Sound.o.t.U. - Dominatrix - Depeche Mode - Fragile Tension (Active Mix)

Dominatrix Rmx

Depeche Mode - Sounds of the Universe - REMIXED

depeche mode

Depeche Mode

Mouse on Mars 'Spezmodia' (MTR038) Out January 10 - Teaser

This is the stream of 'minipops 67 [120.2][source field mix]' from Aphex Twin's 'Syro', available from Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud

This is the first Aphex Twin dong fore 13 years between the publication of the first a formal music.

If you have preordered Syro on iTunes or Bleep, log in to your account to download 'minipops 67 [120.2][source field mix]' immediately. The song is also available for individual sale.

Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud
iTunes - http://smarturl.it/syro-itunes
Amazon - http://smarturl.it/syro-amazon
Google Play - http://smarturl.it/syro-googleplay
Beatkart - http://smarturl.it/syro-beatkart

http://syro2eznzea2xbpi.com/?utm_source=minipops%20stream&utm_medium=soundcloud&utm_campaign=syro

Syro

Available at Bleep

Aphex Twin - minipops 67 [120.2][source Field Mix]

Depeche Mode - Ghost (Funky Mix)

Depeche Mode - Perfect (Evolution Force Mix)

Depeche Mode - Come Back (Dominatrix Radio Edit)

Depeche Mode - Peace (Analog Trigger Remix)

Depeche Mode - Fragile Tension (Active Mix)

Depeche Mode - Wrong (Kernfusion)

Depeche Mode - Hole To Feed (Retro Mix)

Depeche Mode - In Chains (Short X-Ray Dub)

ma premiere mixtape. du mix sans rien d autre
bonne ecoute

MixTape

Mixed only on vinyls at home by Chris Dixis 85 Minutes of Retro Trance and House ..Full 90'S 

Chris Dixis Retro 94-2000 Full Vinyls December 14

Yannick Barman and Cyril Regamey describe KiKu as a modular, avant-garde machine which, thanks to its modular system and open line-up, is never complete and continually dares to push boundaries.
Founded 11 years ago as an acoustic improvisation duo, Barman and Regamey the band’s trumpeter and percussionist have been taking on a more varied and flexible musical form. In February 2003 during a series of 20 concerts at the Swiss Théâtre de l’Oriental in Vevey they developed a sound that ventured into the realms of electronic music and since then have been tearing down the boundaries which often still divide jazz, classical chamber music, electro and rock.
This journey into as yet unexplored soundscapes has taken KiKu around the World to Vietnam, New York and the Willisau Jazz Festival. They’ve met many musicians, from Malcolm Braff to local Big Bands (Léon Francioli, Franco Mento, Julian Sartorius, Jean-Pierre Schaller among others) with whom they’ve collaborated on their different projects.
For the first time ever Barman and Regamey who met at the Lausanne Conservatory are working with words for `Marcher sur la tête’ their third album to date. For KiKu the spoken word serves as primary material, as open code, on this current project. They took words from the poem ‘Belehrung’ by the German poet Hermann Hesse and introduced these free elements which are complemented by David Doyon’s electrifying guitar into their steadily growing tracks.
The voice that recites these words is none other than that of Blixa Bargeld from Einstürzende Neubauten. Guided by a seductive Bargeld the listener is taken through a forbidding landscape that he ploughs through with his recital. From time to time the New York rapper and slam poet Black Cracker takes up the sceptre with his freestyle lyrics, thereby significantly widening the field that KiKu is creating.
With ‘Marcher sur la tête’, an album of unprecedented density, KiKu is succeeding in bringing together a musically adventurous spirit with the spoken word.

KiKu - Es ist zu langweilig (feat. Blixa Bargeld & Black Cracker)

another mix,
In answer to the questions I keep getting asked.
 ccai pt2 , part 1 is Drukqs, as that was the first thing I released that utilised computer controlled instruments, namely a modified Yamaha disklavier, 2nd gen and a couple of midi controlled solenoid based drum mechanisms I made just after I got the Disklavier.

I kept seeing them [disklaviers] in hotels, usually used to pipe muzak around the place and thought why doesn't anyone actually use one of these to compose music on and make beats etc! 
A couple of times when i saw them in hotel lobbies, i sneaked up to the disklavier and set it to play ultra low pitch and very slow, funny watching peoples reactions, it was down every corridor etc
NOBODY i spoke to back in around 1999 inc. people at yamaha knew how to connect one of these to a computer and I had to take my computer into Yamaha to try it out to see how fast these things could go, no info on the net then either.
The first year I burned out countless solenoids in the thing and learnt how to repair them myself, the more recent gen ones like I used at the barbican have temperature cut outs on them thankfully, i’ve still fried a few though!

Diskhat ALL Prepared1mixed [snr2mix]

‘Bunkerpop’ appears on the album ‘Hinterland’ out now on @warp-records – http://s.warp.net/hinterland

Hinterland

Pre-order ‘Hinterland’

Bunkerpop (Wrangler Mix)

If you'd like to support me, you can purchase this mix in CD quality on my bandcamp channel:
https://elremix.bandcamp.com/track/easy-tiger-kling-klang-remix

or the full DM - ELR:MIXES album:
https://elremix.bandcamp.com/album/dm-elr-mixes

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Depeche Mode - Easy Tiger (Eric Lymon - Kling Klang Mix)

Depeche Mode - Precious : in My Eyes  [Eric Lymon Remix]

HQ version : https://ericlymon.bandcamp.com/track/depeche-mode-martyr-re-arranged

Video by Olga Vels:
https://youtu.be/RUZ1nuNATY0

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