Relics

AAA das stimmt

great assignment!!!

used two things:
lyra 8
Baritone guitar played with e-bow

you understand when you listen

connect/disconnect(disquiet0534)

DLIR

lazy

Braille (AKA Senglar) & Senmove - Otoño

Grey Room Grey Guitar

Finding Your Home

https://soundcloud.com/dj-santi-fabian
housemusic #deephousemusic #housemusiclovers #techhousemusic #housemusicallnightlong #ilovehousemusic #housemusicdj #housemusicfamily #housemusiclover #futurehousemusic #progressivehousemusic #realhousemusic #housemusicalllifelong #housemusicforever #undergroundhousemusic #soulfulhousemusic #basshousemusic #afrohousemusic #techousemusic #chicagohousemusic #electrohousemusic #housemusicsavedmylife #housemusicproducer #classichousemusic #housemusicforlife #lovehousemusic #housemusicculture #housemusicparty #tropicalhousemusic #housemusic4life #welovehousemusic #technohousemusic #housemusicradio #housemusicfestival #housemusicdjs #londonhousemusic #ukhousemusic #tribalhousemusic #housemusiclove #housemusicalldaylong

Ora Pro Novis. DJ Santi Fabian Feat. Nylj

©2022 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Iguana Come Flor

Commissioned by Duo Signal

Alejandro Oliván - alto saxophone
Adrián Albaladejo Díaz - trombone

April 20th, 2023 Live at Unternehmen mitte – Safe Theater, Basel, Switzerland

[pictured: David Rabinowitch, "Elliptical Plane in 3 Masses and 4 Scales III," 1973–75]

An altar in three frames (2022) for alto saxophone and trombone

The door is right open
..
Ici pour continuer.
Alors comment ça va?
Essaye avec moi.
Dis toi que j’suis là,
Bien sûr que ‘veux cela 
Comme toi! 
Pas facile, alors on peut dire
Elle est ici, ris et colorie 
L’émotion de la copine, 
Pas juste une seule ring 
. 
Note , hot, coffee. 
Alors alors souris 
Veux tu bien une amie? 
Ne serait-ce qu’une question,
De copy. 
Aller viens , voir. 
Pars ici.
Forgive 
Hold on I want your hand.
Call-in
Here with Love to give! 
-A-

« ...avancer... »

Jon Yu is a Taiwanese-American composer whose music explores notions of ritual, utility, and excess. His recent works focus on sculptural elements in electroacoustic instrumental music.

His music has been performed internationally by ensembles and soloists including Mivos Quartet, Neue Vocalsolisten Stuttgart, loadbang, Wet Ink Ensemble, AuditivVokal Dresden, Eco Ensemble, Earplay, AsianArt Ensemble, haegeum player Soo Yeon Lyuh, and percussionist Oded Geizhals. His music has been presented at June in Buffalo, Dian Red Kechil, Darmstadt Ferienkurse, Pacific Rim Music Festival, Festival Musica, Festival Barcelona Modern, impuls Festival, outHEAR New Music Week, and IRCAM ManiFeste. He was the recipient of the 2017 Mivos/Kanter Prize for his string quartet O reche modo, and was the laureate of the Prix Alain Baltes for his vocal sextet PEK TI. From 2018-19, he was in residence in Paris at Cité internationale des arts as a fellow of the George Ladd Prix de Paris. He returned to Paris in 2020-21 to study in the Cursus Program on Composition and Computer Music at IRCAM under Thierry De Mey. He was awarded with a MacDowell Fellowship in 2024. 

Jon completed his PhD in Music Composition at UC Berkeley, where he studied with Franck Bedrossian, Ken Ueno, and Edmund Campion. He holds a Master’s degree from San Francisco State University, where he studied with Benjamin Sabey. He has also studied privately with Steven Kazuo Takasugi, Rebecca Saunders, and Pierluigi Billone. He currently teaches music theory, composition, orchestration, and musicianship as a lecturer at San José State University and UC Berkeley.