produced by @hadji-hajj
vocals by @chaams

Vertige II is the second compilation to be released on Abîme, gathering tracks from ten artists to explore the Vertige concept with a wider spectrum of intents.  

It features contributions from musicians all around the globe, each of them delivering an interpretation of this ambivalent sensation that could be equally seen as a positive or negative feeling if taken in its plurality of meanings.

Ranging from GIL’ dizzying textures in ‘Storm Petrel’ to the sweetness of Fauness’ guitars in ‘Am I ready’, Vertige II finds its coherence when seen as a progression, a back and forth between fear and love, with each track responding to the previous one by being its deforming mirror.

Vertige II puts the emphasis on vocal tracks, but again doesn’t limit itself to a one-sided approach, and that’s how Lil Asaf’s harsh Jordanian rap can be found coexisting with Flagalova’ anthemic pop and Ptwiggs’ shoegaze ‘Forever is not enough’. 

As the successor of our first compilation, this record can be seen as both a continuation and a rupture in comparison with it. The delicate sound palette of the original opus has exploded and expanded into an ecletic collection of pieces, sometimes frightening and overwhelming, and sometimes soothing and reassuring, as is the Vertige.

Hajj - Don't Follow Me I'm Falling (Ft. Chams)

more+more=MORE 
Mix and visuals by N1L
https://www.ofluxo.net/moremoremore-n1l/
https://soundcloud.com/n_1_l

Tracklist:

Benjamin Grosser - Order of Magnitude (audio rip)
GOLPESAR - Na-Koja-Abad
Arad Acid - Torqued Light
FRKTL - Haruspex
Racine-Nérol
Vanessa Lorenzo Toquero - Manifesto for the Republic of the archipelago
N1L - Sinful Tongue
Death Qualia - Death Quail
Yem Gel - Thaumaturgist Plexus
Kirk Barley - ETHER
Sugai Ken - 桂
Duma - Uganda with Sam
Nishaiar - Meli’āki Ādanyi
Gatekeeper - Re-gen

O Fluxo, N1L
2021

N1L — more+more=MORE

Ewa Awe - Spiderloop

taken from "Privacy Angels" by VISIO
out on September 9th 2022

Written and produced by VISIO
Additional production by Heith
Mastering by Rupert Clervaux
Sculpture by Joshua Miller

VISIO - Extasi Exile

Heith - Your Element (a spell of equality)
Label: PAN
Cat.No. PAN 119S
Format: DL
Release Date: 26 July 2022
Purchase: pan.lnk.to/YourElement

X, Wheel

Heith - Your Element (a spell of equality) (PAN 119S)

Taken from Ludwig Wandinger's sophomore album 'Spiritual Decay' (G&P022), out September 2022

The name of many talents - Ludwig Wandinger - has been echoing in the experimental scene for quite some time. This comes as no surprise, as the already renowned Berlin based polymath channels his full-time effort partly into playing live drums, producing his and other people’s music and creating multidisciplinary visual art. Following multifaceted solo projects on labels Average Negative/Alpha Pup Records and Orange Milk Records, Gin&Platonic are delighted to present Ludwig's exceptional sophomore full-length album 'Spiritual Decay'.

Written & produced by Ludwig Wandinger (@ludwig-wandinger)
ludwigwandinger.com

Mastered by Rashad Becker

Photo by Sophie Klock

G&P022 💀

Spiritual Decay

Bandcamp

Ludwig Wandinger - In

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ No-One To Talk To

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

https://luttolento.bandcamp.com/album/legendo

BANDCAMP

HORNED HEART FEAT. KATARZYNA KARPOWICZ

Ayin, the indigo goat, the son of the forces of time, became the lord of the knowledge gates, when he lighted up the lamp of the moke with the 26 black diamond delivered by the musk and burned the orchid root.

Samekh, the light-blue hippogriff, the daughter of the reconcilers. She had the heritage of being the bearer of life when one day she received the stanchion of Visnuh. Therefore she headed to the mountain of Apollo, who impressed on her the fate of destroying the dog-headed centaur. As the oracle predict, she burned him in the aloe wood, as a gift for the blue rush, and she saw the temperance, like a breath of wind, spreading allover the earth.

Today Ayin and Samekh, the devil and the temperance, after having gone up the 90.900 steps of the stars, enter the house of Zaddi, the daughter of the firmament, she who dwells between the waters, to manifest theirselves as human, eagle and peacock.



The day of the great conjunction,
when Saturn and Jupiter enter Aquarius, the double negation, the neither neither.
Entering the no-nonsense season,
light a purple candle,
the nights now begins to grow shorter,
the sun enters Capricorn,
marked by the six of swords.



Our aim is the death of the anthropocene.


♅ ♄ ♃  ￼￼♒︎ 

꧁꧂



Written & Produced by Heith
Strings & Artwork by VISIO

N1L — more+more=MORE

O FLUXO

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