Methodology wise, all the ambiences came from tweaked versions of the pads presets in Bliss, I actually laid all that down first as this very mellow, creepy ambient track. Then there’s that guitar loop in the right speaker, which is the only specific loop I used from Bliss,  I printed it to audio and reversed it, which then plays in response in the left speaker. The piano (ships piano) is doubled throughout with one of the keys preset (carny piano! I love it.) and it slowly fades in throughout the track, that low distorted bass sound  is a tweaked keys patch as well, that I ran through Devil-loc to make it extra grimy. The other bass is one of the keys presets as well. 

https://www.sound-dust.com/blissmachine

Carny_BLISS MACHINE demo_MarcusBagala

Sound-Dust