VC-118A @ Onyro — 05/10/2024 (Live Performance · “Shinki-Itten” Concept)

A deep sonic journey by VC-118A, recorded live at Onyro on October 5th, 2024, inspired by the Japanese concept shinki-itten , the return to the original spirit, the dissolution of the self into the collective pulse.
This performance moves fluidly through electro’s precision, the spacious depths of dub, and delicate IDM textures, revealing a sound both cerebral and profoundly emotive. 
An introspective yet physical experience that mirrors the timeless atmosphere of his latest release on Delsin Records “Avian”
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VC-118A @ Onyro Shinki-Itten

A selection of tracks taken from our releases that came out in 2025.

Buy: https://delsinrecords.bandcamp.com/album/best-of-delsin-records-2025


Buy @ Delsin Bandcamp

Atomic moog - Data 100f [taken from DSR/C23]

In Cairn, Düngfelder’s focus on atmosphere and perception meets Beaudoin’s concern with time and memory, creating a dialogue where each sound becomes a trace left for the other to follow. What remains is a series of sonic markers, small monuments to attention, letting listeners linger on in the fragile continuations of sound.

Bandcamp Album

Paul Beaudoin + Ümlaut - Me Before You

Gregory Geerts creates evocative electronic music encompassing rich melodic content and ambient techno.  “Minerals From the Crust” invites listeners on a sonic expedition inspired by the Earth’s layers, meticulously crafted using innovative Euro Rack modular synthesis techniques. The album uncovers deep textures and intricate patterns, hidden sonic jewels found beneath the earth’s surface, transforming geological marvels into a captivating auditory experience. Each track on the album acts as a sonic excavation, uncovering new timbres and rhythmic structures that reflect the complexity and beauty of the natural world.

“With ‘Minerals From the Crust’, I wanted to capture the unpredictability and complexity of geological processes using the limitless possibilities of Euro Rack modular synthesis,” explains Strangebird~Sounds. “Every moment in the studio felt like uncovering a new element, a hidden frequency or a buried rhythm waiting to be revealed.”

Bandcamp

Strangebird~Sounds - BARYTE

XII Sound is Alice DeVille whose SITE is the London Underground. 

“It’s difficult to know when my phobia of the tube began. But at some point, something changed, and I began to experience an increasing dread of the tube. Something about the very shape of it – the enclosure, the beneath the ground feeling, the crush of people – and soon, getting stuck in tunnels even for a few minutes would cause me to break out in a sweat. Every journey became increasingly distressing, and I started to feel panic rising within me every time the doors closed.

Maybe to distract myself, I began to record my moments of fear and all that was happening in the tube at these times. Some of what you hear in Tube V is about this. Along with the fear, there is also a beautiful familiarity for me in the sounds of the London Underground. I grew up right next to Wimbledon Park station, and I remember falling asleep as a child to the squeak of brakes or the clunking, soothing rhythms of the trains. The familiar announcements, the snippets of conversation, and the sounds of life are deeply nostalgic and soothing for me.

I have noticed that the tube, with its long windpipe, is a singer like me.
At times in Tube V, I sing a duet with it. 

I wanted to mix natural sounds (birdsong, rain, waves, stones on the beach) into the industrial so that you are not always sure what is a natural sound and what is mechanical or human-made (is it a voice or is it a
train?). Almost like mixing paints to form new colours, I mixed these sounds perhaps to find my way back to nature, and to ease that grief of urban disconnection.

After years in the classical music world as an opera singer and flautist, discovering Ableton, and especially the Simpler, has been literally lifechanging for me. For many years previously, there had been music running around in my head but no way to capture it.

Back when I first started composing music in my younger years, I had only an 8-track recorder with a CD burner. I tried to make new sounds on that using my voice or recording various things from around the house, but it was never the music I heard in my head.

I sample sounds with my Zoom H2n recorder that I previously used to record my singing lessons on. I carry it everywhere with me, especially on the London Underground. When I first discovered Ableton and the Simpler, I felt almost feverish with possibility. Even to this day, I am dazzled by how it offers you the most incredible opportunity to make your own, totally unique instruments – even out of the subterranean sounds of the London Underground.”

XII Sound  - Tube V

Brendon Moeller - Sprawl Circuitry - Delsin Records - dsr-c26

digital: https://brendonmoellerechologistbeatpharmacy.bandcamp.com/album/sprawl-circuitry
vinyl: https://www.delsinrecords.com/release/9616

a1. Where The Hurt Heals
a2. Feast Of Snakes
a3. Vortex Patrol
b1. Void Loop
b2. Swamp Sermon
b3. Sprawl Circuitry

An artist that never stops exploring new territories in sound, @BrendonMoeller returns to Delsin with six deep techno steppers following up his Highly Concentrated EP from 2022. Low in frequencies, high in energies. Over the course of six tracks Moeller morphs his iconic dub informed productions into highly intelligent rhythmic arrangements. From introvert techno loops to adventurous dub stepping heavy hitters, it's a full pack of an exciting new chapter in Moeller's extensive catalogue.


Buy @ Delsin Shop

Brendon Moeller - Sprawl Circuitry (DSR-C26)

“Neural Network” is Idiiom’s first solo album, and it stands proudly alongside the works of pioneering electronic vocal artists such as Laurie Anderson. Each track is an improvisation, relying solely on her voice, which she manipulates through effects to create intricate loops and layered vocalisations. Much like Anderson, idiiom transforms the human voice into a multifaceted instrument—one that channels emotion, innovation and narrative in equal measure.

As we journey through life, we encounter a boundless range of emotions, each adding meaning and depth to our humanity. Some feelings are cherished, while others—like grief—are more difficult to bear.

The song “Real Sad” was born from a moment of profound sorrow and emotional honesty. On that late spring evening, after the loss of my brother, I surrendered to the rawness of my feelings, allowing the music to serve as a vessel for authentic expression. The track captures a profound emotional state, echoing spontaneity and vulnerability. Throughout the album maintains an immediacy and authenticity akin to the groundbreaking practices of electronic vocal innovators.

All sounds and lyrics were improvised, with no composition or editing beforehand or afterwards, except for the final mixing and mastering by Michel Mazza (OdNu).

Idiiom - Real Sad

This album marks the culmination of a three-part release series, dedicated to celebrating online collaboration with fellow experimental musicians. The series comprises the following instalments: 
·      Familiarity Folded 
·      Familiarity Enfolded 
·      Familiarity Unfolded 

Engaging in collaborative writing is a transformative creative practice. Through co-writing and remixing each artist embarks on an intimate journey, forging close connections with one another and their respective works. This process involves deconstructing existing auditory and textual elements, then reassembling them into new renditions. The movement of air and emergence of beats signify new life unfolding. 

Autistici-2.25 Degrees of Internalisation

Tobias. Doltz. - Frontiers Of Science - Delsin Records - 164dsr

buy vinyl: https://www.delsinrecords.com/release/9653/
buy digital: https://tobiasfreund.bandcamp.com/album/frontiers-of-science

a1. Orbital Atomic
a2. Catalyst
a3. Red
a4. Dark Forrest
b1. Dephonator
b2. Chiral
b3. Nehan
b4. OSA 07

Building upon the striking elegance of their first collaboration, Tobias Freund (@tobias-freund) and Shun Watanabe (@doltzdeep) reunite as Tobias. Doltz. for another extended excursion into designer electronica with a warm, dubby glow at its centre. Their first album Versus arrived on Delsin in early 2025 as a result of a chance meeting at Eden Festival the year before. The spark of inspiration led quickly to a complete and coherent first body of work, and the same can be said for its prompt, equally inspired follow-up.

Dealing in the gentle hum of digitally sculpted ambience and needlepoint micro-pulses, Freund and Watanabe evoke the experimental spirit and mellow immersion of golden-era clicks n' cuts techno. While that early 00s phenomenon sometimes cracked around the edges of its DSP limitations, here a rich and porous sound world blooms out from the crisply defined structure of each track. At times the palette opens up to more organic sound matter, and there is ample space for full-bodied synths to ratchet down the rhythm, but a strong digital core of granular processing and exacting sound design form the bedrock of the album's subtle, sublime sound.

Even though its calm demeanour radiates an instant charm, like all great electronica Frontiers Of Science is an album of hidden depths to be absorbed steadily over subsequent trips.

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