This track was created for the Naviar Haiku group.
393 week haiku
naviarlab.tumblr.co
seagull sound - freesound  https://freesound.org/people/squashy555/sounds/353416/

2021-07-15

A Dull Summer Day…  (Naviarhaiku 393)

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Listening with good quality headphones in a quiet environment is recommended.

2021.12.05 Rufous Whistler and Kangaroo. Dawn. Mallee Country. Early Summer.

Meditation For Doublebass & Cello Extended Version

for harmonium and ensemble

Orchester im Treppenhaus cond. Thomas Posth

harmonium: eden lonsdale

Cover Art: Hans Hartung

Sterne Und Ameisen (2021)

This is my new track I wrote and recorded please like comment and follow for more thank you everyone appreciate your support. Got this track from epidemicsound.com. #new #rookie #loveit

The whole world I'm enchanting (Big bands)

KORG sounds A086 The Sign - Less is more 80s synths.

The Sign

Commissioned by Duo Signal

Alejandro Oliván - alto saxophone
Adrián Albaladejo Díaz - trombone

April 20th, 2023 Live at Unternehmen mitte – Safe Theater, Basel, Switzerland

[pictured: David Rabinowitch, "Elliptical Plane in 3 Masses and 4 Scales III," 1973–75]

An altar in three frames (2022) for alto saxophone and trombone

Jon Yu is a Taiwanese-American composer whose music explores notions of ritual, utility, and excess. His recent works focus on sculptural elements in electroacoustic instrumental music.

His music has been performed internationally by ensembles and soloists including Mivos Quartet, Neue Vocalsolisten Stuttgart, loadbang, Wet Ink Ensemble, AuditivVokal Dresden, Eco Ensemble, Earplay, AsianArt Ensemble, haegeum player Soo Yeon Lyuh, and percussionist Oded Geizhals. His music has been presented at June in Buffalo, Dian Red Kechil, Darmstadt Ferienkurse, Pacific Rim Music Festival, Festival Musica, Festival Barcelona Modern, impuls Festival, outHEAR New Music Week, and IRCAM ManiFeste. He was the recipient of the 2017 Mivos/Kanter Prize for his string quartet O reche modo, and was the laureate of the Prix Alain Baltes for his vocal sextet PEK TI. From 2018-19, he was in residence in Paris at Cité internationale des arts as a fellow of the George Ladd Prix de Paris. He returned to Paris in 2020-21 to study in the Cursus Program on Composition and Computer Music at IRCAM under Thierry De Mey. He was awarded with a MacDowell Fellowship in 2024. 

Jon completed his PhD in Music Composition at UC Berkeley, where he studied with Franck Bedrossian, Ken Ueno, and Edmund Campion. He holds a Master’s degree from San Francisco State University, where he studied with Benjamin Sabey. He has also studied privately with Steven Kazuo Takasugi, Rebecca Saunders, and Pierluigi Billone. He currently teaches music theory, composition, orchestration, and musicianship as a lecturer at San José State University and UC Berkeley.