disqui

Piscine municipale Alfred Nakache, Toulouse, France.

tracklist:

01. The The - Good Morning Beautiful (La Décadanse Edit) 2019
02. Mihalis Rakintzis feat. Eleni Dimou - I Don't Believe (Zaq Vocal Mix) 2016
03. Get A Room! - Des Sous! [Small Time Cuts] 2012
04. Explorers Of The Nile - We Are All Egyptians (Hysteric Edit) 2020
05. Alexis Le-Fan - Pune [Bahnsteig 23] 2018
06. Peza - Buddha's Watching [Autodiscothèque] 2012
07. Simple Minds - Someone Somewhere In Summertime (DjSteef & Relatif Yann Edit) [La Dame Noir] 2020
08. Chiemi Manabe - Untotooku (Hotaru Edit) 2020
09. Axel Bauer - Cargo De Nuit (Fen D'Arioto SuperTanker Edit)
10. Skinny Joey - La Nuit, La Nuit (Skinny Joey Edit) [Mindless Boogie] 2007
11. Le Club - Un Fait Divers & Rien De Plus (Pete Herbert Darkness To The Light Version) [La Dame Noir] 2020
12. Dj Steef - Body Double 2018
13. Marie Gillain - Sans Mensonge (Compuphonic Bubbly Re-Edit) 2011
14. The Creatures - Inspiration (Julius Edit) [Bordello A Parigi] 2015
15. It's A Fine Line - Edit Service 8 [I'm A Cliché] 2013
16. Haules Baules - Truth 2020
17. Sueño Sueño - Lluvia (Curses Refix) [Mange Moi] 2018
18. Yellow Power - Hai Samurai (Pilooski Edit) [Tigersushi] 2007
19. Eskimo Twins - Générique (Début) [Eskimo Twins Reworks] 2014
20. Fad Gadget - For Whom The Bells Toll (MontCosmik Edit) [Dogs & Vultures Records] 2018
21. Franz Scala – Ka Zan (Extended Dance Version) [Red Laser Records] 2020
22. Chimo Bayo - Así Me Gusta A Mi (MUFTI Edit) 2019
23. MD - What Counts (Robi Insinna Edit) 2018
24. Nick Cave & The Bad Seeds - Red Right Hands (Luis Costa Edit)

Selected by https://soundcloud.com/lecoutelier

Histoires de Piscine 080 by Le Coutelier

Artist: @italobrutalo
Album: Heartware
Label: @bungalo-disco
Release Date: Format: Double Vinyl, CD, Cassette, Bandcamp
Artwork / Videos: Bungalo Disco
Distribution: DBH music
Promotion: Silent Shout Communications

A tale of paramount love for machines and the inextinguishable power of subjugation that lies in these button-studded boxes teeming with cabled bowels that feel so intimidating to the uninitiated, Italo Brutalo's longed-for debut album "Heartware" is a 12-track voyage across 25 years of intense synth collecting, fiddling, composing and endless loving for audio synthesis and the art of how robots make human bodies jack.
Throughout the twelve cuts that compose "Heartware", a feeling of retro-gazing, candidly playful glee prevails. Looking right in the eye of the era when dazzling flipper visuals and static-filled VHS glitches reigned supreme, Italo Brutalo invites us to witness first-hand his own textbook smorgasbord of fast-wheeling arpeggios and vocodized hoodoo ("Heartware", "Reach Horizon"), dystopian digital sunsets by the beach ("I Feel Lonely"), early hip-hop-informed whackin' n' thumpin' ("Analog Bars") and the slo but hard churn of a robot heist score ("Nobody Moves").
A lush tapestry of woozy exotic pads set in contrast with a deft and aggro drum programming ("As Above So Below"), followed by a new-beat oriented hammer-drop that shall leave no raver unscathed ("Heat of the Knight"), Italo Brutalo shifts the scope to radical effect whilst maintaining that cohesive headspace flush with the iconic 80s-to-90s-sourced assets. The hardware used in the making of "Heartware" is obviously the star here, and the inner sleeve pays tribute to that: the ideas behind the album have been there waiting to find their way out for over twenty years!
From adrenalin-boosting fractals of keyboard razzle-dazzle ("Chemical Element") to straight out pumping EBM primed for hi-octane mosh pits down the basement ("You Are Welcome"), via polyrhytmic percs-driven assaults and sizzling hot synth-smithery ("Into a Sampler"), the pressure levels never falter. Yet, Italo Brutalo sure knows how to weave further oneiric, softer narratives for your mind to frolic in unhindered ("Dream Machine") and rounds it all off with a total, space-opera'esque epic bound to have you spinning out of orbit into the great unknown ("Eternia").
"Heartware" is released in a neat double-vinyl gatefold package presenting the concept and machines involved in its making, including a twelve-page booklet featuring Italo Brutalo's key pieces of gear.

Heartware

Bandcamp

Italo Brutalo - Nobody Moves

Orso is an Corsican artist came from experimental scene who makes indieelectronic like James Murphy, Suuns or Bot’ox.
After the release of his EP « Terms in Conditions » in march, we asked to few Corsican Electronic scene activist to make remix of whole EP.
Body Remix by Pasqua Pancrazi that recently out on Ombra Intl, Melancolic Ambient rework from North Frequency Canal and Misty, An Epic Climb By Berthe, Skahr indie dance rework and Orso Autoremix.
Follow: @0rso - @pasquaaah - @lakeofconfidence
www.instagram.com/paskazi/
Connect with Bangkok Underground:
@bangkokunderground
www.facebook.com/bangkokundergroundmusic
www.instagram.com/bangkok.underground.music

PREMIERE: ØrsØ - Follow The Wind (Pasqua Pancrazi Remix) [Lake of Confidence]

Prins Thomas - Luftspeiling -The 0n3 SS's Movement Edition (Bootleg)

Vinyl - https://spacetalkmusic.bandcamp.com/music

A1. Jaz & Party Dad Remix
B1. Mudd's Dub

When Psychemagik’s Danny McLewin decided to launch Spacetalk Records, he didn’t just want to reissue rare material. From the start, one of his stated aims was to deliver fresh new versions of obscure cuts from his record collection.

It’s perhaps fitting, then, that the label’s second 12” breathes new life into a suitably little-known gem: Avant Garde’s 1982 Euro-boogie B-side, “Everybody’s Lover”.

The track was originally featured on the flip of the seven-piece Dutch outfit’s second and final 7”, “Walking Back To Happiness”. It has been a feature of McLewin’s DJ sets for years, inspiring countless track ID requests from excited clubbers.

Earlier this year, McLewin set out to track down the songwriter-turned-producer behind the record, Avant Garde mastermind Hans Van Hemert. Happily, the search was a fruitful one; not only did Van Hemert own the rights to the song, but he’d also kept hold of the tapes from the original recording sessions.

With the Dutchman’s agreement, McLewin asked old friends Jaz and Party Dad, and label co-owner Paul ‘Mudd’ Murphy, to put their own spin on the super-smooth ’82 original. Predictably, they’ve done a bang-up job.

On the A-side you’ll find Jaz & Party Dad’s version, which is little less than the extended 12” version that “Everybody’s Lover” always deserved. Smooth, soulful and tactile, the duo’s rework makes full use of the Dutch band’s wonderful vocals, loved-up chords, sparkling synth flourishes and killer bassline, adding a touch of delay to the beats for added ‘80s boogie effect. 

Murphy takes a different approach on the flip, drawing influence from the pioneering 1980s “proto-house” dubs of acclaimed New York producers Paul Simpson, Winston Jones, Boyd Jarvis and Timmy Regisford. Delay-laden guitar flashes and synthesizer flourishes echo in and out of the mix, whilst saucer-eyed pads rub shoulders with reverb-heavy beats and Avant Garde’s rolling bassline. It’s one of Murphy’s most confident remixes of recent times, and makes a fitting partner to Jaz & Party Dad’s vocal-heavy A-side interpretation.

SPACETALK SHOP

Avant Garde - Everybody's Lover (Jaz & Party Dad Remix + Mudd's Dub)

A - Disco Danube

::: SoundSAM ::: =/is: -Electronic Dance Music- reinvented ::: 

- "The universe/multiverse of audio- love that exists in the deepest corner of Mr. S's space, offer a "piercing- thru- the- heart, and "rockin' -up- the- bones" aural affair, suited for any and every occasion. 
      His vibrations is carefully, expertly and playfully crafted thru a lifetime, manifesting his characteristic trademark, novel and innovative style, which is composed with such detail and expression, that it talks to your body and soul with utter ease- on an audio- system of choice, in the setting you find yourself in... now, and forever. 
      Key- genres that emerges from SAM's administration, is originally rooted from "House, Nu- Disco, Electronica, Breaks, D'nB, and Techno, i.e.- "which is carefully nurtured into Stians' unmistakable and recognizable audio- print, like absolutely no other in this contradicting nature of reality..."