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# from Apple Music - 12

In the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants. The work of occultist/former OSS agent Peter Tompkins and former CIA agent/dowsing enthusiast Christopher Bird, the books shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon. Seemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.

Perhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back from the dawn of time, but apparently they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.

Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”

Swingin' Spathiphyllums

Julie: Flutter

Most of the chops lowered a whole step while others remain at their orignal pitch

Sample: Stereolab - Rainbo Conversation

don't you think that i can be like a butterfly?✼
https://kilikilivilla.bandcamp.com/track/painty-paint-pots-2

painty paint pots (800 cherries)

A 98.1 "Music Matters" é a estação que leva o som de verdade à sua vida! A música é a nossa linguagem universal, e nós vamos manter a música viva, porque a música é o que importa! Se ligue na 98.1 "Music Matters" e deixe a música tocar o seu mundo.

Macabre Plaza - Middle Of Nowhere

Terra

Much of album number two from the experimental jazz-pop duo Fievel Is Glauque was written “in our usual consciously unconscious manner,” says Zach Phillips. The erudite New Yorker and his Brussels-based musical partner, Ma Clement, are big fans of classic songwriting, he says, “but sometimes we feel doomed to draw odd shapes instead of familiar ones.” Hear Zach discuss some of the band’s latest “odd shapes” in this SoundCloud exclusive. Listen now.

Voice Notes: Fievel Is Glauque on "As Above So Below"

George Clanton - I Been Young (Casha Mour Remix)

BBC Arts Show interview with Julie McLarnon originally broadcast 6th February 2015

BBC Arts Show - Julie McLarnon Interview - Analogue Catalogue

Julie-very little effort Live at the Webster Hall NYC

Julie-tenebrist Live at the Webster Hall NYC

Wake Up prod by Robert Glasper (Stomach Pains Leak *OFFICIAL AUDIO*)

In February, Dave Bixby came through for his first New York show, at ISSUE Project Room. 

Live at WNYU

Morning Sun (Dave Bixby on WNYU, February 2014)

Happy to finally have this out in the open, the Edits and Remixes EP is live!!

Grab the entire 7 track EP here:
https://bit.ly/2NBUkt1

Follow me:
www.facebook.com/tiberbeats
www.instagram.com/tiberbeats
www.twitter.com/tibertibertiber

Download

Stereolab - The Flower Called Nowhere (Tiber Edit)

Fishmans - Daydream

IM CRAWLING THROUGH LIFE AND THIS IS WHAT LIFE IS MAKING ME FEEL. yes it's super raw, raw veggie. it's sad and crumbling, as always.

lyrics:

haze and maze in my head
i should be happy with myself, instead
the dark plays with my barrenness
i keep myself from my very best

see how the heart goes so tired
do you hear my words slip out when i sigh
where do i turn
the nights now burn
i long to be happy

when does it all end
where can i find my place to be
happy

i can choose to be bla bla

(wrote this december time. so, it's not just yesterday that i feel like shit okay thanks bye)

crying vegetable

SoundCloud Stories elevates artists’ creative journeys, spotlights vibrant music communities and gives a behind-the-scenes look at the defining sounds of today and tomorrow. Original content includes the Sound Advice interview series, exclusive track-by-track artist commentary on Voice Notes, and the Weekly Download playlist, which highlights essential scenes and groundbreaking artists.

Voice Notes: Fievel Is Glauque on "As Above So Below"

SoundCloud Stories

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