Just thank you. It 's so magical. Wonderful

A sensitive subject like this is very rare; what to say ? few notes, a few minutes of music, great impact on our soul. beautiful!

Beautiful, I adore your music. I listen to your music everyday and I still love it, the piano is a very beautiful instrument and I personally play the cello with my school friend. I think the cello and piano are the perfect match to make music amazing. :)

very talented composer, I really envy you. thanks for sharing this impressive Music.

I just fall into love in this piece more and more with every next second...

Original Improvisation G# 20240505 - 7

3 rd final sketch of my 8 piano project, where I am going to record 8 piano pieces on 8 different pianos all over europe in summer 2015

Dirk Maassen - Zenith

Taken from Vitaly Beskrovny's album "Imperfect", released on january 11th 2016

Vitaly Beskrovny – Trust

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist Antonymes, taken from the forthcoming album "(For Now We See) Through A Glass Dimly".
 
Sonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (The Auteurs) and Christoph Berg (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine's plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.
 
In addition to James Banbury and Christoph Berg, "(For Now We See) Through A Glass Dimly" also includes contributions from composer Stefano Guzzetti, Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.

http://www.hiddenshoal.com/project/antonymes/

This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes - Towards Tragedy And Dissolution

Taken from the EP Forgotten Postcards.
Release date: March 28 (Piano Day) on 1631 Recordings.

Read more about Piano Day: http://www.pianoday.org/
#PianoDay

Luke Howard - Atlases

This is a  piece I recorded at home as a  thank you to all my dear supporters thus far for the "Wide Asleep" vinyl release Campaign & features beautiful friend and Cellist Peter Hollo

So I'd like to send my warmest hugs and to say a huge thanks  to the following people:
Chantelle Walker
Juanita Lennox
Christine Leftakis Lee
Nicolette Smith
Rebecca Ramon
Matt Painter
Murray Cook
Steven Bagatzky
Martin Noble
Scott Hunt
Mataias Perez
Ben Grounds
Travis Baird
Julien Marchal
Damien Carter
Grantley Buffalo
Alex Zoloto
Leo Van Hove
Torsten Hermann
Jamie Lickfold
Ralph Etter
Andrew
Mattia Tyskens
Iain
Justin McMillan
Charlie Mort
Rohan Charlton
Robert Rees
Eric Mason
Andrew Skilton
Max Philiips
Jonathan Brockman
Ant Mackarel
Trudie Irle
Arianna
Mike Toehider
Cat Colman
Kyle Gorman
Mark Carry
Jack Frawley
Jeff Stonehouse
Daniel Hodgkinson
Greg Edelmaier
Frances Penton
Lois Wills
Reuben Ingall
Colby Caldwell
Zak Arnot
James Tomlin
Martin Jensen
Wes Prendergast
Chris Bowden
Isaac Middle
Francesca H
Je Suis Jules
Thomas Ebert
Erico Costa Maia
Rebecca Hauri
Mike Evans
James Harrison
Istvan Hubner
Julianna Preston
Andy Nason 
Dale Elefant
Tim Ritchie
Lex Wissink
Peter Farka
Feral Media
Warwick Baker
Graham Nunn
David Wallace
Shane Mason-Pagett
Ian Newey
Wes prendergast
Colby caldwell
Selina Visocchi
Craig Tonks
Dale Elefant
Steven Bagatzky
Doug Wallen
Debbie Ward
Omar Corona
Darleen Ortega
Rosie Sutherland
Kath O’Donnell
Adrian Sikora
Ross & Simone Dickie
Josh Bassett
Jen Cloher
Hadassa Haack
Narinder Kaur
Brian Housman
Cameron Smith
Jared Harrison
Todd Hutchings
and all the Anonymous listed supporters too!


Grace

My contribution for Piano Day, a late night meditation.

Dedicated to Paddy

Still

I have a bad (fun) habit of collection pianos/keyboard instruments, so in the spirit of Piano Day 2019, I thought I'd give them all some love. This piece features all 14 of my keyboarded friends, some happy and healthy and others... not so much.

#pianoday

All My Friends

Hello,

Today marks the 88th day of the year, same number as the keys of the piano and likeminded piano people from all over the world, fight the recent health crisis by continuing to live their lives and by celebrating their beloved instrument. Many piano shows cancelled (mine included), many composers, tuners, movers, struggle to make ends meet, but "Piano Day" is here again, to keep the spirits up, and spread a message of hope. After all, music will never be quarantined! ;)
 
www.pianoday.org

This year I contribute with "The Treeman", my latest composition which I composed, performed & recorded only yesterday, at home. It is about this strange isolation, of not being able to move, like if we voluntarily grew roots on our feet, against our social nature. Like trees trapped away from their forest.

Stream / listen / watch / support  "The Treeman", here:

https://fanlink.to/the-treeman

artwork: Hvass & Hannibal (www.hvasshannibal.dk)

The Treeman

The Treeman (Piano Day 2020)

Pools Re-works

The Wooden King

Jim Perkins -  The Wooden King - (Floraleda Sacchi Re-work)

Compared with the likes of Max Richter, Dustin O'halloran, Nils Frahm and other like minded composers, Hutching's has prompted much critical praise worldwide, with MOJO Magazine declaring her work as ‘stirring, vigorous, [and] grandly melodic”. Hutchings debut album was listed in that magazine’s Top 5 Independent releases and has continued to endure and impress since. Hutchings is subtly playful within the direct and emotive candour of her style, making for an open and surprising journey throughout. Balancing the beautiful fragility in her work with a deeper sense of urgency creates a striking charge to her performance with a compelling pulse that also encompasses a lightness of touch in parts making for many shades set within Hutchings’ beguiling vision.
Her compositions move from disarmingly spare and elegant beginnings to curl out with a tingling edge, propelling its austerity into urgent and epic realms. Violin, cello, heighten the flight these pieces can take as well as dip and swell within the more dimly lit moods of gentler nuance, casting a particular spell across the range of feeling captured in Sophie’s playing. Both unfussed and exquisite though constantly evolving....

Grace

Sophie Hutchings

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