Name: DJ Sotofett & The Colours Of Computer Generated Instruments - The Mixtape by DJ SOTOFETT
Duration: 45 min

eins zwei drei vier fünf sechs sieben acht _one two

Clone West Coast Series just released the album "DJ Sotofett & The Colours Of Computer Generated Instruments" - 15 cuts widening the spectrum of electro, with 80's Nintendo console vibes and holy grail analog vs digital synthesis. The album is filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to avant-garde electro cuts. But this is "The Mixtape", a 45 min energetic and deep dive into essential Electro and Detroit Techno. Mixed by DJ Sotofett, with 2 x Technics 1210mk2 in the tradition of old school Hip-Hop mixtapes, it holds several cuts from the album (even an unreleased version), as well as excellent tracks by Aux 88, Skatebård, Carl Craig, Cosmic Baby, Westbam & Nena, Kraftwerk, DMX Krew, DJ Hell, Pom Pom, The Advent, Victor Duplaix, Dopplereffekt, Gus Gus, Reese Project, Daft Punk and The Jonzun Crew.

Album @ bandcamp
https://djsotofett.bandcamp.com/album/dj-sotofett-the-colours-of-computer-generated-instruments

Album @ Hard Wax (EU)
https://hardwax.com/84864/dj-sotofett/dj-sotofett-and-the-colours-of-computer-generated-instruments/

Album @ Juno (UK)
https://www.juno.co.uk/products/dj-sotofett-the-colours-of-computer-generated-instruments-vinyl/1056299-01/

Album @ Naminohana Records (Japan)
https://naminohana-records.com/?pid=185460268

Get Album here!

DJ Sotofett & The Colours Of Computer Generated Instruments - The Mixtape

"Knee MIX" Nr.06 FROM Andras

the 5th chapter from the definitive days of house music, 
as the previous 4 chapters is education that a lot of 
alleged "House" DJs and Producers are obviously lacking.

Traxx plays again from the early 80s, 90s & today  
from vintage, out of print and promo labels:
trax records, dancemania, spectral, 
sound signature dirtyblends, lies 
to productions from:  farley jackmaster funk, 
boyd jarvis, marcus mixx, jtc delroy edwards, 
carl craig, leron carson, michael jackson,
ray charles, todd terry, colonel abrams, 
basement jaxx, sneaker,gene hunt, 
mark imperial, orgue electronique, 
population 1, deep concentration, 
brand new heavies,2 dogs in a house, 
and a unpublished joint from the chicago 
dungeon vault  building blocks of the early 
dance music scene with selections of today 
and yesterday incorporating musical blueprints of Chicago, New York and Detroit’s timeless heroes 
we admire, honor and inspired by their education.

we hope this will give people the chance to 
listen to music many may have never heard 
on this side of sound that provides a provocative 
and thoughtful musical workout in your mind 
with vinyl turntables, a vintage mix console 
with an effects box and cd players.

this selection is personally dedicated 
to my beloved heart ♥️ vicki,jason, nestor, 
naughty wood, ron morelli, kosmik, alex and 
the dancers and dreamers for the continuation 
of the lessons and storytelling of chicago with 
sincerity 🎶✨

runtime: 3 hours 23 minutes 

****more chapters to come in due time****

{Traxx} Presents- The Definitive Articles of House Music Chapter 5

Broadcasted on Radio Relativa in Madrid on May 20th, 2025. 

For complete tracklist visit: 
https://individualactiviti.es 
Follow Vladimir Ivkovic here: 
https://soundcloud.com/vladimir

IA Radio Show #266 with Vladimir Ivkovic

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly show.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-16th-may-2025

Orpheu The Wizard 160525

Hashman Deejay stands out as one of those DJ's and producers where he lets the music do the talking. Like fellow collaborators PLO Man & C3D-E you won't see many interviews, let alone photos - they show up to the party and do their thing. 
With a vast range of alias' and collaborative projects Hashman has been responsible for some of the rawest sounds in experimental, breaks, house and techno. As well as a DJ his vast taste can expand anywhere from shoegaze and punk, disco and raw chicago sounds, to dubbed acid and techno. 
For this mix the selector has dug deep into the tape hiss sounding crates covering oldschool beats that could be mistaken for an OG Ras G tape, dub flowing onwards into some select acid house and more synth focused club sounds all working together with the most seamless touch. We had a very brief chat with Hashman about his mix but this one is all about the sounds and he lets that do the talking.

Off The Record Mix Series 56: Hashman Deejay

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

| HEARING THINGS | w/ Hybrid Man | E6

Better Off Deceived (Single Version)

OLDSKOOL VIBES WITH A MESMERISING VOCAL THROUGHOUT THIS TRACK

ITS A VIBES THING 2025 EDIT

Soluna - Can’t help but worry (remix)

REMIXES:
fettdistro@protonmail.com

BOOKING EU
alex@neptunemusic.net

CUTTING at MANMADE MASTERING
sotofett@manmademastering.com

DJ Sotofett & The Colours Of Computer Generated Instruments - The Mixtape

DJ SOTOFETT

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