Franklly Thallyson's demo is a mix using the sounds from Canjo blended with other libraries.

Canjo includes a collections of articulations from fully playable plucks, slides, bowed sustains, and staccatos & spiccatos. In true Soundiron fashion, we created a wide selection of ambient soundscapes, pads, and drones. All of this content is packed into a versatile modular interface with powerful sound-sculpting capabilities and much more.

Franklly Thallyson - Dark Dance - Soundiron Canjo

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions. https://soundiron.com/products/hyperion-strings-ensemble

Lashman - The Watchers - Soundiron Hyperion Strings Ensemble

Lars Chr Karlsson - Impromptu (Library Only) - Soundiron Hyperion Strings Ensemble

Adi Goldstein - Demo - Soundiron Hyperion  Strings Ensemble

Marcus Da Fingaz Manderson - It Will Pass (Library Only) - Soundiron Hyperion Strings Ensemble

Craig Peters demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Craig Peters - Unleash The Necromorphs - Hyperion Strings Ensemble

Chris Cutting's demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Chris Cutting - 1 And 2 - Soundiron Hyperion Strings Ensemble

This examples are using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Close Mics Trem And Shorts (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.  

This orchestral string library brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Stage Mic Legato (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Far Mic Swells (Library Only) - Soundiron Hyperion Strings Ensemble

I'm always looking to shrink the size and weight of my rig. I just love carrying the minimum amount of equipment!  I did this test to see how small I could go with microphone separation without sacrificing quality. All configurations were Clippy EM172 stereo pair to Sony PCM-A10.

My conclusion is that AB40cm rig with simple Rycote lav wind protection gives me a great sound with a very small and light footprint but not great wind protection. The quasi-binaural rig gives perhaps a more accurate stereo field with the advantage of excellent wind protection (it is housed in the equivalent of a blimp with proper windjammer). To get better wind protection for the AB40cm rig would require a massive and heavy (by my standards) blimp.

1. AB20cm - narrow, too narrow...
2. AB30cm - getting wider, pretty nice...
3. AB40cm - wider still but nice balance of width and centre-image?
4. AB60cm - very wide but hole in the middle?
5. Quasi-binaural (20cm spacing with foam cylinder baffles) - improved placement of sounds in the stereo field?

Would be very interested to hear what other folks think. Please comment if you care to.

Omni Spacing Test

Soundiron LLC is co-owned and operated by Mix Foundation TEC Award (2007) winning and BAFTA nominated Sound Designer/Audio Engineers Mike Peaslee and Gregg Stephens, and technology, scripting and systems wizard Christopher Marshall. 

We're a premium instrument sample library and virtual instrument software design, production and publishing company, specializing in choral and epic scoring instruments and percussion, pianos, drums, ethnic instruments, professional sound effect libraries and inventive experimental sample collections. 

We specifically gear our libraries toward seasoned pros and working musicians in the film, television, advertising, video game, and music recording arts but we commit ourselves to bringing all users, from veteran to beginner, the same deep quality, outstanding customer service and low prices. 

With over 40 unique products and new releases every month, you'll always find something awesome at Soundiron.

If you’d like to check out current user demo submissions, look for their name to the right in the track title in the Soundcloud Player. 

You can see credits for the non-user submitted demos on our Soundcloud page, by clicking the Song Title to go to the track page, where you can see track info. 

For demo submission guidelines and information, visit here: http://www.soundiron.com/demo-submissions/



Franklly Thallyson - Dark Dance - Soundiron Canjo

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