more+more=MORE 
Mix and visuals by N1L
https://www.ofluxo.net/moremoremore-n1l/
https://soundcloud.com/n_1_l

Tracklist:

Benjamin Grosser - Order of Magnitude (audio rip)
GOLPESAR - Na-Koja-Abad
Arad Acid - Torqued Light
FRKTL - Haruspex
Racine-Nérol
Vanessa Lorenzo Toquero - Manifesto for the Republic of the archipelago
N1L - Sinful Tongue
Death Qualia - Death Quail
Yem Gel - Thaumaturgist Plexus
Kirk Barley - ETHER
Sugai Ken - 桂
Duma - Uganda with Sam
Nishaiar - Meli’āki Ādanyi
Gatekeeper - Re-gen

O Fluxo, N1L
2021

N1L — more+more=MORE

Epilogue

Cares - Chewed Off

To be released on Genot Centre on October 23 (tape & digital).
https://genot.bandcamp.com/album/organe-solaire

On Organe Solaire (GEN051) by https://soundcloud.com/amselysen a coherent ensemble is presented consisting of digital, hyperprocessed textures, minuscule sound fragmentations and impassioned, pressing vocal broadcasts. Deceptively, the sound at intermittently even approaches something like a sugary sweet pop production: chord stabs, piano tones, heartfelt howling, energetic kicks, the whole works. The most powerful weapons in the electro-acoustic toolkit are used here: sound events occur on a microscopic scale, sliced, granulated, pitch-bent, resonant, bubbling, stretching - but at the same time have an impactful, cinematic, piercing quality. From the arrangement point of view there is a cryptic multi-centered, restless logic, with the trajectory of all tracks constantly getting out of balance, twisting, self-subverting. The human voice, or the remnants of it, form an important thread through this album; spanning a wide tonal, textural range, the voice material is sometimes vocoded, stuttering, crushed, resampled, fried, totally pushed beyond its limits; but at other times innately performative, assertive - a declaration of intent or active intervention, conveying meaning, communicating something important. Organe Solaire follows 2020's murky transmission Hypnagogic Surge.

// Hakeem Lapointe (https://soundcloud.com/amselysen) about the album
“My [Amselysen’s] second full length album’s focus, Organe Solaire, strays from conceptual music and goes on dissecting and splaying a dark but colourful sludge of emotions. A major point source in my compositional approach to the record has been imagining the trajectory of hyper-pop if it evolved with a more pessimistic tendency, with the same bells and whistles, but less shiny and squeaky clean — like the rainbow reflections of tar bubbles. 
Organe Solaire, unable to afford being cryptic, doubles down on honest, raw lyricism and is quick to open up, building a comprehensive musical and gestural language that reflects the narratives behind each and every track. They range from slow suicidal ballads, to demented hyper-melancholic pop, to interludes containing heavy narratives, like Discrepancies (for Kellyanne): a heavily filtered piano composition dating from my late teens, also acting as a hope to reach out to a long lost then-best friend.
I did not shy away at referencing personal idols who’ve inspired me throughout the years: The Labour of Love samples Akira Fuse’s Shikuramen No Kahori, a song mentioned in Joji Koyama and Tujiko Noriko’s feature length film Kuro, and matches its theme: gazing at the afterimage of a romance long gone. Post-modern Tsunami, as outlined by “shoutout to Hito Steyerl”, is made to the image of Steyerl’s Liquidity Inc.: in its wave-like structure; in its senseless meme aesthetic; and nods at its conceptual approach, dissecting contemporary culture with economic undertones.
To aid me in my efforts, I have called upon two outstanding collaborators to lend their strengths on the album. I’ve recruited the excellent Ubu Boi, providing tactful compositions and solid vocal performances, and the mysterious 2x|n, a.k.a. Seraphim, for precise sound design and incisive aural interventions.
Delving into romantic torment, drug use, artistic frustrations, struggles with mental illness, Organe Solaire brings forth a fundamentally human experience in the form of raw edges thinly veiled under a layer of gloss.”

Organe Solaire

Pre-order

Amselysen - 10fold (GEN051)

Kasimyn's solo album under his new project HULUBALANG - BUNYI BUNYI TUMBAL—Up for pre-order now on digital and 12” vinyl, releasing June 26, 2023

Browsing the Indonesian war archives from various sources for years, which marked the commencement of the project, HULUBALANG’s BUNYI BUNYI TUMBAL is a personal ‘letting go’ of a long lineage of anger; a tribute to some small village whose ritualistic dance one night was disrupted by external forces, causing the tune to become broken; a dance that was dragged out, wonky between innocence and pain.

Aditya Surya Taruna (aka Kasimyn) is one half of the Indonesian electronic duo Gabbar Modus Operandi known for their acclaimed records PUXXXIMAXXX and HOXXXYA (out via Yes No Wave and SVBKVLT, respectively) and overwhelming live experiences. In 2022, Kasimyn contributed with beats on Björk's latest album, Fossora. After joining Björk on her Cornucopia tour in Japan last week, Kasimyn is announcing his solo album on Drowned by Locals under his new project HULUBALANG.

BUNYI BUNYI TUMBAL

HULUBALANG - Sayat

Changing (demo)

Omb Extrusus

Alternate unmastered remix for @epsilove
check out her EP and the remix we did with @Lastrackqlf 
https://soundcloud.com/dkmntl/dkmntl071-epsilove-psychic-venom

Epsilove - Sea Snakes (Hajj's schmirred pop version)

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Will You Let Go, Sire

“Interwined” by @spraelle is the latest track from his upcoming EP "CRUSH UP" out on @xenonymsss 's on the 23rd of October.

Pre-order: https://xenonyms.bandcamp.com/releases
Read more: soulfeederweb.com/premieres/premiere-spraelle-interwined

[Premiere] Sprælle – Intertwined

https://luttolento.bandcamp.com/album/legendo

BANDCAMP

HORNED HEART FEAT. KATARZYNA KARPOWICZ

Collective and open platform devoted to underground electronic music in search of new paths to empower artists.
About us: https://soulfeederweb.com/info/
Demos: demo@soulfeederweb.com

[Premiere] Sprælle – Intertwined

Soul Feeder

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