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Exactly 100 years after Albert Einstein, Markus G. is born in Münster, Germany. As home of the legendary techno and house locations Cosmic Club and Dockland, Münster becomes the western capital of the German electronic music movement in the 1990ies. At the age of 14, Markus discovers the Elevator, the first techno record shop of the region which strictly serves DJs, and starts jobbing there. Quickly he recognized his purpose and MG’s mixing skills develop fast and his preference for a dark and straight-forward style of techno emerges with it. MGness is derived from selection of music that he becomes known for: “Markus Gxxxxxr’s Nervous Exciting Sound Spectrum”. 1995 The Cosmic Club gets awarded as Club of the Year by the Raveline Magazine. During this peak of the techno movement in Münster, MGness designated as resident DJ into it.
He sets up his first proper sound studio directly above the main floor of the new Cosmic Club. Playing uncountable sets right before or after DJ icons like Sven Väth, Paul van Dyk, WestBam, Chris Liebing , Thomas Schumacher, Dave Angel or Luke Slater only feeds Markus’ addiction to perfection as DJ and producer even more.
With his first appearance as main live act of a Cosmic Club night, a dream comes true for the elec- tronic musician MGness in 1999. In 2002 MGness releases his first EP called “Re-EP” on Rawcanine Records, which is produced together with Kai Niggemann and Oliver Froning (Dune). As well in this Year the Raveline Magazine sends him as a DJ Instructor over to Ibiza for teaching the Art of DJing to Offspring DJs. When the Cosmic Club becomes homeless in 2003, MGness focuses on DJ gigs in clubs throughout Europe where he represents his musical home base.
End of 2004, MGness has the honor to produce the official anthem for Mysticland 15, the last event of the Cosmic Club makers. He performs it in his live act at primetime of this memorable final Cos- mic excess. His biggest release so far is “Elevator DJ Tunes”, a 2-CD compilation which is sold World-wide. The compilation includes as well as 2 exclusive productions by Markus. Looking for a new challenge he moves to Frankfurt he gets a residency at the DC Funkfurt clubbing event series by 2008. Getting deeper and deeper into production technology, MGness releases the well-received “Dreiundzwanzig EP” on October 23, 2009. While MGness is busy in 2011 doing remixes for different artists, he has projected in 2012 new own Releases.
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next Dates:
16.12.2011 Monopark with DJ Misjah
25.12.2011 XMasBam with Westbam
28.01.2012 Tanz mit ...@ Fusion Club · Münster w/ T. Schumacher
03.02.2012 Monopark @ Fusion Club · Münster w/ Andre Galuzzi
18.02.2012 Tanz mit...@ Fusion Club · Münster w/ KLAUDIA GAWLAS
24.03.2012 Monopark @ Fusion Club- Münster Spring Break

Miss Nine was born in Germany as Kristin Schrot and at the age of 16, she started her career – not as a DJ, but as a model. Shortly thereafter, she secured a worldwide contract with Elite Model Management. After moving to Amsterdam, she discovered her passion for music which eventually led her become a DJ as well. 

German born Miss Nine has been a solid player on the dance scene 
for over a decade. With her eclectic musical taste ranging from 
energetic grooves with plenty of vocals to a deeper, progressive sound,
she turns heads and moves feet everywhere she performs.

She has played at virtually every A-list club and every major dance festival in the world, and has partnered with magazine such as Elle, Cosmopolitan, Glamour, Shape magazine and iconic brands such as Tommy Hilfiger, John Paul Gaultier, Levis and Pioneer DJ Gear.

Miss Nine is also involved with Plan Nederland which is an organization that assists children all across the world. Her goal is to serve as motivation to children showing them that dreams can come true.

Spending a lot of time in the studio lately, she is currently finishing a brand new mini album which is expected to be release later this year.

Nine Sessions
Nine Sessions is Miss Nine's monthly show at radio stations in more than 35 countries, including DI.fm, Proton, Frisky and Dance Paradise. During this one-hour show, Miss Nine shares her favorite tracks of the moment with her listeners.

Campaigns
In 2010, Miss Nine has become the ambassador of the revolutionary Levi's® Curve ID line. To highlight this new line, she has mixed the compilation album Levi's® Curve ID. Besides spinning at many events, which are actively being promoted in Europe and Asia, Miss Nine also hosted Levi's® presents Miss Nine in the supperclub during the Amsterdam Dance Event.
Miss Nine is also the face of Pioneer for the new CDJ-350 en DJM-350, turntables that are meant for starting DJs. As part of a Europe-wide promotional campaign, video clips in which Miss Nine is demonstrating these turntables are being televised on MTV.

She will be touring worldwide in 2015, so make sure to check www.djmissnine.com and catch the queen of the decks at a venue near you!

After 12 years in the game, Kissy Sell Out continues to be one of the most influential and globally respected names of the British dance music industry. With fresh projects evolving in 2018 as the label manager of Stepper Man and Lengoland, his bass house productions and world-class DJ mixing talents have forged the start of a second chapter in his vibrant and prestigious career. 

With his critically-acclaimed new album as KSO called “Style From The Westside” – described by UKF as “the realest bassline album you’ll hear all year” – Kissy has used his wealth of experience to shred up every old habit and signature sound he has honed in the past and re-written the rule book of electronic music production yet again. 

The list of collaborators featuring on the album reads like a who’s who of heavy-hitters in the current bassline and bass house scenes; including DJ Q, Darkzy, Dread MC, Pavv, JG, Tengu, Sam Supplier, J69, Jaikea, and The Wideboys. 

KSO’s lists of achievements in the music industry and public-eye are as long as they are astounding. He started at the tender age of 21 working on official game-changing remixes for A-list pop-stars such as Mark Ronson, Calvin Harris and Gwen Stefani (all while he was still at London’s Central Saint Martins art college), and went on to find success across the globe as an influential taste-maker at BBC Radio 1, global brand ambassador for Pioneer DJ, regular tour support act for The Prodigy and Fatboy Slim, as well as a unique music industry personality and public figure who can claim to have debated against Stephen Fry at Cambridge University and composed official music for the 2012 London Olympics ceremonies in Trafalgar Square and Buckingham Palace.

Kissy Sell Out Management & Worldwide DJ Bookings: barry@freshdjs.co.uk

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Booking : redfocksrules@icloud.com
Cooking on the spectrum 
Curator of Sextapes


Based in Cologne, Redfocks has been DJing for over 12 years, blending house and techno with touches of dub and hip-hop. A regular behind the decks at venues like Amp for Endstation Sehnsucht and Fusion Club, she’s a familiar face in the local scene.

She is also an active community organiser – a member of the Wir Schwestern collective and a founder of Qties, a space for collaboration and creativity among FLINTA* artists, with a focus on neurodivergent voices. Her sets are fluid and wide-ranging, always bringing something unexpected to the floor.

As an autistic person, Redfocks often finds it difficult to be in club environments and rarely feels relaxed enough to stay long. Playing her own sets provides a sense of safety and calm that’s hard to find elsewhere.

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