Back in 2024 Dan C E Kresi and myself started working on a few ideas. Being the master of slicing and splicing that he is, he took some guitar parts I recorded and twisted them into something new....
Something called... OKTOPIA

These are the first tracks to be finished with more to come later.

Our styles may be very different, but when galaxies collide, sometimes magic happens! :)

OKTOPIA Presents: Deep Dive

Beats, Synths & Samples: Dan C E Kresi
Lead Guitar, Rhythm Guitar & Bass: The Shire Bairn Project
Produced by The Shire Bairn Project

More from Dan here:

https://on.soundcloud.com/7OQeMYQ0zsp4dsjsdv

Colliding Galaxies

Deep Dive

sitar killer

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

very metal

method: basic sequence on a minilogue xd, adornments via vc 340, further adornments created by sounds in front of microphones, incl my voice, an interview sample and a field recording taken at a supermarket parking lot .... and then Jeff picked up his guitar ....
narration: there are literature tourists following the traces of the likes of Shakespeare and Kafka. some places consider those travellers in two worlds a good source of income. There is also a different kind of tourism on the magic-realistic tracks of the likes of Borges ;-)
image: copyright jo richter

poem / copyright jo richter:

sleeping on rocks out in the desert
imagine time and no way to clock it
events settle as smell on the tongue of a lizard
I took hidden notes inside of my pocket

doubling-up life in another attention
sit in the wind and learn not to block it
jenga sticks and the law of cohesion
I took hidden notes inside of my pocket

field notes

field notes - the stonerjazz version: re-release

Lighthouse

Breath Of Air (2025)

Expect another new track in around a week.

APOPHENIC PATTERN NO 5

Vocals and Lyrics by IPG1
https://soundcloud.com/ipg1

Produced by Cosmic Keanu

The Plan (IPG1 & Cosmic Keanu)

This concludes the suite of "Gazebo Daydreams" - at least for now. Another new track in around one week.

GAZEBO DAYDREAMS (ABOUT SOLITUDE)

VS. Pride

On the 6th of August, please listen to STRANGELOVE'S BRAIN and be aware of kindness.

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

field notes - the stonerjazz version: re-release

sonic structures and silent stretches

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