Conceited

Messy

Shores of the Celestial Abyss
Drift to the edge of the known universe, where starlight fades into silence and cosmic tides whisper secrets through the void. This ambient journey blends deep, resonant textures with shimmering echoes, evoking the feeling of standing at the shoreline between space and the infinite unknown. A soundscape for stillness, reflection, and dissolving into the mystery.

Shores of the Celestial Abyss

Am Anfang war ein Groovetrack. Sounds habe ich hinzugefügt und mit Livepercussion gewürzt./It all started with a groove track. I added sounds and spiced it up with live percussion.

The Project

d£aler

SOON to move to Bandcamp as an album or you can find it as a playlist on listen in it's proper order athttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign

instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image (showing this very poem on sheets of paper, in voynich minds): Jeff Gardiner in collaboration with jo richter

while I was snoozing in the scalar field
i dreamed about a maple staff
with inlaid gold and bone and sacred glyphs
it began to sing in delightlful shades of blue

like sky and water and turtle shells
and peels of strings of bells, wrapped around the waists
of woman dancing veiled in skanes of silk, all red and black
and oranges from the amazon
that orange meat, so juicy sweet!

a blade already broken, a token of persuasion
lving in the last creation
the actor trying out for all the parts
better some than others
clarity is something seldom found
just like reason, overrated
turn that little voice off in your head, he said -

redeem it when you find it if you're able. then forget it
then forget it for the favor of a lover
while the mother of redemption stands at attention
did I mention the monster, he's an alien
with eyes like fire, a liar and a loner

a believer a retriever with a pagan predilection
basking and engulfed in the sunlight and the scented artificial flowers
of he valley in the meadow where she's waiting
with the golden sunlight and mountain flowers in her auburn hair
writing letters to her lovers in the air;;-

the scalar field pt 7 astral yeast- with Sonic Structures and Silent Stretches

Ein Fusion-Song aus mehreren Genres (Chillout, Ambient etc.); man könnte das Genre Progressive Chillout nennen./A fusion song from several genres (chillout, ambient, etc.); one could call the genre progressive chillout.

Solo il Sole

Der Song ist im verregneten Sommerurlaub in Norddeutschland bei der Lektüre des Romans von Philip Kerr Metropolis aus der Bernie Gunther-Reihe entstanden. Motive des Romans und des Films von Fritz Lang sowie die Atmosphäre Berlins in den späten 1920er Jahren sind in die Gestaltung des Songs eingeflossen./The song was written on a rainy summer vacation in northern Germany while reading Philip Kerr's novel "Metropolis" from the Bernie Gunther series. Themes from the novel and the Fritz Lang film, as well as the atmosphere of Berlin in the late 1920s, influenced the song's composition.

The Metropolis Project

This column is medium-sized and produces a sound that starts loud and gradually softens into a gentle, mellow tone. It's suitable for medium to large spaces or outdoor use, making it ideal for group therapy sessions.

This rain column has a sound duration of approximately 44–46 minutes, with a rich and soothing sound that begins intensely and gradually transitions to a very soft volume — especially appreciated for its calming "SLEEP" function.

Original Rain Column – 45 min | White & Gold Mandala Flower | SLEEP Function | Rain Sound Instrument

Dieses Stück ist Musik zu einem Film, der noch nicht gedreht worden ist. Die Stimmung spiegelt die späten 1920er Jahre wider. Parallelen zur heutigen Zeit sind nicht zufällig zu erkennen./This piece is music for a film that hasn't been shot yet. Its mood reflects the late 1920s. Parallels to today's world are not accidental.

Dunkle Zeiten

Just creating music that is meaningful to me and hope it resonates with others and they can find peace and joy too .

Shores of the Celestial Abyss

Sound Elixir