Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.
Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.
The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.
The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.
As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.
The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.
Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music

ARABIAN

yes BIO

oh ok
I'm a poet at heart
also dable in art
2d 3d and the other D's.
This Music is totally for entertainment purposes and mind bending experiences.
The producers hold no responsibility for any unbelievable enlightenment.
My Heart and Soul are pure!
So is my Art and Craft.
Messages 

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

Just started out as a music producer, show some support big things to come!

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Lotus Pastel is one of those rare artists who seem to exist slightly outside of time. Her origins remain undefined, with brief chapters spent in Tokyo, Seoul, and Tangier before finally settling in Paris. This rootless journey shapes her music: delicate, ethereal, and quietly fearless.

With a voice both fragile and luminous, she creates songs that feel like secret confessions, half-whispered and half-sung. Her sound drifts between dreampop, poetic electronica, and intimate pop, always tinted with surreal imagery and a sense of soft resistance.

In 2025, Lotus Pastel unveiled not one but two striking albums. "Ma Vie, L’Univers" opens like a diary scattered in the wind: playful and dreamlike on tracks such as "La Machine à Café a Pété", tenderly reflective on Je suis là…, and cosmic in its collaborations with Dark Earl (L’Univers) and OldNEO (Echoes of a Myth). Later that year, "Ici, Daba et Ima" expanded her palette, weaving Franco-Japanese moods (Yuki no Shita), Moroccan shades (Daba, Sous le bleu de Chefchaouen), and fragile nocturnes (Que la nuit m’oublie).

Lotus Pastel does not chase anthems, she builds atmospheres. Each release is less an album than a landscape, pastel skies, blurred edges, words floating like fragments of a dream. And in that liminal space, she is already carving her own place in tomorrow’s music scene.

Born in Marseille and now based in Paris, Anisa Boualem is a 31-year-old French-Algerian singer who turns emotions into melodies like secrets whispered to the sky. With a voice both fragile and fearless, she navigates genres like chanson, soul, electro-folk, and modern French touch. Her music walks a line between dream and confession, southern sun and northern twilight. Anisa doesn’t sing to be heard she sings to make silence resonate.


Née à Marseille, bercée par les vagues et les voix du sud, Anisa Boualem est une chanteuse française d’origine algérienne, installée aujourd’hui à Paris. À 31 ans, elle compose des chansons comme on raconte des secrets à la lune. Anisa jongle avec les genres chanson française, soul, jazz, électro organique et sa voix tantôt douce, tantôt rugueuse, évoque les silences pleins, les souvenirs qui dansent, et les émotions à fleur de peau. Son art est une passerelle entre les rives : entre Alger et Pigalle, entre l’intime et le cosmos.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.