Musique instrumental Blue note in Sky - soochrys

Blue notes in sky

Blue Notes In Sky

Smashing Again is the alternative rock project of Michel Alioscia, with Matteo on drums. 
Raw, authentic and original!

Music, lyrics & artwork by Michel Alioscia.
© Michel Alioscia Mazzolini – Smashing Again®

BUY ME A COFFE:
https://bmc.link/obsidianveilmusic

CONTACTS: 
https://linktr.ee/obsidianveil

In the enigmatic realms of sound, Obsidian reigns as a master of the shadows, conjuring haunting soundscapes that beckon listeners into a realm of profound darkness. Born from the depths of the unknown, Obsidian is an enigmatic figure who shrouds their identity, allowing the music to speak for itself.

Obsidian's sonic creations delve deep into the subconscious, evoking emotions that lurk in the darkest corners of the human psyche. With each ethereal composition, they weave a tapestry of eerie melodies and ghostly whispers, leaving listeners transfixed in a state of eerie fascination.

Drawing inspiration from the abyssal depths of ancient myths, cosmic mysteries, and the human condition, Obsidian's music transcends the conventional boundaries of the genre. They navigate the interplay between light and shadow, seamlessly blending chilling ambience with subtle touches of melancholy.

Stepping beyond the conventional, Obsidian employs a myriad of instruments and experimental techniques to craft their enigmatic symphonies. The droning echoes, spectral chants, and mournful melodies converge to create a sonic journey like no other, inviting listeners to confront their deepest fears and desires.

Obsidian's works find refuge in the depths of the night, where the veil between the tangible and the ethereal blurs. Through this veil, they beckon the curious and the brave to explore the unknown, daring them to embrace the darkness that resides within all beings.

With an ever-growing following of loyal admirers who find solace in the shadows they cast, Obsidian remains an elusive figure, allowing their creations to bear the weight of their identity. As the journey into the abyss continues, one thing remains certain - Obsidian's music possesses an uncanny ability to unravel the most profound mysteries of the human soul. Step into the darkness, and be forever changed by the enigma that is Obsidian.

GENERES: #ELECTRONIC, #AMBIENT, #DARKAMBIENT, #NEOCLASSICAL, #EXPERIMENTAL, #SOUNDTRACK, #CINEMATIC



#ambient #ambientmusic #dark #darkambientmusic #darkambient #musicscore #sounddesign #freelance #filmscore #filmscorecomposer #videogames #videogame #videogamemusic #filmmusic #moviemusic #musiccomposer #musicproducer #mixingengineer #sounddesigner #scifi #horror #sciencefiction

Hi everyone!
My name is Aliaksandr.
You can download my music tracks from SoundCloud for FREE and use my tracks for FREE in your videos, but without the ability to monetize them on YouTube.
If you want to include monetization of your videos and earn money, you need to purchase a license for each track that you use. A Commercial License can be purchased on Audiostocks (for links see profile above).
If you can not purchase a license, in this case you can leave all as it is. Your videos will feel good, they will not be imposed any restrictions (except for monetization).

Buck-Deinos-CZA-Таракан -Quasimoto
DOG WU FLY BUTER
Деньги все решают

👽  👽  👽
  👽   👽

https://www.mixcloud.com/trancylvania
@trancylvaniaCH

👽 Only music 👽


👽 Only music 👽

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Chanteur, auteur,compositeur, interprète, parolier, MADE IN NORMANDIE

Vous pouvez utiliser ma musique gratuitement dans vos projets à condition que Content ID soit activé. Cela me permet de percevoir une part des revenus publicitaires générés

We support artists and help them to be heard.
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I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Don't worry, friends, 90% of my replies to your comments are deleted on their own (with the help of SC)... but I appreciate your messages and I'm listening to you.

Thanks to all my friends who agreed to lend their voices and their texts.
In alphabetical order (And out of gallantry...Ladies first):

Albert Paule
Special Cecilia
Wildsilences
Epicsoundtracks
Frawstakwa
Gommearababic
Ian Greaves (IPG1)
Jumpingbunny
Maedali
Marty Andersson
Monsieur Madeleine
Wonie Z

Je dois aussi remercier Eric Miller qui m'a donné le goût de me lancer dans l'EDM et ses conseils m'ont été des plus précieux. Eric Miller est un compositeur très estimé pour son talent de mélodiste. Il a produit un album chez pomme music en 1995, a coécrit avec     Jean- Loup Dabadie, a collaboré avec Michel Berger, Jean-PierreJaniaud, Hervé Roy, Hervé Leduc, etc... Il collabore à Performing Arts et assiste régulièrement Sarah Sanders. 

https://soundcloud.com/ericmillercompositeur?utm_source=clipboard&utm_m
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Alternative Electronic Music By Zitou Itou.....born in 2022 
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zitou itou is also elsewhere ---> YouTube !
https://youtube.com/@ZITOUITOU?feature=shared