your interpretations and selections surprize and delight as if communicating on the big wire in the sky:):)

Hey Jo man, always love your team-ups with Jeff. You guys really know how to use tension and release, as well as some thrilling composition. Amazing work here, both of you, my friend.

Hi Jo...I'm checking all part1~12 love this sick trip! Respect both,J&J

It's a Japanese song. A song from my EP SUPERNOVA. I made this with the image of U2 playing slow tempo EDM. 95 BPM. 4m25s. The main genre is Rock. The lyrics are important for this song. I put my actual feelings into the lyrics. It's a very emotional song. Please listen carefully to the lead guitar in the last part. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics :
(1 2 3 4)

素晴らしい夜
とてつもない夜
重くのしかかる
今でも

何か変だと
僕は思った uh huh
その瞬間に
君は消えてた

捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで

捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
(I love you)
(I love you)
Wooo Hooo
(I love you )
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you oh)
(I love you)
(I love you)
(I love you Wooo Wooo)

OH GHOST

Cold light of day

Cast of Characters:

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision Bass

J.J. Terrell– @j-j-terrell – synth and organ

The Beautiful Dark -- @thebeautifuldark -- Carl — vocals, whistling, and lyrics

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T model electric guitar, production, mix, and mastering

This song began at the end of last summer, August of '24, when Tez sat down and composed it on his guitar. He shared it with us right away, and while everyone jumped on it immediately, it sat on the shelf for so long because we all felt we needed a singer for it. Fast forward a year, and lo and behold, we picked up Carl, who is down for whatever vocals a song needs.

We began construction on this by creating the rhythm section. Ken first adding his explosive drums, followed by Josh completing the rhythm section with his four string, fretted bass, which he used a plectrum to play. JJ entered the fray next, adding his otherworldly synth and thickening organ.

Then it sat. And sat. And sat some more, until Carl found us, or we found him, and he was finally able to add the missing puzzle piece. He also did something that none of us had ever heard before. He added the whistling at the end, too. But before we put it to bed, Stephen added some thrilling solo work with his axe, too, also towards the end.

Now that it was a completed song, we asked Stephen to mix it, even though it's really Tez's song, and that honor would usually go to him. However Tez was experiencing some technical difficulty, so the honor went to Stephen, who did his always professional production work on it.

This is a straight rocker from Eclectic Collective, being in all of our wheelhouses. This one was all made in house, too, so it's a great representation of our rocking skills as a band. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark:

Curing core
Great lucid lore
Ore of iron dreaming
Alluring more
Grace lucid door
Assuring new real scening

Iron dreaming
Earth's core revealing

Tick tock that hope
Dream that design
Tick tock that goal
Aspiration in mind
Love locked to luscious
Living for time
New rules got rhyme
The future is fine

Iron dreaming
Earths core revealing

We need not fists
We need no guns
Just words and wits
Dreams for daughters and sons
You get the jist
A felt future is on
We'll clear the mist
Open those fists
It's a hug and a handshake
Then let's all move on

Iron Dreaming - Eclectic Collective

Cast of Characters:

The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals, lyrics, Ovation acoustic guitar, and composition
J.J. Terrell– @j-j-terrell – organ and upright piano, and JJ's angels (voice synth)
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Collings mandolin
Mistermark-- @user-432503709 -- Mark –- VST fiddle
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen — Earle Scruggs custom banjo, production, mix, and mastering

This is the latest in our series of songs Carl has written about us. Being as both Tez, a lifelong, and to a lesser degree, Carl are Manchester United fans, Carl siezed on the opportunity to celebrate their shared fandom. Although the lyrics are a little inscrutable to us Americans, we love that football (soccer) fans from across the pond will know exactly what he's talking about. 
  Carl wrote this song on his acoustic guitar, and upon sharing it with us, we weren't sure as to the direction we wanted to take it. JJ threw down first, adding his good-time-sounding upright piano and strikingly beautiful organ to the mix first. He also added the subtle human voice choral synth you hear throughout. Enchanted with Carl's composition, Josh next added his bass and mandolin both in the same recording session, without even closing his DAW. Mark was in right after, adding his friendly fiddle solo as well as fiddle fills throughout. Being as the song is about him, Tez came along shortly after and added the tuneful intro and outro on his guitar. Then, as it was just about to sit for a while, Ken added his very tasteful, perfect drums to the mix, thus completing the rhythm section. 
  Before we put a bow on it, though, Stephen made it back from his week in the Colorado wilderness in time to add his magical banjo to the mix. Speaking of mixes, now it was time for one, and we turned it over to him, our in house pro, to do the honors.
  We all really enjoyed working on this one. It is an example of Eclectic Collective taking one of Carls songs and having our way with it. Always a team effort getting it over the line, but we always manage to do it. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark:

Division Two Champs, '75
Small consolation for '74 cries
Fan wow land psyched
True Red Devil in this life

We fell to Leeds
Last Division 1
We had the Irish
Man, I followed them
McGrath didn't train
A different breed
Golden era
Boozed up greats as seed

Then, we mostly won
But still, these moments to memories shone
Keane's end at Juventus
His team's power won
Beast perseverance
2-3 semi so they march on

Teddy & Ole
Broken Bayern lines
Videos with no YouTube
In sport mad mind

Great from great, Cantona
Flying curve ball martial artist
Old Leeds leech
A la French finest

Man Utd before Glazier fud
Old Trafford dreams
Red Devil blood
A fan forever no matter loss
Good grinding Fergie
Our hairdryer boss

True Red Devil
Hughesy's volleys
Arsenal disheveled
Good Giggsy speed
End to end
Back of the net
Great teen we get
Front of our dreams

True Red Devil
Scars from Aguero
And Barce's better
New cycles please
We've been Malcolmed
Bought like shop
These greedy Glaziers fucking up
Our theatre of dreams

If only for Fergie time
We'd be doing just fine




True Red Devil - The Eclectic Collective

# m u r M U l l o s

Broke my rot.... Decided to write one about the heart and it stuck. Had a good few days of everything I tried sounding the same and needed that reset ❤️‍🔥 Thanks Heart 🫡

If we are lucky enough to grow old it will beat around three billion times and pump 159 million litres of blood through itself and around our body. What a beast 🫀
I'm trying to make sense or pay homage to the filterer it is for morals. In conjunction with a well wired head it's the feelings in our chest that work with the brain it seems to deliver our morals and absorb and deliver that well felt empathy we share. I guess it's our experience of pain and pleasure that we know and the love we have for eachother which allows that empathy flourish solidifying our shared morals. Or we let apathy mute it. Either way its the shared experience that delivers them to us and the natural knock on effect of us knowing we don't like pain and knowing others don't either... so ego aside... Morals should be the easy bit haha!
What happened.... 😆



Heart

Heart
Beat
Heart
Beat

Huge human heart
Filterer of feelings
Fear sent below
Love flow to cranium ceilings
Three billion beats
Spark to grim reaper
One million barrels as blood pump speaker

Heart
Beat
Heart
Beat

Humans of heart
Beings of brave
Lumens like lark
Virtuous made
Body seer of moral
The feeler of feel
Fuelled well being of wise
Good stealer of steel

Heart
Beat
Heart
Beat

Governor of grief
Body seer of empathy
Good decider of right
If mind tend peremptory
Four chambers chime
Tuned to physical realm
Feeder of conscious through feelings to helm

Heart
Beat
Heart
Beat
Heart
Beat
Heart
Beat

Heartbeat
Beat deceit
Heartbeat
Be that empathy
Heartbeat
Beat deceit
Heartbeat
Be that empathy

Heart

Cast of Characters:
Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), mix, composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
Llanpsych - Fluffer for the keyboardist and keygrip
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.
Llanpsych - Fluffer for the keyboardist and key grip

The inspiration for this music came from the desire acknowledge and pay tribute to the people suffering from the fighting in the Middle East, and in particular in Palestine. Josh had the idea of doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and tie it to the idea it may cease to exist as a living musical tradition sooner than later. Everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, composed a typical traditional Middle Eastern style drum pattern, together with an Arabic scale melody, played on the Qanun (a kind of zither). To that he added the instrumental 'Zurna' solo in the middle, various other traditional instruments, and even sang the high pitch yodel sound at the end. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you experience a taste of the magic and the beauty of that region, despite suffering victims of war are experiencing there. But most of all, we hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )
We are in the same boat ( نحن في نفس القارب )
Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )
Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )
What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )
Every problem has a solution ( لكل مشكلة حل )
Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )
All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin' Palestine (Eclectic Collective)

My sister Cindy wanted me to write music for her. It is becoming increasingly hard to play and that makes me sad.  I have lay so far back in my powerchair that I can't see the controls. I can't tolerate sitting up, it's too hard to breathe. Some days I can't even get out of bed.

My son attached a projector to my computer so my screen is now 6'x4', and I have a small keyboard I hold in my hand. So I try to keep up, but it takes much longer to do anything. ALS is not easy to deal with. It's important to stay positive and make good use of the time I have left.

Something To Remember Me

lyrics: jo richter and jeff gardiner
everything sound - yes, everything! - and premix : jeff gardiner
image, eventual modulation and mix: jo richter


sitting ducks and circling eagles
do not a whole existence make
he told me as I listened listless
tired, drained by his insistence
that I would have to be alert
to push past the break
and be clear enough
to find my hands in dreams
and speak in fluent Nirwanese
in Dada-lekt the verses back
from me to him
that he had taught me while I was not aware

and not-I sat without an ear
in the round of ember eyes still glistening
for both are made of themselves
each other and of fear
but the duck will have to feather up and fly
and the eagle will go hungry as it passes by
this he told me cunning, sly
on this I will rely
not now but when 
time runs dry.....

glitchy glyphs

scalar fields pt 12: glitchy glyphs - with stonerjazz

I have the honour to post this piece with the added cello part by my good friend Michael Hanrahan, I'm very grateful to him to have this created for me...
I hope you have pleasure in listening as much as I have writing it...

To listen to more of Michael's music
https://soundcloud.com/michaelhanrahanmoore78

Art picture has been given by my son...

Fantaisie en Do Majeur

Cast of Characters:
Single Use & Recycled -- @user-995867230 -- Bill — acousitc rhythm and lead guitar and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums and percussion
J.J. Terrell– @j-j-terrell – synth strings
TexMex Shaman– @texmex-shaman –Stephen — acoustic rhythm guitar, production, mix, and mastering
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song started as an idea Bill came up with on his acoustic guitar. Having found each other on the Cloud and enjoying each other's music, Josh and Bill decided to do a collab. Bill is a real deal guitarist, who's as prolific as he is skilled. Of course, Josh invited Eclectic Collective to the party, too.
  Shortly after doing so, he laid down a bass part to Bill's skeleton withi his four string fretless bass. Ken followed suit, and after a back and forth, completed the rhythms secion. JJ dug in next, adding the thrilling strings that highlight the high points of the melody. 
  There wasn't a whole lot of room for everyone on this, though, as Bill had the guitar parts nailed down tight. However, after sitting on the shelf for about half a year, Carl came along and added the missing piece with his raucuos vocals. Stephen also fattened up the sound a bit with his acoustic rhythm guitar.  
  Once it was in the can, we asked Stephen to work his production, mix, and mastering magic on it, too, which he came through with, as always.
  This brilliant song almost didn't see the light of day. It sat for what felt like forever, until we decided to revive it. This will not be the last collab we do with Bill, though, who was generous in not only sharing his music with us, but allowing us to do whatever we wanted with it, too. We hope you enjoy listening to this as much as we enjoyed creating it.  

Original lyrics by The Beautiful Dark:

Shifty shire
Ah, redistrict rot
Dividing a country for power by plot
Gerry's meandering
Not thinking of sane
What colourful friends can stop red rain?

With freedom waning
Conversation is paused
A few rich men failing
With solidarity cause
Shift the shire!
At minority we've baulked
That mind inconvenient
New red lines are chalked

State turf wars are on
Ah, redistrict rot
Dividing a country for power by plot
For the rights of the white man
We missing those slaves
So legislate oppression
That skin 'aint red way

Shire-Single Use & Recycled/Eclectic Collective

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 12: glitchy glyphs - with stonerjazz

sonic structures and silent stretches

Recent comments

Tot.

Well

No Mates Ensemble

Entheogenic Psychonaut (Josh Clary)

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