Jojo blue - Special year 2021 (VCV rack - 2021)

The two await the unstruck sound
unconfronted.
Apart and stainless.
Impossible, yet apparent and whole.
Indestructible upon leaving
to the form between births
where the winds of the body dissolve
and enter the red and white drop.

The quartz hums in it's place
on the shelf
reflecting the roses.
Do not let the dust fall there.

There is a light on for you
where the solar plexus pulses
awaiting your radiating branches
and the evening redness on your skin.

Words by Riley Robinson

Anahata (Piano and Vocal Only)

lyrics

I don't wanna care
I don't wanna care no more
Don't wanna care no more
What you got to say

no more

careless

unchilled hang out

Moment des Alten

method: basic sequence on a minilogue xd, adornments via vc 340, further adornments created by sounds in front of microphones, incl my voice, an interview sample and a field recording taken at a supermarket parking lot .... and then Jeff picked up his guitar ....
narration: there are literature tourists following the traces of the likes of Shakespeare and Kafka. some places consider those travellers in two worlds a good source of income. There is also a different kind of tourism on the magic-realistic tracks of the likes of Borges ;-)
image: copyright jo richter

poem / copyright jo richter:

sleeping on rocks out in the desert
imagine time and no way to clock it
events settle as smell on the tongue of a lizard
I took hidden notes inside of my pocket

doubling-up life in another attention
sit in the wind and learn not to block it
jenga sticks and the law of cohesion
I took hidden notes inside of my pocket

field notes

field notes - the stonerjazz version: re-release

CV Control

I got a vocoder! I put it to its first use on my version of one of my favorite Pet Shop Boys songs. I was ambitious, and may have over done it, but it sure was fun!

I Wouldn't Normally Do This Kind Of Thing (Pet Shop Boys cover)

instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: https://www.anth.ucsb.edu/sites/secure.lsit.ucsb.edu.anth.d7/files/sitefiles/Kohn%20-%20How%20Forests%20Think%20-%20Introduction.pdf
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter


whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following 
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“



and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4 talon'd heels

scalar fields pt 4: talon'd heels - with stonerjazz

underground

Kling Klang

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

field notes - the stonerjazz version: re-release

sonic structures and silent stretches

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