Art work by DSKO https://soundcloud.com/distco

Future Expansion

DR0000 0176

taken from ET-097
http://www.archive.org/details/ET-097

ET-097 | Sea Of Solaris

Yoichi Ichikawa - Sea Of Solaris (Excerpt) | ET-097

i can hide nuclear launch codes in the descriptions of one of these and no one would find it

Viva el perro (demo ver)

QM006 Daniella Ljungsberg - We Are Not Going To Drive Anywhere

Ljungsberg’s long awaited long player which she modestly calls a collage of field recordings is in fact of subtile symphonic quality featuring refined spatial arrangements and dynamics. A collection of passionate transformations of sound and noise keeps reinventing itself: Exciting, crisp, organic and fluid forms which occasionally make you remember french „Musique Concrete“ pioneers and such. Sit back and listen.

This is an online release & pre-release on cassette, vinyl release T.B.A.

Recorded and mixed by Daniella Ljungsberg, Jerusalem
Mastered by Will Killingsworth @ Dead Air Studios, Massachusetts

EENE

Excerpt from Giovanni Lami - Bias
A CD of etudes for buried and exhumed audio tape
Released April 2016

http://consumerwaste.org.uk/
http://www.giovannilami.com/

Giovanni Lami - Bias (excerpt)

Pointillism for sampling various voice No.1

Takumi Akaishi "Memoria" Voices

小雨蛙 Microhyla ornata (Dumeril and Bibron, 1841)
Huge density of this tiny frog chorusing like hell around a little pond in a little forest, Taoyuan, Taiwan.
Also present, the 斑腿樹蛙 Polypedates megacephalus (Hallowell, 1861) invasive species in Taiwan.
The site is located near little factories and roads, the background noise hasn't been filtered.
Recorded with two Sennheiser MKH40 and Zaxcom Maxx.
20/03/2020

200320 Microhyla ornata - Taoyuan

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Premiered by AsianArt Ensemble on August 11th, 2019 at Villa Elisabeth, Berlin.

Wu Wei, sheng
Hong Yoo, daegeum
Matthias Leupold, violin
Chang-Yun Yoo, viola
Gabriella Strümpel, cello
Matthias Bauer, contrabass
Adam Weisman, percussion
Il-Ryun Chung, conductor

[pictured: Paulo Nozolino]

The spine with throatless hum (2019) for ensemble

Jon Yu is a Taiwanese-American composer whose music explores notions of ritual, utility, and excess. His recent works focus on sculptural elements in electroacoustic instrumental music.

His music has been performed internationally by ensembles and soloists including Mivos Quartet, Neue Vocalsolisten Stuttgart, loadbang, Wet Ink Ensemble, AuditivVokal Dresden, Eco Ensemble, Earplay, AsianArt Ensemble, haegeum player Soo Yeon Lyuh, and percussionist Oded Geizhals. His music has been presented at June in Buffalo, Dian Red Kechil, Darmstadt Ferienkurse, Pacific Rim Music Festival, Festival Musica, Festival Barcelona Modern, impuls Festival, outHEAR New Music Week, and IRCAM ManiFeste. He was the recipient of the 2017 Mivos/Kanter Prize for his string quartet O reche modo, and was the laureate of the Prix Alain Baltes for his vocal sextet PEK TI. From 2018-19, he was in residence in Paris at Cité internationale des arts as a fellow of the George Ladd Prix de Paris. He returned to Paris in 2020-21 to study in the Cursus Program on Composition and Computer Music at IRCAM under Thierry De Mey. He was awarded with a MacDowell Fellowship in 2024. 

Jon completed his PhD in Music Composition at UC Berkeley, where he studied with Franck Bedrossian, Ken Ueno, and Edmund Campion. He holds a Master’s degree from San Francisco State University, where he studied with Benjamin Sabey. He has also studied privately with Steven Kazuo Takasugi, Rebecca Saunders, and Pierluigi Billone. He currently teaches music theory, composition, orchestration, and musicianship as a lecturer at San José State University and UC Berkeley.

The spine with throatless hum (2019) for ensemble

Jon Yu

Recent comments

Robert Cuffley

ulrich langenbach / electro acoustic

Anthony Tan

Related tracks