With less the 2 weeks until "Drown Out" is released on Anticon and today celebrating 15 year's anniversary of the label in Los Angeles' Echoplex here is Music Concrete.

The title, a play on the term for found sound features Chris Alfaro (of Free The Robots) and Phil Nisco skateboarding. I find the noise of which is speed incarnate. The sidewalk's texture, ollies and grinds, all evocative of a controlled fall. The track is that, barely holding on, crashing along, but also unabashedly free.

Drown Out is released on September 17th

http://www.anticon.com/item/drown-out

Music Concrete

Remix of my tune by Lapalux.......bosssssssss sound

Buy @ boomkat

Rainbow Hiccups... (Lapalux Remix)

Seneca

Taken from Lord RAJA's "A Constant Moth" out December 2, 2014 on LP/CD/DL. 

Pre-order from The Ghostly Store: www.theghostlystore.com/products/lord-raja-a-constant-moth

Lord RAJA - Darwin

FUSELab / Jumble is about to drop the debut EP from a young producer from Glasgow / UK - Soosh. Juicy, warm and deep sound with plenty of microscopic details and soothing mental rhythm, lyric mood of a summer evening and crumbling crystals of subtle percussion - all this forms a little "big" world of Soosh.
The release also includes a great remix by the uber talent, Lapalux from Essex/ UK.
Soon.
This will be my first of 3 eps to come out this summer on different labels- with upcoming viynl/digi releases.
http://fslab.net


Soosh Ep teaser mix

More Than One

Move It Along

Botany, 'Dimming Awe, The Light is Raw' out September 18th on Western Vinyl

Bandcamp: https://botany.bandcamp.com/album/dimming-awe-the-light-is-raw
iTunes: http://hyperurl.co/qzgj6u

Botany:
Artist Page http://westernvinyl.com/artists/botany
Facebook https://www.facebook.com/BotanyMusic
Twitter https://twitter.com/botanymusic

Under the Botany moniker, Spencer Stephenson creates rich psychological and emotional experiences through audio. When he started creating his own music at age 15, he was enamored with Four Tet, Stars of the Lid, Madlib, and Dilla.  In his late teens, he went through a heavy period of discovery with Psychedelic rock, Krautrock, and Brit-folk. "I started imitating a lot of those forms in my own music, sampling them sometimes, recording from scratch sometimes, but really just trying to bridge a gap between those worlds and sample-based hip hop, and I’m still trying."

On his latest effort Dimming Awe, the Light is Raw, the 27-year-old producer and composer continues dissolving the borders between his disparate-yet-beloved psych, hip hop, and ambient influences.  Unlike his debut LP Lava Diviner, which peaked and valley-ed through a narrative arc, Dimming Awe focuses on the artist's ever-unfolding, present state of mind.  As a former jazz student, spiritual/free jazz philosophy regarding what he calls “emergent” music has increasingly become a guiding light when he creates.  "The more emergent I let my music be when I'm making it, the more I like the result, it feels like a truer reflection.  I feel like I am getting closer to doing that with computer-made music," he says.  "This album is a document of what I do, not a statement in any explicit way. I feel like I'm moving closer to a jazz underpinning that I've always felt, philosophically more than aesthetically…making music feels more like exhaling as I grow older.”

Botany - "Jotu"

      ...clench your fists
with increased sloping

        ..ditch your scarf
         to avoid choking

DOWNHILL EXXXPRESS

Written, Produced, Performed by Abbi Press
Mixed, Mastered by Bloom Audio 
Photography by Iris Ray

ABBI PRESS - 'Wait.'

Wax Poetics Presents "Tawk Takeout: Tawk Tomahawk Remixed" by Melbourne, Australia soul group Hiatus Kaiyote.


When Queen of Just About Everything, Ms. Erykah Badu, delivers knowledge, you open yourself to receive. Which is why when she devoted 140 characters or less to Australian band Hiatus Kaiyote—her exact words were "Okay. I'm done. In love,"—it confirmed our strong sense that these guys were exceptionally special.

In a country where balls-to-the-floor AC/DC rock boasts a much fuller history than soulfully futuristic stylings, this seven-piece from the east coast city of Melbourne is an anomaly. Hiatus Kaiyote’s uniqueness comes not only from their surroundings, but also their capacity for a sound rich in its understanding of soul, R&amp;B, and jazz.

Lead singer/songwriter Nai Palm was raised on the sincerity of artists like Wonder and Franklin, which she funnels into one of the most naturally arresting voices we’ve heard (check this <a href="http://youtu.be/FwLU_PXheuo" target="_blank">cover of "My Cherie Amor"</a> from her NYC debut over the weekend). Her current U.S. trip as ambassador for the band has gained Hiatus Kaiyote a luminary list of new fans and friends including the Roots, Miguel Atwood-Ferguson, Jean Grae, Pharoahe Monch, the Brainfeeder crew, and more.

Word of Hiatus Kaiyote has found its way to the U.K. as well. Right now the band is enjoying the attention of Gilles Peterson, who selected their self-released EP Tawk Tomahawk as his Album of the Week. The timing has worked well for us too, as Wax Poetics cordially presents the accompanying remix album, Tawk Takeout.

Twelve producers tackle Hiatus Kaiyote originals, grappling with the stems and unfolding them into various forms. Mark de Clive-Lowe contributes a wonderfully spirited version of "Malika," which sits beside interpretations by Shafiq Husayn, KCRW’s Anthony Valadez, and more.

Listen to the album in full below, and <a href="http://hiatuskaiyote.bandcamp.com/" target="_blank">download it for free</a> via Hiatus Kaiyote’s Bandcamp  page.

Hiatus Kaiyote - Tawk Takeout - 08 Ocelot (Willow Beats Remix)

18th april- kode1, Bari
24th May- Imago festival, TPO, Bologna
27th June- Sprawl, London
15th aug-  Berlin

For bookings etc contact- 
soosh21@gmail.com

Press, remixes, and any other enquires to soosh21@gmail.com