Po prostu biegnę dalej(Epitafium dla miłości) / I just keep running(Epitaph for love)

LIVE AGAIN  (Ft. Molly Barnett)

Grooving a little over some of the great changes of Freddie Hubbard's immortal Red Clay


And thanks as always for your generous time listening, for you comments and shares

Red Clay - Jamie Rhind

A big Thank You to The Neighbor for playing this wonderful solo guitar

The picture shows an excerpt from:
After Andy Warhol, Sunday B Morning „The Scream - Green“ (after Edward Munch), 1967, printed later

Everything Liquifies

in
While only one wimper
Flies all the time
First still very, very fast
Then it settles down the line

In the meantime…		(2)

1
Some billion ys must have passed
Since we had that start
Since we saw at last
That we can fall so hard
In times of peace 
We treat the insane, 
While in times of war 
They govern us again

In the meantime
Everything liquifies

ref
It is revolving in the ether
It drains in the simple brains -
No or, no either
(or what of it remains)
Just drops into the simple brains

2
A decrease of viscosity
In former bound aggression
And the social cohesions
The glacier anyway
Everything liquifies
Is carried away 
By the great maelstrom
Tell me, 
Was it the same yesterday ?

In the meantime
Everything liquifies

ref
It is revolving in the ether
It drains in the simple brains -
No or, no either
(Or what of it remains)
Just drops into the simple brains

out
Like the sweetest sweetie, ahh
Like the ultimate candiest candy 
Sweet as can be...

Everything Liquifies (ft The Neighbor)

Recording sessions from 07/09/2023 - 09/09/2023.
4 tracks MOOG Modular (vst Arturia),
3 tracks Spark2 (vst Arturia),
1 track DX7 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
_______________________________________________________________________

In a basement completely sheltered from noise and the outside world, without telephones or internet, I was able to reasonably compose around fifteen titles without any interference. This isolation will remain a beneficial event in more than one way.

Dans un sous-sol complètement à l'abri du bruit et du monde extérieur, sans téléphone ni internet, j'ai pu raisonnablement composer une quinzaine de titres sans aucune interférence. Cet isolement restera un événement bénéfique à plus d’un titre.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

07-09-2023

07 09 2023

Kept this one simple (using the K.I.S.S. method lol) because I wanted this guys awesome vocals to shine!
Unfortunately, his current contract with the royalty free provider prohibits his name being mentioned - all I can say is that he is a very successful UK artist with an amazing voice.

Free download if you like it.

Photo by Ric Rodrigues

Thank you for listening ♥

Ex-Rated

When I first sit at the piano each day, it's important to warm up my fingers. Anyone who uses their muscles to run, dance or play any sport has to warm up their muscles. stretch them and orient them to what they are doing. Piano is no different. I have strong hands without a hint of arthritis. When I was still gigging, playing harder R&R, I had callouses on my fingers which often split and bled by the end of the night. My music style has changed over the years. But serious playing without warming up means the hands won't be coordinated and will be harder to control. The fingers need to know where to go whether I am looking at them or not. They need to be able to judge the distances between the keys and they need to be limbered up. So I do a variety of exercises playing up and down the keys in a variety of different key signatures. I unusually to play 3-5 hours at a stretch - because I love it that much. There is so much more music to play. If a warm up sounds decent I post it. All of my music are improvs but most of them have an intent, a story to tell. This one doesn't. I'm just having fun.

Tinkering On The Keys #7

Original by Kris Kristofferson 1972

All vocals : Janne Hennie

Why Me W/ Janne Hennie

you never told me 11.1.25

Glory

A radiant collapse between warmth and shadow, where each flash burns the silent surface of time. Energy flows from the glow to the fracture, revealing beauty in its slow unraveling. What remains is not sadness, but memory, echoing in a landscape that breathes, fades, and shines again.

Glassfire

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Tinkering On The Keys #7

Sonni Quick