The overall drama within this track was quite beautiful.

Has that 'end of the world as we know it' feeling.....storm clouds we can believe in (sadly). Putto on point!

Hey Jo man, you really take this textured jam into some magical realms. Excellent work here, man. Kind greetings!

Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

Radar - Meet Cody

“Insomnia Trapped”  by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Insomnia Trapped”  by Luke

Let's see what we get together...please message me for the playlist if you got something
The STEM files:
https://drive.google.com/drive/folders/1RecYcYLltxF0w4uqj32Nxhsh-8QuoLbQ?usp=sharing
Have fun with it!
130BPM

noxpox - Jammin

Recording sessions from 20/03/2024 - 14/04/2024.

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

202-3

202 - 3 - ❤️🕊️🙏

*This image of canned, creamed possum, which I found years ago on the internet, and the idea of canning possum (and possum road kill), has intrigued and fascinated me for some time. As I was writing what I thought was a 'sexy' vocal on top of Oussama's sexy track, this song kept interrupting the process, and so much so that I thought I would get it out of my system to quiet the impulse, and then continue on with the original song.
I actually love possums and think they get a bad rap for being too aggressive. 
Stay tuned for the other version... 

Instrumental by Oussama Arichi
Vocals, Lyrics, Mix: Nadia Selvaggi

Cream Of Possum Soup by Oussama Arichi & Nadia Selvaggi

narration : an angel?  ha!  a putto!

https://en.m.wikipedia.org/wiki/Angelus_Novus

and
 https://en.m.wikipedia.org/wiki/Theses_on_the_Philosophy_of_History

no words this time, just disbelief, moving backwards and forwards

this image: seen in march 2011 - and immediately photographed (look at the feet - this guy is not just playing hide and seek)

BTW: I had been thinking about an open collab .... it's been awhile .... but then again: disbelief is such a private and intimate thing .... still, if you want to work with a copy, just message me on soundcloud

putto (the incredibly extended version of an act of incredulity)

la charrière profonde est un grand chemin creux, bordé de feuillus qui forment des arches pour abriter les rêves au pas du promeneur

en marchant dans la charrière profonde

Chronogenesis

𖣂

25 Sept - Rubber

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

putto (the incredibly extended version of an act of incredulity)

sonic structures and silent stretches

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