2021 Most Listened To

Time at the End for Questions

Decimal Point

Brownish Winter On The Rooftop track no.1 of Piezo album.

genre: Instrumental
writer: Stinson NYC (Mohammad Stinson)
year: 2021
cover by: Stinson NYC

https://hypeddit.com/track/u5aflg

Brownish Winter On The Rooftop

Space exploration is in its infancy and the universe is huge. But if humanity wants to continue this exploration, we must take care of our home, Earth, otherwise we will soon be nothing but archaeological relics...

L'exploration spatiale n'en est qu'à ses balbutiements et l'univers est immense. Mais si l’humanité veut continuer cette exploration, nous devons nous occuper de notre maison, Terre, sinon nous serons bientôt que des vestiges archéologiques…

State Of Emergency

Holly's Jeans is taken from a split 7" with Rogier Smal on Toztizok Zoundz released to commemorate their European tour.
www.toztizok.com

Holly's Jeans

EL TEPALO

Backside

Instrumental shoegaze introduction Flowers In The Sky

Flowers in the Sky

Flowers In The Sky

Night Garden

Taken from "Between The Daylight", "Here Open The Gates Of Heaven..." is a hopeful soundtrack to possibilities.

Siegfried Jünger's third album "Between The Daylight" is available for preview track by track here... soundcloud.com/these-guitars-say-sorry/sets/between-the-daylight

The Last Crack Of Dawn by Siegfried Jünger

Circular E-Motion

Recorded in a deserted warehouse late at night, if you listen carefully you can hear some of the ambient noises sneaking into the mix. The inspiration for the song was gifted to the band my Mike's old keyboard teacher, who played a Vox Continental in an underground psych band in San Francisco in the late 60s.

To this the band add dark, almost soundtrack like instrumentation over a hiss of constant feedback from Jussi's guitar.

Listen to the unfolding album here: soundcloud.com/these-guitars-say-sorry/sets/where-the-sun-stands-still-by

Laxá - Iceland | San Francisco | Everywhere

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards

Three Ways by Laxá

The opening track from Dylan Carlson of Earth's first major soundtrack work.

DRCARLSONALBION - GOLD I

Gold is the first major soundtrack work from Dylan Carlson, composed for a foreign language western of the same name. A story of German pioneers traversing the Canadian west. Carlson’s score, which revolves around key guitar motifs and their dialog with drone, repetition and loose improvisation, echoes the vast landscapes and almost existential “otherness” captured in the films juxtaposition of traditional western tropes to places and peoples not normally associated with the genre. This slight remove from genre has been a trademark of Carlson’s approach to guitar and songwriting throughout his career. Whether that be applying the writings of La Monte Young to Black Sabbath sized riffing in Earth’s earliest incarnations or his re-appropriations of country, jazz and folk during it’s second act. 
Across the arc of the album’s 24 tracks (designed to be listened to as one suite), Carlson’s lyrical playing dissolves structures into abstraction, stretching out each repetition til you’re left with only the sound of buzzing or scraped strings. It is an inversion of the work of Earth. Stripping away where they would layer. It’s an immersive experience. For the first time Carlson’s guitar is presented, bare, alone, with only minimal percussion, fore-fronting his evocative, lyrical control of the instrument in a language that transcends tired “cinematic” adjectives and places you directly into the landscape. 
Carlson (founder, guitarist and sole continual member of drone-doom pioneers Earth) began performing under the name DRCARLSONALBION in 2011, primarily as an outlet to explore in greater depth elements he only touched upon with the Earth “Angels of Darkness, Demons of Light” series. Initially the project focused on the folklore and musical heritage of England with early releases devoted thematically to the Pendle witch trials of 1612 and to the music of the 60’s British folk revivalists (particularly Fairport Convention). Carlson filters these reference points through his unique, meditative and personal search for the purity of the riff. An expressive, improvisational approach that serves as a counterbalance to the repetitive force of Earth.
In the past two years Carlson has released a cassette, two 7"s and an LP under the name DRCARLSONALBION supported by two European tours with percussive accompaniment from Rogier Smal. 2014 will see the release of the soundtrack he composed for Gold, his much delayed grand opus “Wonders From The House of Albion” and a new album and extensive touring from Earth.
www.drcarlsonalbion.com


GOLD XXIV

GOLD II

Recorded 4/2010 by Like Wigget, mastered by Dan @ Mammothsounds

Hypathia

Mela Ananda

Ephedra

Brahama

Akasha

Barão: Piro no álbum de estréia dos franceses, no ano passado foi citado em algumas listas, mas sempre com pouca repercussão, engraçado que os achei melhores que muitas bandas que foram "eleitas" como melhores do ano passado nesse estilo que é essa onda retrô de psych rock doonzinho.

Mars Red Sky - Strong Reflection

Experimental music that ranges feral beyond constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker, Godspeed You Black Emperor. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

2021 Most Listened To

Sound Animal