On the wall of Maryam Monalisa Gharavi’s studio is a still from Buñuel’s ‘Los Olvidados’, showing a blind man staring at a chicken. In the latest episode of the Overexposed Podcast, , made in collaboration with Sonic Acts, Andrea Gonzalez talks to Monalisa about demonology, infrastructure and how any blockage to the vision of regimes that govern by making visible, is seen as a threat. Addressing the similarities between the commodities oil and data, Monalisa points to extraction as a defining factor of capitalism. Reading from her manuscript ‘Exhaust’, she states: ‘Capital is dead labor, vampire-like, living only by sucking living labor.”

Sonic Acts hosts six participants in the home-based residency programme 'Overexposed' which deals with pollution and its effects on everything living and non-living.

Maryam Monalisa Gharavi is an artist, poet, and theorist whose work deals with the paradoxes of our interactions with matter and immateriality, the seen and unseen, underlying everyday life and its common preconceptions.
Read more about her work here.

Andrea Gonzalez hosted and produced this episode for Ja Ja Ja Nee Nee Nee.

Extractive Logic with Maryam Monalisa Gharavi

On the dark wet pavement, in between reflections of flickering streetlights and leaves decomposing, we find Valley Radio 071; a compilation carrying the essence of this late November, brought to us by the exceptional SITOI (@sitoi). 

"SITOI is a multidisciplinary artist in the field of experimental music and contemporary art. She uses performance art to manifest her eerie-yet-compelling visions of vulnerability, carnality and social structures through intricate poetry and dark disjointed production. SITOI enjoys a sweaty and purifying rave amongst classic and harsh techno but finds pleasure and inspiration also e.g. in noise, ambient, avantgarde pop and wrenching experimental club music." 

You can find the mix on our Soundcloud and as always we highly recommend taking some time to dive into SITOI her other works as well. 

Tracklist:
Dog Days - Varg, Ziúr & Puce Mary
Burning Feather - Eartheater
Economy of Freedom - Yves Tumor
No Idols - VISIONIST
Everything for Everyone - KABLAM
New Ways To Love - Holly Herndon
See The Light (ft. queendyster) - APEAK
Intro - Noform (Hålbå Remix)
Inhale, Suffocate - 111X
SKIN TIGHT - SLIKBACK X VAN BOOM
Atrocity (Grievance As A Substitute For Existence) - Exploited Body

Image courtesy of artist
Layout by Oliva Rawlings

Valley Radio 071 - SITOI

London-based DJ, producer and UIQ boss Lee Gamble pays tribute to groundbreaking composer Alvin Lucier, who died earlier this month, aged 90.

Find out more on crackaud.io: crackm.ag/3y9An5y
Still Independent. Help us keep it that way: crackm.ag/support

Alvin Lucier tribute – Mixed by Lee Gamble

MINOR TOM

"Нежность" (Tenderness) 

Ekaterina Efremova – vocals, guitar, electronics 
Andrey Gaiduk aka 23:59 – computer 
Hilary Jeffery – trombone, computer 
Svetlana Matveeva – vocals, keyboard, electronics 
Timur Mizinov – guitar, electronics 
Anna Rotar – trombone 
Maria Rusinovskaya – production, logistics, co-curator and facilitator 
Victor Skorbenko – vocals, guitar, electronics 
Kristin Alsos Strand – cello 

composed by Aleksandra Pakhmutova, lyrics by Nikolay Dobronravov and Sergey Grebennikov (1966) 
recorded live at Murmansk Spaceport on 28 November 2015 
edited and mixed by Hilary Jeffery at Berlintune Studio 2022 

Hilary Jeffery’s Murmansk Spaceport was an environment designed for exploring unknown territories. During November 2015 musicians from Murmansk(RU) and Bodø (NO) in the Barents Region worked together with Hilary Jeffery to perform Murmansk Spaceport. A port is a place of departure and arrival, of temporary transactions and unstable conditions. Murmansk Spaceport encouraged the musicians to travel imaginatively into areas they do not know, to explore dark territories of which they have little or no experience.

For Hilary Jeffery this meant exploring the atmosphere and mood of Murmansk in November, which for him was unusually dark. Additionally, he attempted to enter into the sound of Russian, a language unknown and new to him. In a similar way each musician was asked to explore areas in which they are non-expert, to literally enter the dark and unknown. With music as a central focus, various means were used for navigation, including solo and group improvisations, introspective language explorations, sound and image recording, associative writing and map making.

Commissioned by Sonic Acts and Hilde Methi for Dark Ecology (2015)

https://minortom.org/spaceport
sonicacts.com/portal/dark-ecology-project
www.hiljef.com

Murmansk Spaceport

Murmansk Spaceport – Tenderness

I used Ableton's Operator synth's white noise and sine wave in A3 (220Hz in frequency) pitch to test and calibrate the spatialization of the 5.1 speaker setup in the project space of MACA during my residency there, building up for "Latent amongst the Air", a project commissioned by Sonic Acts Festival. Because of the unusual shape and structures of the space, I had to figure out some way to measure its acoustics + unconventional placement of the 5.1 speakers setup I was using.

But then a fun idea occurred to me to amplify(or abuse?) the project space's acoustic characteristics and spatiality furthermore with a waveform that is a bit more complex(sawtooth wave) and hence suspected that this would yield interesting aliasings and excite certain partials, creating "ghost melodies" of the space... 
In fact, when the project was under "installation mode" prior to the performance, this is what was being looped.

On Sunday afternoon 29-05-22 before the last round of performances, with help of Anne, I decided to record some improvisation with the space in this manner.
So here it goes, tuning of a space, which are latent melodies from partials of the pedal tone of A3 in SAW64 wave recapitulated by the project space of MACA while it's circulating around the room through the 5 speakers at the rate of 0.09 Hz speed. What's being stacked on top of A3 pitch as chords are some impromptu counterpoints on top to introduce some nice interference just for fun. Slight attenuation and phasing of the composition were probably also a contribution of Anne who was walking around and exploring the space with the recording device in place of my two feet and ears that were bounded by the hands playing keys behind the laptop...

Tuning Of A Space - During "Latent Amongst The Air" Sonic Acts Residency at MACA, Amsterdam 052922

Drawing from notes and recordings made during the Sonic Acts residency programme Overexposed x Lives of Deltas, sound artist Minji Kim aka Unknown Kim tells us about her ongoing research into the sonic qualities of the Zandmotor 'sand engine' experiment in the Netherlands. In this episode of the Overexposed Podcast made by Ja Ja Ja Nee Nee Nee radio, Andrea Gonzalez speaks with Minji Kim, discussing the interplay between human life and the environment, the sonic qualities of wind and the use of auditory technologies in tracing diverse forms of decay.

Overexposed Podcast by Ja Ja Ja Nee Nee Nee interviews participants of Sonic Acts’ OVEREXPOSED artistic research residency about artefacts that have moved their artistic practice in a lasting way.

Eavesdropping Environmental Crises with Minji Kim

Sonic Acts is an interdisciplinary arts organisation based in Amsterdam.

Murmansk Spaceport – Tenderness

Sonic Acts

Recent comments

невидимый

ASOA XXX2.55555 

Related tracks