Rain without words

A beautiful collection of enchanting neo-classical and ambient music. Including artists such as Nils Frahm, Julia Kent and Olafur Arnalds. And record labels such as Erased Tapes and Denovali.

Neo-Classical & Ambient

Slow

melodic

piano

Acoustic / JAZZish / Neue Classica / Experimental

classical

From the original score to THE WAR AROUND US

Music composed, produced and mixed by Austin Wintory

Featuring Steve Erdody (cello), Roger Wilkie (violin), Charissa Barger (harp) and Holly Sedillos (vocals)

THE WAR AROUND US: Realities Of War

'Feelings' features as the b-side on our 'Strong' EP release. You can buy 'Strong' on iTunes now: smarturl.it/LG-Strong
(UK only).  

Our debut album 'If You Wait' is out now!

Vinyl: po.st/IfYouWaitLP
iTunes: po.st/IfYouWait
CD: po.st/IfYouWaitCD

http://londongrammar.com
twitter.com/londongrammar
facebook.com/londongrammar

Strong

Feelings

October 2013 will see the reissue of 26-year old American composer Peter Broderick's 2008 debut album Float. Returning to his home in Oregon, where his musical journey began, Peter completes the circle with the release of Float 2013. Remastered by the gifted hands of Nils Frahm, Float 2013 will also include two additional bonus tracks with each album download and will be reissued on CD, vinyl, digital and even on a limited edition cassette via Erased Tapes. The album release will also be accompanied by Float 2013 Addendum, a 7” single featuring ‘Something Has Changed’ re-arranged as a duet for violin and viola, with the new title ‘Something Has Remained’.

Brought up in a musical household in Oregon, Peter quickly became a popular session musician for the likes of M. Ward in the Portland area. Later discovered by the Danish band Efterklang he joined their live band and spent the next six years based in Europe where he collaborated with many like-minded contemporaries. Through relentless touring, multiple album recordings and film scores Peter has established himself as a solo artist, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.

Having previously released ‘Ten Duets‘ on cassette tape, Peter is a big fan of this format and is excited to be taking part in Cassette Store Day on September 7th 2013. Float 2013 will be available in store in a hand numbered limited edition of purple cassettes in bespoke packaging. Fans can view a map of stores that stock the tape and listen to ‘A Snowflake’ here: http://tinyurl.com/float2013

’A dialogue was started with Robert, about the idea of one day giving Float a second chance. And a bit later I found myself in the studio of my dear friend Nils, remastering these songs which on one hand felt so far away, but on the other felt right at the core of my musical heart, the foundation of my aspirations as a musician. And what Nils did to the sound, how he worked his magic as he always does, filled me with the conviction that this project had not previously reached its potential. In so many ways I've found myself coming around the circle, back to the place I started, only perhaps the circle itself has moved. But the dream is the same. And my little baby has a new pair of shoes: Float 2013.’ – PETER BRODERICK

LIVE DATES:

26.09. SEATTLE (US) – Decibel Festival (Erased Tapes label showcase with Nils Frahm)
27.09. PORTLAND (US) – Mississippi Studios (with Hauschka)

www.peterbroderick.net
www.erasedtapes.com
www.cassettestoreday.com

Float 2013

A Snowflake

Peter Broderick – A Snowflake

All of Me

All Of Me

Elizabeth Bay

Our 'Sights' EP is on iTunes now: http://po.st/SIGHTS

'Sights' is taken from our debut album 'If You Wait'

Vinyl: po.st/IfYouWaitLP
iTunes: po.st/IfYouWait
CD: po.st/IfYouWaitCD

http://londongrammar.com
twitter.com/londongrammar
facebook.com/londongrammar

If You Wait

Sights

Taken from the album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: www.erasedtapes.com/store/index/ERATP055
US order link: www.midheaven.com/item/spaces-by-frahm-nils-cd
iTunes Worldwide order link: snip.ftpromo.net/spaces

After releasing his critically acclaimed album Spaces in late 2013, and a completely sold out North American Tour in spring, Nils Frahm will return for the autumn run of his Spaces Tour with a special gift to his fans: an exclusive stream of album track 'Said And Done'.

'Touring the US again? I hope my folks at home wont get jelous but it is just starting to become some serious fun! Expect me to return with more crazy ideas about how to wreck an old New York Steinway and more tips: how to manage travelling UNITED AIRLINES. There will be more half broken tape delays, overclocked synths and hopefully I can score another silly drum computer. I am very much looking forward! Plus, if you want me back, I am coming. See you soon!' – Nils Frahm

His feverish playing is so stimulating that it's slightly nerve-wracking' – Pitchfork

'If you've ever caught Nils Frahm live, you can attest to what a powerful experience it can be' – Exclaim!

'It’s a powerfully moving experience watching him create all manner of sounds with his fingertips' – KEXP

'He had the audience laughing, at the point of tears and ultimately on their feet with a standing ovation' – Resident Advisor

www.nilsfrahm.com · www.erasedtapes.com

Spaces

Said and Done

Buy LP/CD/DL

Me playing Rachmaninov's mind-ravaged, bleak and totally fucked study. Too many notes, too many thoughts.
Played live and unedited.

Rachmaninov Etude Tableau in E flat minor

I T O E  0001

This song was originally created by Paolo Nutini.
Kungs added a beautiful melody, that gave an incredible energy to the song. 
Check him out :
https://www.facebook.com/Kungsmusic
https://soundcloud.com/kungsmusic



Kungs - Candy (ft. Jasmine Thompson) [Piano Cover]

Sourced Out 02 Grandbrothers

'Entanglement' is out on April 13, 2015.
Pre-order CD/LP/DL via Erased Tapes:
http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

Budapest

Michael Price – Budapest

Original Score by Jimmy LaValle
Digital Release Sept 9th, 2014
Eastern Glow Recordings
www.beforeyouknowitfilm.com

Ty's Theme

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Masayoshi Fujita – Tears of Unicorn

from 'Machine To Machine' [CD|2xLP|DIGITAL]
Denovali Records · den235
available in July on all formats at [http://denovali.com/ricardodonoso]

Following on from early 2015’s exercise in dissonant formalism “Sarava Exu”, “Machine to Machine”, Donoso’s newest full length work sees a return to a more melodic sound. “Machine to Machine”, continues to bridge the gap between Donoso’s more rhythmic and melodic work alongside his more experimental, loose and dissonant side yet still maintaining his unique signature feel; “WTF”-polymetric rhythms, elegant cinematics and spine chilling tension. Recorded over the last two years in between visual commissions and more through-composed heady works such as “Sarava Exu” and “A Song for Echo”, “Machine to Machine” represents Donoso’s return to the songbook format for the first time since 2012. 

Influenced by the work of Edward Bernays, Gustave Le Bon and Ernest Dichter - wherein past efforts have seen Donoso looking inwards, “Machine to Machine” has him looking outward - incorporating subliminal advertising techniques such as backmasking, ZMET and steganography, “Machine to Machine” is a meditation on priming with and without awareness and a treatise on the psychophysics of our contemporary age. 
“Machine to Machine”’s collection of songs are Donoso’s most versatile yet, incorporating all major elements from his discography into a unified album. There is something for everyone on “Machine to Machine”, and that is well the point, a vast range of emotion eliciting stimuli for your consumption.
 
RICARDO DONOSO is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston. After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise.


Machine to Machine

Ricardo Donoso - Dance of Attunement

This track is from the album Lifelines of Music and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/martinherzberg8

Rain Without Words

The Grand Lullaby

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

From the new album Asperities.

http://juliakent.com
http://theleaflabel.com/juliakent
https://www.facebook.com/juliakent.music
https://twitter.com/juliakent

Asperities

Empty States

the dark and the light and everything in between (live)

Time to Say Goodbye (Con Te Partiro)

Excerpts from the original score to JOURNEY, released March 13, 2012 on PlayStation3, developed by thatgamecompany and produced by Sony Santa Monica Studios. 

All music composed, orchestrated and produced by Austin Wintory.

Featured soloists:
Tina Guo: Cello
Amy Tatum: Flute / Bass Flute
Charissa Barger: Harp
Rodney Wirtz: Viola
Noah Gladstone: Serpent
Sara Andon: Flute

Orchestral performances by the Macedonia Radio Symphonic Orchestra
Orchestra conducted by Oleg Kontradenko
Orchestra contracted by Laurent Koppitz

Vocals ("I was born for this") performed by Lisbeth Scott
Text compiled by Jeremy Howard Beck

Details on the official soundtrack release coming soon! 

JOURNEY: Apotheosis

JOURNEY: Final Confluence

Jon Hopkins piano version of Modern Driveway by Luke Abbott

Modern Driveway (Jon Hopkins piano version)

[p*dis] distribution sampler for May 2013

Rauelsson - Vora -  Fluvial (Sonic Pieces)

Our single EP 'Strong' is out now on iTunes: http://smarturl.it/LG-Strong

Our debut album 'If You Wait' is out now!

Vinyl: http://po.st/IfYouWaitLP
iTunes: http://po.st/IfYouWait
CD: http://po.st/IfYouWaitCD

http://londongrammar.com
https://twitter.com/londongrammar
https://facebook.com/londongrammar

“Some of it reminds me of minimal music, the repetitions, the different layers that build up little by little, but she doesn’t hide behind them, she uses these techniques to express her own ideas. I find it wonderful how carefully she goes about it. When she’s onto an idea, she doesn’t just grab it, but approaches it carefully and gives the idea time to blossom.” – Tuula Simon, WDR 3, “3 von jetzt” (“3 of now”)

Sophia Jani is a German composer of contemporary classical music who takes a poetically minimalist approach to composition. She is the current Composer in Residence of the Dallas Symphony for the 2023/24 and 2024/25 seasons, as well as the 2023 Musical Artist in Residence of the Arvo Pärt Center and recipient of the APC Fellowship.

Her music has recently been performed by the New Jersey Symphony, the Munich Symphony, Bang on a Can, musicians of the Dallas Symphony, the Goldmund Quartet, vocal sextet Sjaella, and pianist Eunbi Kim, among others. She has also contributed music to successful film, theater, dance and album projects.

In 2021, Jani was awarded the prestigious Scholarship for Music by the City of Munich for her solo violin piece III. Her debut album of chamber works, 2022’s Music as a mirror, received a nomination for the German Classical Music Prize “Opus Klassik.” In June 2022, she co-composed and produced “Tulips” with violinist Darian Donovan Thomas, which was featured on !K7’s String Layers Vol. II. And in July 2022, she participated in the Edward T. Cone Composition Institute at Princeton University, where her composition “What Do Flowers Do at Night?” was performed by the New Jersey Symphony under conductor David Robertson.

In addition to her work as a composer, Jani is passionate about building a diverse and international community of artists that open-mindedly addresses the challenges notated music faces in the 21st century. To that end, she is one of the founders and artistic directors of “Feet Become Ears”, which is a platform that commissions, presents, and celebrates contemporary chamber music.

Jani holds degrees from the University of Augsburg, the University of Music and Performing Arts Munich and the Yale University School of Music where she studied with Martin Bresnick and David Lang, made possible through the generous support of the Fulbright foundation.