Theres loads of really nice sounds in this 

Definitely an all-time favorite! Love Soundhacker and love this comp!

To celebrate the highly anticipated Sabres of Paradise album reissues, we're ecstatic to bring the iconic sounds of the Sabresonic club night to Stranger Than Paradise for one night only on
Wednesday 6th August from 7pm til midnight.

On the night we'll be treated to DJ sets from the band's Jagz Kooner, alongside Sabresonic regulars Alex Knight and Sherman at the Conrols.

An Evening with Sabres of Paradise @ Stranger Than Paradise Records | 06/08/2025

Traditionally a real-time improviser, Thorn applies the same method here: live improvisation, spontaneous structure-building, and experimental mélanges of violin and code. Many of its foggy textures derive from Haze, a tool he developed for generating densely patterned lo-fi soundscapes.

A sonic memoir imbued with violin and experimental code, a curious doubling of terms begins at the churning waters of Necarney Creek merging with the Pacific. Unfolding from pure lyricism into machinic textures, the music summons the verdant twilight of the primeval forest and the glow of the city lights it ad-umbrates. The machinic is both refuge and trial in this work, though the final word is the fracturing, hard-driven logic-become-logistics that may signal a morbid dénouement.

Bandcamp

Seth Thorn - What Lies Before

D5 - Edward Edits - Delsin Records - dsr-x23

buy vinyl: https://www.delsinrecords.com/release/9398/d5/edward-edits

a1. Compumotion (Edward Edit)
a2. The Deep (Edward Edit)
b1. Dark City (Edward Edit)
b2. Network (Edward Edit)

@Edward shares his personal DJ edits from classic D5 material.

BUY @ Delsin Shop

D5 - Edward Edits (dsr-x23)

FatCat Records - Slack City - September 2025

Taken from: Xenia Reaper - Nept Polarisation - Delsin Records - dsr-e16

New album by @xeniareaper to be released on Delsin Records on November 7th 2025.

buy vinyl: https://www.delsinrecords.com/release/9294/xenia-reaper/nept-polarisation
buy digital: https://xenoplex.bandcamp.com/album/nept-polarisation

Delsin invites you to submerge into the prismatic electronica of Xenia Reaper. Across nine tracks of exquisitely rendered sonics, the shadowy producer engages in the time-honoured craft of introspective sound manipulation, folding gaseous pads into dissected breaks and running heavyweight machine pulses through achingly beautiful synthesis.

Xenia's work makes a striking impression, and they've left a breadcrumb trail of self-released transmissions on their own Xenoplex platform alongside a more forthright appearance in 2024 on the always-essential INDEX:Records. The sound is sharply realised, modernist music that revels in the finegrain detail afforded by technology, but never at the expense of warmth and charm. It's nuanced electronica for deep listening, but it also hits on an instinctive, physical level.

For Nept Polarisation, an exacting selection process took place to comb through the prolific swathes of material coming out of the Xenoplex studio. It was primarily written in their Eurorack system and Max For Live between 2020 and 2025. You can hear the shifting, expressive flair of modular manipulation and the advanced acrobatics of Max sound design throughout, with needlepoint rhythmic interference puncturing through blissful cloud blooms of melodic ambience.

Bending and folding through non-linear structures according to their internal logic, Xenia Reaper offers up a three-dimensional sound world with more than enough presence to hint suggestively at the soundsystem.


Xenia Reaper - Green Pulse (taken from 'Nept Polarisation' dsr-e16)

VC-118A - Avian - Delsin Records - 162dsr

vinyl: https://www.delsinrecords.com/release/9278/vc-118a/avian
digital: https://chaindata.bandcamp.com/album/avian

a1. Avian
a2. Avian Scape
a3. Distorted Name
b1. Chord
b2. Blush

In an intricate lattice of ever-evolving electro exploration, Samuel Van Dijk (@mohlao) is back on Delsin with a new EP. Under his VC-118A alias, the Helsinki based producer presents a richly textured, cinematic strain of machine funk that reaches beyond dancefloor functionality to test the expressive potential locked within electro's crisp rhythmic framework.

There's a melancholic mood hovering over Avian as Van Dijk allows a subtle edge of distortion to creep into his flickering drum programming. The end result is a pensive sound that touches on the moodiness of orchestral composition, unfurling patiently across extended run times without losing focus. With his characteristic attention to detail and broad dynamic range, Van Dijk continues to offer up a sophisticated, emotionally-charged strain of electro like no other.

VC-118A - Avian (162DSR)

Forces, Reactions, Deflections

Grain Stress

Following in the tracks of Musique de Film I & Musique de Film II, Ümlaut’s new album, Musique de Film III, continues to explore the relationship between sound and vision. As a point of departure, this album presents a new creative direction in the evolution Ümlaut’s unique world. Each of the twelve audio and video tracks were created individually and simultaneously, with an overarching theme of perpetual geographies in mind. While the titles impart hints as to a song’s inherent meaning, room is left for listeners to discover their own interpretations. Simplicity is the key. For maximum sensual impact, songs are stripped down their essentials. Nothing is superfluous. The sound is futuristic, yet immediate, where being in the moment yields rewards. A palette of atmospheric colours and spectral harmonics lures the listener into a peaceful dimension of silence and harmony, where delicate field recordings and distorted textures are threaded with warmth.

Bandcamp page

Ümlaut - Frost Descent

“At the beginning of working on this album I had an idea of the feel that I wanted to achieve, but no clear direction. I had a piece which I was experimenting with that captured that feel and sent it to poet, Neil McRoberts, to get his thoughts. 

He wrote back; “when I put the track on, the initial sounds brought an image to mind of someone moving very carefully in an abandoned and crumbling building, perhaps stepping on the broken pieces of an old picture frame. I had the impression that the person had returned to the ruin of somewhere they had lived in the past and as the more melodic elements of the music emerged, with their beautiful melancholic melody, they seemed to embody the memories of the person, looking back with a mixture of sadness and happiness. That set of thoughts made brought to mind some of the abandoned homesteads that are scattered in the rangeland and corners of the valley floor.

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