Postapocalyptic and Dystopian Patches for Omnisphere 2

Sift through the wreckage, and link up with the survivors in Gemina for Omnisphere 2. Sonic Underworld and Luftrum unseal a secret trove of presets from deep within the Luftrum sound bunker.
Consisting of 400 Omnisphere patches, this library provides a massive arsenal to augment your existing palette of modern dystopian sounds.

Gemina’s broad tapestry of sonics is brought to life with extensive use of Omnisphere’s modulation system. In particular its multi-segment envelopes combined with its arpeggiator, provide excellent starting points for your journey. Accompanying you through your travels are evocative sequences, ballistic basses, corroded rhythmic pulses, and feral leads.

You will also encounter evolving oxidized pads, radioactive soundscapes, distorted keys and moody guitars. Regroup and refit with salvaged polysynths and expressive hybrid instruments. Along for the ride are errant, unnerving FX, gripping hits and sweeps, as well as inspiring transitions.
Cinema and game composers will benefit greatly from Gemina’s dark brooding beauty. The versatility of this set goes further, and the inherent subtleties will find a place in any modern production in need of melancholy grit.

Gemina takes its ques from composers such as Lorne Balfe, Ludwig Göransson, Bear McCreary, David Buckley and Marc Canham. Other influences range from popular artists such as Tony Anderson, Melodysheep, Low, and Olafur Arnalds.

All presets are carefully adjusted for headroom and include assignments for modwheel, velocity and aftertouch. Go deeper with Omnisphere’s extensive list of compatible hardware for additional hands-on control. Presets are organized using Spectrasonics native tagging system and sorted by category.

Grab your shortwave radio, gear up and replenish your load-out with a soundset of truly postapocalyptic proportions.

Gemina requires Omnisphere 2.8.5 or higher. Add Pandorum II to the same cart and save 10%. Pandorum II is also a cinematic set of Omnisphere patches. Join the Inner Circle newsletter and save 20%.

SU Omnisphere Gemina

Amphilium / In the Blink of an Eye

Keith’s calling as a musician began at the tender age of five, when he  was gifted a toy organ. He promptly began playing renditions of the commercial jingles heard on television, and from there progressed to studying movie soundtracks. Keith’s realization of the profound effect music had in connecting with an audience launched him on his journey as a  composer.


Keith's compositions thoughtfully blend orchestral and electronic elements to create an emotionally enticing soundscape, while his gift for creating thematic music with captivating melodies enables the listener to travel on a personal  journey through the ebb and flow of each piece.

A graduate of the UCLA Extension Film Scoring Program, Keith studied  under notable film and television composers and industry professionals.  After completing his studies, he was awarded an internship with The Society of Composers and Lyricists Annual Mentor Program and selected as one of only 15 participants in the annual ASCAP Annual Film Scoring Workshop. Keith was later featured in Music Connection magazine in an article focusing on the diverse backgrounds of the group.

His album of New Age music entitled, "Etc...", was released through Bay Area record label Noir Records, which led to a collaboration with the  composer for the independent film, Park Day, for which Keith provided additional music. This film went on to win the Audience Award at the Urbanworld Film Festival.

Keith also scored the short film, The Showdown, which received the inaugural Triple Play Award for Best Technical Integration – Original Score at the Long Island International Film Expo.

While still passionate about writing New Age compositions, Keith also continues to work with music publishers and trailer house companies, where his music can be heard in various mediums.

Unique cinematic & organic sounds for your AU/VST plug-in's.