Hey Jo man, love your collabs with Jeff. You two complement each other perfectly. Lots of magic in here, my friend. Way to go, both of you!

This is great. I don't know how to say it. So cleansing.

An esoteric adventure of great depth. I found it mesmerizing, and intriguing. (I know Jeff's work, and you guys gel.)

Marvelous piece of psychedelic minimalism.....😄

In the end, you will find all the individual parts of SCALAR FIELDS plus both versions of FIELD NOTES in this folder ; copyright Jeff Gardiner and jo richter

scalar fields - with stonerjazz

all instruments and voices: Jeff Gardiner 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said


you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 1

scalar fields pt 1: scalar fields - with stonerjazz

Scalar fields – with Jeff Gardiner
all instruments and voices: Jeff Gardiner 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter



He told me bout the trail in the tunnel
that i'm walking while
i'm thinking other peoples thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinking
turn that little voice off in your head
he said
you may find it advantageous
in the long run
there's an exit but you gotta take it
While riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

the river rages while my faucet drips
consolation amasses around my hips
off the memory slide we slip
past pointers on the clock
ten times as tall as me
on the precipice of the sheer enormity of it

that old man who sat along the path
with bamboo cane and haversack
he said, while serving me
beans and rice and fruit and tea and bread
turn that little voice off in your head--

scalar fields pt 2: fractal fields - with stonerjazz

all instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinking
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 3: tensor yields

scalar fields pt 3 tensor yields - with stonerjazz

instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: https://www.anth.ucsb.edu/sites/secure.lsit.ucsb.edu.anth.d7/files/sitefiles/Kohn%20-%20How%20Forests%20Think%20-%20Introduction.pdf
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter


whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following 
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“



and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4 talon'd heels

scalar fields pt 4: talon'd heels - with stonerjazz

instruments: Jeff Gardiner and jo richter (including some slowed-down  image data gleaned from the cover of pt 4 morphed into sound)
e-bow and voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter



... and when he found that he was bound
and finially did detect
the binding of his storybook's
superego infancy
and contemplated all his days and nights
and the fire in the pit, and how guitar strings sing
and swing back to all the songs they ever played
while his loyal self was off to work
to pay the rent and make a dent in debts incurred along the way
when they came due with each and every breath

oh desert mind, oh lemon heart
we should have taught the children from the start
and yes the moon was right
from the very first beginning , and every night since then
filled with our voices singing NOT
but sleeping longing in the dawning
of sentience and yearning
for the comforts of the twilight
and those bridges left behind
brightly burning in the dark

scalar fields pt 5: karma peaks

scalar fields pt 5 karma peaks - with stonerjazz

the large plants are from avocado seeds :D
made with seeds, dirt, water, sun light, thumb piano struck with rubber mallet, clarinet, two metronomes, and NCH software

rejoice in the small - i plant my food seeds in the window

Listen to Slew Dub https://soundcloud.com/avw23000/tracks

photo: H.Skeneby

erOXia  with Slew Dub

Open Collab with @remnant60 :: https://soundcloud.com/remnant60/project-open-c-slide-for

Open Slide w/ Remnant60

I say it pretty much speaks for itself.
Speaking from myself.
Speaking of itself.
Speaking of one's self.
It begins to feel like a bird song.
Is my protection true respite?
What have I sacrificed for my sanctuary?
You are never alone here 
So why do we feel lonely?
Speaking of one's self 
It begins to sound like the bird songs....
What has the Crow left for us? Why, it happens to be the next marble in the collection! 
And they say marble collection is for the birds!





Birds sounds from Bird-sound.net
American Crow
Snowy Owl
Yellow-billed Magpie

Lost In The Bird Sanctuary

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
modulation, arrangement and all that: jo richter
image: Jeff Gardiner in collaboration with jo richter
for a change and despite the title, this one is instrumental only

scalar fields pt 11: vocal beads - with stonerjazz

learning to love can feel like being cooked in a pot ... you have to face your own feelings and all the discomfort you feel from the trauma and misinformation and the way reality is not set up to comfort and console you or fulfill your fantasies. you have to reform yourself and then open up to the beautiful mess that is the other person.  learn to love. make it fun somehow.  the fate of the world depends on it     ; ) 

learn to love

‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Loquelic Iteritas Percido > Sisters > Desmodus Versio.
Ochd, Sinc Defero.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Screamalodon Tropilabia [wastes & sequences]

September Sunshower 1977

Cyclothymia

1967... The space is waiting to be discovered...
If you like the song, check out our new EP at https://crossthetape.bandcamp.com/album/cool-blue-cat

1967

Tema musical del albúm instrumental del Barrio Loco

Pulsión

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 11: vocal beads - with stonerjazz

sonic structures and silent stretches

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