Once again my friend, you were able to sort through a growing mound of Sound and extract purely beautiful splashes of inspiration:)

and your perfect acoutrements thruout have made startling moments:)

Hey Jo man, please forgive me for being so late to the party here. Love how you cradle Jeff's guitaring with such amazing ethereal synth work. Brilliant production, my friend. Great work here, both of you!

Terminus

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

when the waves of silence break
on the dharma nomad's sitting mind
the daylight sleeper's nagual wakes
for a body of the idle kind

that speaks in riddles, muted rhymes
and labrythene paths of jesting Joyce
where assonance stands guard and chimes
in onomatopoeic trysts

for rivers run and waters foam
and dogs are dogs of many heads
no dwellings last where prospects roam
and liquid hope permits no rest

and the knowledge of the miserly
cannot withstand the yearly flooding force
and can and will and is not allowed to atrophy
as long as eight blurred legs still make a horse

ah burning barnacles to make light
of tonal drylands and bold vertebrates
bridges? yes, bridges burn for ashes' flight
and sparks and bioluminosity and microtonal clefs

for those who walk the open scalar fields
have guns that glow and minds to blow
for those who raft down rapid vector creeks
having dreams to grow and seeds to sow -

Vector Creek

scalar fields pt 10 vector creek - with stonerjazz

Dance With Ya

I was looking at old photos of a town gathering in the 1800s for a lynching. I was struck at the carnival atmosphere, the presence of all kinds of people, women and children. This is disturbing but very real and it is NOT confined to America,the South but instead is a sad global problem with religions and "God". Too often I think religions are excuses to commit some of the most awful  human atrocities . Religions,like leader cults(nazis/emperorsetc), seem to blind masses into justifying the slaughter  of the enemy of the day. God in most religions preached tolerance/forgiveness/inclusion and yet these fundamental principles are conveniently forgotten when it comes time to fulfill some self serving goal, monetary/territorial or ego. I wish I knew why

lyrics
glowing yellow sun
clear bright blue sky
leaves are dancing in the wind

sherriff and the barber
the doctor and the lawyer 
all the townspeople are there

just to meet and greet
and to chat about
the news and their hopes and fears

The children all are there
dressed up in their best
blue eyes and many happy smiles

then the time arrives
the crowd all turn their head
they march the black man to the tree

a noose slips round his neck
they pull him up on high
so his legs can swing free

there's heard a horrible crack
that splits the morning air
the children look up and they stare
as his legs they shake
and his body quivers
until he hangs there still and limp

then the children turn around and finish up their games 
on this bright and sunny day

now it's time to go
they hear the parents say
off to church to learn to pray

"praise God??really??

praise God??what are you thinking?

New song written by David Cooper and Glen Granthem.

Music and all instruments - Glen Granthem

Vocals - David Cooper

Lyrics - David Cooper

I heard a story many years ago
About a man who didn’t know
What his life was all about
So he just ran around and around

Chorus

Time stood still - He’ll keep on searching
Far and wide - He’ll keep on searching
Up and down - He’ll keep on searching
Round and round - He’ll keep on searching now

Kept on going through the night
Ran across the whole wide world
Didn’t keep his head on straight
Should have listened to what he was told

Chorus

Solo

Chorus

Then one day he realised
What’s been missing all of his life?
Now he listens to what people say
And now he’s found a brand new way

He’s stopped searching - Repeat

Searching (Cooper/Granthem Collaboration)

Better World (Rework)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.
uice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom

QUAN YIN // Don't we all need compassion and mercy...?
@docfritz // All Musical Stuff, Rhythm Design, Drums, Artwork, Mix & Production
@rock-flexible // Irish Tin Whistle, Irish Low Whistle, Armenian Duduk, Jew's Harp, Hurdy Gurdy, Frog Buzzer
Composed, Arranged & Performed by DOCFRITZ @OESJ 
© 2025 // All Rights Reserved by @OESJ

QUAN YIN

QUAN YIN ft. Rock Flexible

A Whole Lotta Fun

Yearning Instrumental Demo is an unreleased draft from the creative forge of DestKorn, published under my side project Harmonic Echo. The piece is built on the intimate interplay of piano and violin, carrying a deeply melancholic, fragile atmosphere.

This is intentionally a demo version – it reflects the moment of creation, raw and unpolished, offering a direct glimpse into my creative process. It is not about perfection, but about capturing a feeling that later grew into the final track.

Yearning Demo ist ein unveröffentlichter Rohentwurf aus der Schmiede von DestKorn, veröffentlicht auf meinem Nebenprojekt Harmonic Echo. Dieses Stück basiert auf der innigen Verbindung von Piano und Violine und trägt eine melancholische, fast zerbrechliche Stimmung in sich.

Es handelt sich um eine Demo-Version – sie spiegelt den Moment der Entstehung wider, roh und ungeschliffen, ein direkter Einblick in meinen kreativen Prozess. Hier geht es nicht um Perfektion, sondern um das Festhalten einer Stimmung, die später zur fertigen Version führte.

Credits
Music, arrangement, mix & master: DestKorn / Lyrics : ~
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, or distribution is prohibited.

Yearning Instrumental Demo

It`s Time To Go Back

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 10 vector creek - with stonerjazz

sonic structures and silent stretches

Recent comments

Entheogenic Psychonaught (Josh Clary)

Well

Clay Young

wellenhafen

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