Fantastic recording Andy. That reverb is insane!

plains music no. 1

Chroniques de terrain est une proposition radiophonique réalisée pour le festival Archipel 2023, présentée par Mélia Roger. Merci à tous les artistes invité.es pour la générosité de leurs partages.

Lien du festival : 
https://2023.archipel.org/fr/archiradio/ 

// Liens pour chaque épisode //

#Lê Quan Ninh
https://www.lequanninh.net 
https://soundcloud.com/lequanninh 
Nastassja Martin, Croire aux fauves, Editions Gallimard 2019
http://ryoanji.free.fr/lbdlm/ 

#Noémie Delaloye
https://www.audioblog.ch
https://www.ornitho.ch
https://xeno-canto.org
https://www.faune-france.org

#Sara Lana
https://saralana.xyz/diario-sonoro

#Grégoire Chauvot & Mélia Roger
https://soundcloud.com/gchauvot/tracks
https://meliaroger.com

#Elise Guillaume 
http://www.eliseguillaumeart.com

#Pablo Diserens
https://pablodiserens.studio

#Adèle de Baudouin
Cy Lecerf Maulpoix, Ecologies déviantes

#Nadine Schütz
https://www.echora.ch
https://www.nanterre.fr/evenement/6617/69-agenda.htm

Chroniques de terrain - #5 Grégoire Chauvot & Mélia Roger

The piece might match the form of Beethoven's Sixth "Pastoral" Symphony using mostly sculpted noise.  

Recorded, mixed & mastered 06 Jul 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2023 Jim Lemanowicz

This original version of "49 Nudes & 6 Dogs In Church Arouse Cops" was submitted as part of Disquiet Junto Project 0601: Hard Six The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

Process notes - 

6-sided die rolls were 5, 2, 5, 2, 5, 1. These numbers helped determine the amounts of echo, warp flux, delay, echo offset, EQ freq, limiter ceiling & reverb for each track with 5/6 being highest and 1/6 being lowest. These numbers also determined frequency of occurrence in the track as a whole. These actions were all performed after the audio had been edited and brought into Ableton Live.

I used the following for the original recordings - three takes, one of backyard ambience, one adding xylophone and one primarily using my voice.

iPad 9th Gen
1 mic
xylophone
house alarm
backyard sounds - birds, wind
voice
dice 

AUM settings - 
Midi channel 1
mLFO 

Mic to audio channel 2
Audio Thing Crusher
Audio Thing Mantis
Audio Thing Wires

Mic to audio channel 3
DyStorT by Anthony Di Furia
Bleass Delay
Moloch Vox One Pitch Shifter by Anthony Di Furia

Bus of both mic channels
Audio Thing Bubbles

----

Artwork/photo by Jim Lemanowicz, 22 Jul 2018, Tackapausha Pond Park, Seaford, NY, USA

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

This track was originally released under the artist name "Don't Touch Loretta."

49 Nudes & 6 Dogs In Church Arouse Cops (disquiet0601)

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

more halF unusuaL

halF vectoR [disquiet0612]

In a summer night in Morvan, a duet of two tawny owls with great green bush crickets and wood crickets.

Tawny owls duet in summer - recorded in Morvan (France) w/ Gregoire Chauvot

An original field recording made on the shore with wind shear & various glitches incorporated, modified using filters, a touch of delay & reverb, etc.

More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

Glitches Inc. (disquiet0632)

Yamaha is in the snow

The deeper I am investigating field recording as both artistic and listening practice, the more I become aware that each recording session is an intrusion into the landscape and that the landscape, whatever historical, biotic, or environmental system defines it – is sentient to my presence.

No matter how considerate my “intrusions” are, an abstract form of communication always takes place, and it largely depends on my ability to maintain this connection, which goes beyond the soundscape and sonic properties of the place. In this sense, my capacity to employ deep intuition and activate a specific neural architecture developed through a compound of skills also defines the recording process and its future aesthetic transformation. Thus, making a field recording fully personalized practice and soundscape composition a discipline of open interpretation, as well as a vast field for misuse and false representation. Regardless of an evaluation system, whether we contemplate an act of listening through scientific observation of one’s cognition event boundaries or through the capacity to comprehend the existential phenomenology of Zulu spiritualism, the possibility that two or more listeners can have the same listening experience is minuscule.

We are all deeply rooted in a diversity of psychological constructs; neural and sensory imprints, memory compounds, cognitive abilities, and many body-mind pathways determining our current psycho-physical state. Therefore, if the field recording practice is based on any form of active listening – it is a discipline based on interpretation.
With that in mind, I am asking: How do we approach the landscape of severe devastation and a dense history of warfare? Knowing that serious ethical and moral consequences are involved in the effort to interpret a particular soundscape.

In the work “ghosts” I am using obsolete instruments – a modular synthesizer built in 1970, a discarded wheelchair wheel salvaged from the Adriatic Sea, and the piano fallen in disuse which belonged to the Austrian conceptualist, filmmaker, improviser, photographer, environmentalist, and writer – Karl Katzinger aka John Tylo (October 1953 – April 2021). Next to these elements of the past and their voices rediscovered, I am incorporating hydrophone and field recordings from several locations appropriating them through the discourse of critical tourism and a culture of memory – more specifically through listening to the inherent memories of environmental devastation due to exploitation of natural resources as well as warfare – in the South Adriatic (Old town Dubrovnik and island of Vrnik), and the Czech-Austrian borderlands nearby of Mauthausen–Gusen concentration camps. 

--

Instruments:
EMS Synthi 100
Wheelchair wheel salvaged from the sea
John Tylo’s old piano

Field recordings:
Dubrovnik – Stradun air conditioning units and collection of rubbish containers
Vrnik Island South Adriatic – crickets in an ancient limestone quarry
Adriatic dolphins *hydrophone recording by Robertina Šebjanič
Harrachstal village on Czech-Austrian borderlands – crickets in the abandoned granite quarry
Hydrophone recordings of the river Schwarze Aist
Train coming into Freistadt train station in Austria

All sounds performed, recorded, composed & edited by Manja Ristić
Some sounds gathered at the SHAPE + musikprotocoll residency, July 2023

Hydrophone used for an underwater recordings made by Jez riley French
jezrileyfrench.co.uk

Mastering by La Plant Studio
laplantstudio.com

Bandcamp

ghosts

Deux exemples du chant d'un Siffleur des montagnes de Martinique. Expl 01 oiseau isolé à la parabole. Expl02 oiseau en ambiance cardioide.

SIFFLEUR DES MONTAGNES F Deroussen

Frogs in the first weeks of activity of the year. It was the warmest night so far, unusually high and although I went to the lake's edge, they were so loud that they could be heard from a long distance. This is also a place to see and hear herons and sometime storks, but this night it was all for the frogs.
I was testing out a Zoom F3 for the second time.

Frogs in the Countryside

Coyotes and Wolves seemingly not wanting to be outdone, their howls drown in the lush reverberation of a deep basaltic-walled glacial valley.

Grey Wolves were all but extirpated from Washington early in the last century. They've been on a slow but steady recovery now for decades, assisted by a few relocated individuals from Canada. While still a species of high concern in the Northwest, occasions of hearing their cries are thankfully becoming more and more common.

This is not without controversy, unfortunately, as ranchers fear their livelihoods will be destroyed and hunters express concern over the competition for game animals. My general feeling is this is good, however. The mass numbers of humanity living in former wolf territory and the introduction of highly destructive and invasive farm and game animals such as cattle, pigs, chickens, bullfrogs, pheasant, etc, have had long-lasting, oft-permanent destructive consequences on our ecological systems. That wolves are able to reclaim some territory on their own despite the historical effort to eliminate them is a testimony to their tenacity as a species.

The challenges are great, though, and humanity does not make it easy for other apex predators to survive in a world we claim as our own to despoil at will. Wolves need help all around North America. To help recovery efforts and the benefits they can provide, consider supporting a conservation effort such as The International Wolf Center https://wolf.org or a sanctuary and rehabilitation center such as Wolf Haven International https://wolfhaven.org. For more information on their spread and recovery in Washington, read this informational pamphlet from the Washington Department of Fish & Wildlife https://bit.ly/2NvfgXW

image credit: "File:Grey Wolf Portrait.jpg" by Jean Beaufort is marked with CC0 1.0. To view the terms, visit http://creativecommons.org/publicdomain/zero/1.0/deed.en?ref=openverse.

Coyotes And Wolves Call-and-Response

Field Recordist / Sound designer
Shhhhh. Listening to nature.

To license sounds or for all other inquiries: info@andymartinsound.com

#naturesound #naturesoundscape #fieldrecording #naturesounds #savequiet #listentonature #soundscape

Coyotes And Wolves Call-and-Response

Andy Martin, Field Recordist

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