UK House label est, 2009. Main Artists include:

<a href="http://www.soundcloud.com/howardsessions">Howard Sessions</a>
<a href="http://www.soundcloud.com/soansotv">Soanso</a>
<a href="http://www.soundcloud.com/mike-richardson">Mike RIchardson</a> 
Makka
Matt Gray
Lorenzo Kurizu


Contact us:
You can find out more about us and our antics at the following links:
<a href="http://retweak.com/podcasts" rel="nofollow" target="_blank">retweak.com/podcasts</a>
<a href="http://www.facebook.com/group.php?gid=137926404376" rel="nofollow" target="_blank">http://www.facebook.com/group.php?gid=137926404376</a>
<a href="http://twitter.com/retweakrecords" rel="nofollow" target="_blank">twitter.com/retweakrecords</a>
<a href="http://myspace.com/retweakrecords" rel="nofollow" target="_blank">myspace.com/retweakrecords</a>
If you want to get in touch with us about anything, then email us at the following addresses.
Artist Bookings: <a href="mailto:bookings@retweak.com" rel="nofollow" target="_blank">bookings@retweak.com</a>,
Promos, demos, remixes: <a href="mailto:info@retweak.com" rel="nofollow" target="_blank">info@retweak.com</a>,
Advertising: <a href="mailto:advertising@retweak.com" rel="nofollow" target="_blank">advertising@retweak.com</a>,
Graphic or web design work (from our sister business tweak media): <a href="mailto:design@retweak.com" rel="nofollow" target="_blank">design@retweak.com</a>

Thank you for the support over the years on my music and releases, I hope to release more music soon.

For info or quotes on mastering services, please email the mastering studio at: rob@robsmallmasteringltd.com.

As of Nov 2021, my sound engineering, mixing and music consulting services are no longer offered due to time restraints, so the mixing studio is now closed. We may reopen in the future, but for now it's only mastering services which are offered via Rob Small Mastering LTD:

https://robsmallmastering.com/home
https://www.facebook.com/RSMastering

International record label for house, electronic, and dance music. We do not accept demos via Soundcloud messages. To submit a demo, please click the link below. Thank you.

FIRED UP RECORDS // Our Soundcloud home.

Listen to all our forthcoming releases here first and check out all of our back catalogue, complete with a 'Buy This Track' link...

A little bit about us...

Sarah Curtis took over Fired Up back in 2006. Already having established itself a good reputation thanks to former label owner Jupe, Sarah has accelerated the label into even more success! We have managed many 'featured' releases on trackitdown.net and are now publishing our releases to over 20 online digital stores, iTunes, Beatport & Audiojelly to name a few. I'm holding high hopes for this to become one of the most popular labels of choice within the Hard Dance industry!

HAVE AN UNSIGNED HARD DANCE TRACK? Please send to:

sarahc@fireduprecords.com

All submissions are listened to and feedback will be given as soon as we're able. 

Thanks for all those who support us as a label and we hope to continue pleasing your ears...!

www.ayita.com

Submit demos to hello@ayita.com

Sorted. Media (UK) Ltd is a bright new company bringing solutions to the challenges of today’s promotional and media needs. We utilise ground level strategic marketing tactics together with media development and campaign management tools to provide everything you need to reach the target audience efficiently in this testing age. We have four key areas of focus: Moving Target vehicle division, Sorted Leaflet Distribution and Flyerpacks, Media Services and Campaign Management.

Check out new tracks I have been collaborating on in 2011 here: http://soundcloud.com/bescheererandszenasi

Grammy-nominated producer / DJ.  
Mgmt: funkfarmproduction@gmail.com  
Bookings: james@epikaartists.com

With a career spanning over four decades, that began in what many consider to be the most important and influential club of its generation, Fac 51 The Haçienda, and continues with his residency for the award winning I Love Acid club night, few of today’s DJs can boast a pedigree like Jon Dasilva. 

Considered to be Haçienda’s most singular resident DJ, Jon Dasilva was fresh to the scene in '87, finding DJ inspiration in the House and Disco DJs of deepest New York and Chicago, amidst a sea of influences, from Bowie to Dub Reggae to Kosmische Musik to Disco. His broad musical tastes and ability to work so many genres into proper dance floor action mark Dasilva out as a next level DJ. 

His greatest legacy from that period, alongside championing the early Chicago and Detroit sound, was his imaginative take on the idea of the DJ set. Not content with simply mixing one track into another, Dasilva wove a cappella and sound effects into a broad selection of House, Acid, Disco, Techno and even Brazilian Batucada, intuitively mixing in key, building a set dynamic that until then was rarely heard on UK shores.

A lesser known side of his influence was Jon’s inspired warm-up sets at the Haçienda. This was Dasilva's first experience of playing in such a major club, and realising the potential to have fun in the first hour or more of the night, he went about mixing up Dub Reggae, Latin, Disco and Post Punk oddities, interspersed with BBC sound effects. Word spread and soon these mixes would become the inspiration for another set of DJs, who later went on to form the backbone of the soon-to-emerge Balearic DJ scene, as well as artists like the The Chemical Brothers, The New Fast Automatic Daffodils, Matthew Herbert, The Stone Roses, Happy Mondays and many more. 
​
Jon still retains a freshness of approach, and this can be heard in his recent DJ mixes. His penchant for the varied shades of acid, techno and house, as well as his keen nose for sniffing out the most interesting modern producers, are evident.
​
More recently, Dasilva has forged an ongoing relationship with the London club night, I Love Acid and the club’s promoters, Posthuman, regularly doing back-to-back DJ sets with Posthuman. I Love Acid won the Best Club Event in DJ Magazine’s ‘Best Of British’ 2019.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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