Quentin Lauvray

Classica

Dr Cat Moir (University of Sydney)in conversation with Dr Sebastian Truskolaski (King's College London) about his new book, Adorno and the Ban on Images (Bloomsbury, 2021). Part of King's College London's Comparative Literature Department's research seminar series, 3 March 2021.

Adorno and the ban on Images

This piece has been composed as part of the ACTOR Project (https://www.actorproject.org)
live recording on May 4th 2021 by :
Jeanne Côté, Violin
Martin Daigle, Percussion
Eric Bourgeois, Trombone
Matias Perinetti-Paniagua, Bass Clarinet
Charles-Eric Fontaine, Conducting
Recording : Yangwanqing Zhou, Ying-Ying Zhang & Martha DeFrancisco
Thank you to : Ryan Cass (Trombone) and Elia Foster (Bass Clarinet)for their creative input

...for narrow is the door... (03/2020)

François Couperin interpretato al pianoforte è il tema di oggi al “Pianista”. Ascolteremo una selezione dalle meravigliose “Pièces de Clavecin” con pianisti quali Marcelle Meyer, Yvonne Léfébure, Pierre Barbizet, György Cziffra, Wilhelm Kempff, Grigorij Sokolov, Alexandre Tharaud, Alfonso Alberti, Vittorio Forte, Iddo Bar-Shai. Conduce Luca Ciammarughi.

Il pianista 19/2/2019 François Couperin al pianoforte

“Il pianista” è oggi dedicato a Pierre Barbizet, ben noto per il duo con Christian Ferras: oggi lo scopriamo però nelle più rare incisioni solistiche, da Couperin al Novecento di Debussy e Ravel, passando per Couperin, Daquin, Mozart, Beethoven, Schubert. Conduce Luca Ciammarughi.

Il pianista 5-3-2019 Pierre Barbizet

Hanami

La Valse Di Lisa E Mattia.WAV

New feelings never felt before. 
A new wonderful person has shown up. 
Complex, Tiny and Beautiful. 
I Love her essence unconditionally. 
She gave a new shine to my old eyes

New Shine for Old Eyes

…like many surfaces of an attempt, for Schallfeld ensemble (2018)

impuls Minutenkonzerte
esc kunst medien labor Graz
May 26th 2018 

Schallfeld ensemble: 
Myriam García Fidalgo violoncello 
Matej Bunderla saxophone
Szilárd Benes bass clarinet 
Juan Pablo Trad Hasbun double bass 
Davide Gagliardi sound

Program notes:
This piece is about the distance between musical events and the difficulties posed in making connections between them. However, connections between them still somehow exist. They have to be searched for, invented, discovered. There is something disturbing in that process, but also calming. In the second part of the piece I use a text that I wrote, which gives the listeners new opportunities for constructing the flow of the music and deciphering its meaning. 

Text: 

What if we meet and I fall in love?
What if we meet and we don’t like each other?
What if we meet and we like each other 
so much, that we can not 
breathe? 

What if we meet and you start to hate me?
What if we meet and you are boring to me?
What if we meet and I seem old to you?
What if we meet and you like me more?
What if we meet and I like you more?
What if we meet and you fuck me 
so hard, that I don’t wanna
talk? 

What if we meet and I don’t like your smell?
What if we meet and you’re  not impressed 
with my body?
What if we meet and you say something wrong 
something stupid 
something cruel? 
What if we meet and you scare me?
What if we meet and we don’t understand 
each other?

What if we meet and it’s raining 
so heavily
that we have to stay inside and fuck 
all the time
and hug all the time
and talk all the time?

What if we meet and it’s sunny 
so beautiful
that we have to kiss on the grass 
all the time
hide from other people all the time
smile at each other 
all the time?

What if we meet and I hate the way you smoke 
the way you walk
the way you’re touching me?

What if we meet and you don’t like my thoughts, 
my worlds, my colors of the 
rainbow?
What if we meet and we realize that we 
are two different galaxies?
What if we meet and I feel that I’m not 
enough for you?

What if we meet and it gets awkward? 
What if we meet and I get anxious?
What if we meet and you faint?
What if we meet and …? 
                ………
                ……
                 ….
What if we never meet?

Sonja Mutić

...like many surfaces of an attempt, for Schallfeld Ensemble

MACARENA ROSMANICH
un grito (2019)

for 5 instruments 
(fl., cl., pno., vln., vc.)

Saskia Worf, flute
Aristides Porto, clarinet
Theresa Jensen, violin
Larissa Nagel, cello
Ke Xu, piano 
Ni Fan, conductor

Live Recording. 21.06.2019
Palazzo Ricci 
Montepulciano, Italy.

un grito (2019) for five instruments

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

Premiered at outHEAR Festival in Larissa, Greece on December 14th, 2019 by members of Klangforum Wien and PPCM. 

Felix Martl, bass clarinet
Mikael Rudolfsson, trombone
Leo Morello, cello
Joonas Ahonen, piano
Dimitrios Polisoidis, conductor

recorded by Dimitri Papageorgiou

[pictured: John Divola]

Sunol (2019) for bass clarinet, trombone, cello, and piano

Composer, performer, sound artist from Serbia/Croatia, based in Berlin
www.sonjamutic.com