 

I was a little worried about this because ot the weak melodic nature and relying on an instrumental bridge. Each verse was broken down into two sections, The second section being a chorus with varying lyrics..... or vice versa, I suppose. Lyric below.

Used one of my Suno personas (Randy Matrix, I love that name) to set the genre and style and was very pleasantly surprised by the approach. Hope you like it.

Title: The Things You're Saying Now

[verse1]
Bear in mind, what you’re doing to me,
When you say the things you’re saying now.
It’s a fact, there’s no going back,
I don’t like the things you’re saying now.
Baby you mislead me, 
You had me believing you,
I never saw thru’
All your lies.
I was blinded by a broken promise
Now all I get are Alibis

[verse2]
You don’t care, what you’re doing to me,
If you say the things you’re saying now.
Don’t dispute, I can hear the truth,
When you say the things you’re saying now,
Baby I loved you
Just like in the movies,
I thought you really needed me.
But I was a fool to believe what you told me,
At last I’m beginning to see...........

[bridge, extended musical solo]

[verse3]
I’ll survive what you’re doing to me,
Just forget the things you’re saying now
I’ll get by without too much trying.
I’ll forget the things you’re saying now.
I’ll get by,
Don’t really need you,
I know I’ll convince myself soon.
You’re not unique, not the only girl out there,
We’ll both sing the same tune.

The Things You're Saying Now

What do you think about this guitar? I think, it doesn't sound clean.

guitar test

❤️🎶The music unites us all❤️🎶
I am a singer-songwriter, composer, entrepreneur, musician and sound designer. I have a home studio and have produced most of my songs and instrumentals there.
I love the exciting diversity of the Soundcloud universe. Here I always discover new, creative music creations and meet many nice people from all over the world.
Thanks for listening. I appreciate every feedback and every new follower.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2016 DestKorn | © 2016 DestKorn. All rights reserved.
℗ 2016 DestKorn | © 2016 DestKorn. Alle Rechte vorbehalten.
Artist & Publisher: DestKorn
SenneRecord 2012

D-R

Sonic Imagination