Emma Margetson (1993) is an acousmatic composer and sound artist with extensive experience in multichannel composition, sound diffusion and interpretation. She has received a variety of awards and special mentions for her work including, first prize in the prestigious L'Espace du Son International Spatialisation Competition by INFLUX (Musiques & Recherches), klingt gut! Young Artist Award in 2018 and Ars Electronica Forum Wallis 2019.

Emma’s compositional work is focused on developing novel compositional approaches that are actively geared towards increasing engagement with acousmatic/electroacoustic composition in order to reach wider audiences, in particular disadvantaged segments of the community, and younger people. Having recently completed a PhD in Musical Composition funded by the AHRC Midlands3Cities Doctoral Training Partnership titled ‘Sonic Immersion: Reaching New Audiences through Sound’, Emma has collaborated with a variety of organisations including the IKON gallery, Research & Cultural Collections at the University of Birmingham and The Barber Institute of Fine Arts.

Her works have been performed and exhibited internationally, including at Ars Electronica Forum Wallis (CH), University of Birmingham (UK), The Barber Institute of Fine Arts (UK), 5to Festival de Música Electroacústica (CL), BEAST FEaST (UK), SEAMUS (USA), CEMI circles (USA), EMAS (UK), Festival Ecos Urbanos (MEX), BULO (UK), RMA (UK), SPECTRA (CO), NYCEMF (USA), Birmingham Hippodrome (UK), Audior Acusmonium (ITL), Sound-Image Colloquium (UK), Delian Academy of New Music (GD), Noisefloor Festival (UK), [ ex_nihilo ] (MEX), MAtera INtermedia (ITL), Sound Junction (UK), Musica Electronic Nova (PL) and Electric Spring (UK).

She has compositions released with labels Urban Arts Belin, Sonos Localia and Obs.

 experimental concrete electronics found sound raw electronics 

Deep transistor rituals , Dawn border crossings recorded on vintage 
mediums using analogue circuitry
Pathways into funnel web substrata's.
 Microfilms of memory , neumonic codex and langauge spaces
 Andromeda strain telecom beams of distant synthetic worlds
 Music to slow down and dream into.
http://zeit.org.uk/

Psychotherapeutic Possibilities from Fantasy Enhancing

Pillow Garden is an experimental artist and musician living in Malmö Sweden.  She layers and live loops a variety of field recordings and sounds harvested from curious instruments and objects with contact microphones.

Musician, composer and electronic experimenter. DJ on demand. Active 1995 – present

Now on mindcolormusic
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http://lithiumflux.bandcamp.com/album/persistence-module-a
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I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

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