Robotic Lifeforms - LIte

Now available due to popular demand from both sound designers and musicians alike, Robotic Lifeforms: Scholars Edition is for the sound designer or musician looking for great value and all of the essentials from our larger Robotic Lifeforms soundpack, in a more affordable and condensed package. Still weighing in at a hefty 2Gb and over 800 files, the Scholars Edition is the perfect addition for your productions involving robotic sounds, without breaking the bank!

Designed by former Electronic Arts and BioWare award-winning sound designers - and huge sci-fi fans- Robotic Lifeforms: Scholar Edition offers more than you would expect from a robot sound effects library, and spans a wide range of robot sounds, from small bots to massive automatons.

Robotic Lifeforms: Scholars Edition features more than 800 24bit/96khz files, all meticulously embedded with Soundminer & Basehead metadata, including:

475+ designed sound effects
325+ source recordings
60+ transforming sound layers
100+ morphing and mechanism layers
200+ servos, drills, metal, & industrial layers

Robotic Lifeforms - Lite - Soundpack Preview

www.soundmorph.com
SoundMorph is a leading creator of sound libraries + software, with a focus on computer-based audio production for sound designers and musicians.

Founded in 2013 with headquarters in Montreal, Canada, SoundMorph was conceived on the idea of creating audio products that embrace the evolution of sound. We believe, like any medium, sound evolves with time, and therefore new sounds are needed for new times. We strive to create products that push the boundaries of audio production and open up new sonic horizons, while still striking a perfect balance between usability and design.

www.soundmorph.com

Seattle Producer, Musician, & Sound Designer.

Full-time Occupation: Voice Over Talent, Production Director, & Producer for a radio company in Seattle.

Additional Freelance Jobs: Restoring and Remastering Audio Recordings, Video & Film Production. 

Hobbies: Collecting Vintage Recordings, Analog Gear, Synthesizers, & Guitars, 

Recently I have started composing cinematic epic orchestral music.

Studio gear I use:

SYNTHESIZERS:
King Korg (w/Vocoder)
Korg MS-20 Mini
Korg Monotribe
Doepfer Dark Energy
Doepfer Dark Time (Step Sequencer)
Arturia Beatstep (Controller & Sequencer)

MIDI CONTROLLERS:
Ableton Push
Akai APC40
Korg MicroKey 25 
Novation Launch Control

GUITARS & AMPS:
Fender Stratocaster 
Ovation 1993 Acoustic
Orange Crush CR20LDX Guitar Amp
Yamaha THR10X Guitar Amp

MICROPHONES & MIXERS:
AKG Solid Tube (Microphone)
Shure SM58 (Microphone)
Mackie 802 VLZ3 Mixer
Beyerdynamic DT 250 Headphones

PROCESSORS & MONITORS:
Digitech Studio 400 Multi Effects Processor 
Symetrix 628 Digital Voice Processor
Hafler P1000 Power Amplifier
JBL 4206 Studio Monitors

ADDITIONAL STUDIO GEAR:
RME Babyface Soundcard
Focusrite Saffire 6 Soundcard
Tascam 202MKV Cassette Player
JVC QL-A200 Turntable
Sony PCM-R500 DAT Machine
PC - HP Envy 17 Laptop
PC - HP Pavilion Elite HPE-490T Desktop

SAMPLE LIBRARIES & SOFTWARE I USE: 

Ableton 
Native Instruments
Melodyne
Sony Sound Forge, Spectra Layers, Vegas, & Acid
Spectrasonics Omnisphere, Trilian, & Stylus RMX
Camel Alchemy 
Hybrid Two
Cinematique Instruments
Orchestral Essentials
CineSamples
Spitfire Audio
SoundIron 
Embertone 
8Dio 
Heavyocity
SampleLogic 
Audio Wiesel
Modwheel 
Zero G 
G-Force 
Waves Factory
SonicCouture 
Samplephonics
Output 
Air Music Technology 
Sylenth 
U-he Zebra 
Sonic Charge
Cakewalk 
Dmitry Sches 
Twisted Tools
Korg Legacy Series
Arturia V Collection
iZotope 
Waves
Steinberg 
Mixed In Key
Realitone

Being able to surround yourself with sound is an invaluable escape one should not deny. I delight in both discovering my newest "favorite sounds in the world" and sharing the sounds I love, with anyone who will listen. 