गणपति अथर्व्शिर्श

Composed by Sounds of Isha, Rang De is a heartfelt expression of a devotee’s deepest yearning to dissolve into the object of his devotion.

Aisi teri laagi, hum ho gaye anuragi.
My longing for you is such…
It has turned me into a devotee.

Jhuthe rang Utre, hum ho gaye bairagi
Colours of untruth have fallen,
It has turned me colourless!

Dor yeh Bandhi tune kyu aise
O how you have tied, this string on me…
Khiche mujhe yoon doori ho kaise
It’s pull is such, there can no more be any distance! 

Sang yeh tera sar pe chadha hai
Your presence is such, it has taken over me…
Sang me mohe rang de
Fill me with the Colors of your presence!

Rang de rang de 
Rang de tu mohe apne hi rang me
Fill me with colour, the colour that is you!

Rang itna ghehra ho tera
This colour of yours, O so deep…
Bhule se bhai na yeh utare
One could never wash it away.

Kachha hai tan aur man mera
Fragile are my body and mind…
Aatam ko meri tu rang de
Fill my being with the Color that is you.

Tera mera jabse naata juda
From the moment my being found a connect with yours,
Naate saare ab aadhe lage
All other connections feel incomplete.

Addha pauna khudko dena nahi main
I can’t give myself in fractions or pieces, 
pura de doon tujhe
I surrender my entire self!

Rang de Rang de 
Rang De Rang de
Rang de tu mohe apne hi rang me
Fill me with colour, the colour that is you!

Rang De | Sounds of Isha | Abhay Jodhpurkar | Vishal Khatri #gurupurnima #sadhguru

🔹 Vocalist: SAAD BAGDADI - ANAS ELSAYED - HAMZA MAKHZOME
🔹 Music Arrangement: GHASSAN EL CHMAITELLI 
🔹 Directed by: AHMAD EL SAYED 
🔹 WRITTEN BY : ABO ELFADEL EL GAAFARE
The chant is dedicated to the SUFISM HOME -AHMAD EL SAYED ."
"The media and financial officer, and authorized representative of the SUFISM HOME : 
  MOHAMED ALKHTIB ."

كلمات القصيدة :
ديوان الأولياء يا أهل الديوان
أصحاب المعالي يا أهل الإحسان
ديوان الأولياء يا أهل الديوان
أصحاب المعالي يا أهل الإحسان

شيلوني شيلوني شيلوني يا أهل الديوان
خذوني مني اليكم خذوني يا أهل الديوان

أصحاب المعالي يا أهل الإحسان
أنتم سروري أنتم صفوةُ الرحمنْ
أنتم دليلي أنتم في الحبّ الأركان
أنتم غياثٌ أنتم للهدى عنوان

شيلوني شيلوني شيلوني يا أهل الديوان
خذوني مني اليكم خذوني يا أهل الديوان

فيكم صدّيقٌ فيكم فاروقٌ عثمانْ
فيكم كرارٌ فيكم طيارٌ فرسان
فيكم حمزةُ فيكم عباسٌ إخوان
فيكم حبشيٌ فيكم روميٌ سلمان

شيلوني شيلوني شيلوني يا أهل الديوان
خذوني مني اليكم خذوني يا أهل الديوان

فيكم اويسٌ فيكم جنيدُ العرفانْ
فيكم بصريٌّ فيكم معروفٌ سفيان
فيكم أحمد فيكم شافعيْ نُعمانْ
فيكم مالك اوزاعي عبد الرحمن

شيلوني شيلوني شيلوني يا أهل الديوان
خذوني مني اليكم خذوني يا أهل الديوان

ديوان الأولياء يا أهل الديوان
فيكم أقطابٌ فيكم اوتادُ الديوان
فيكم ابدالٌ فيكم نقباءٌ أعيانْ
فيكم نجباءٌ فيكم أخيارُ الانسانْ

شيلوني شيلوني شيلوني يا أهل الديوان
خذوني مني اليكم خذوني يا أهل الديوان
ديوان الأولياء يا أهل الديوان
أصحاب المعالي يا أهل الإحسان

الشرح : 
الصحابة الكبار

صدّيق: أبو بكر الصدّيق، أول الخلفاء الراشدين وأقرب الناس إلى النبي ﷺ.

فاروق: عمر بن الخطاب، ثاني الخلفاء الراشدين، لقبه الفاروق لأنه فرق بين الحق والباطل.

عثمان: عثمان بن عفان، ثالث الخلفاء الراشدين، ذو النورين.

كرار: علي بن أبي طالب، رابع الخلفاء الراشدين، فارس الإسلام.

طيار: جعفر بن أبي طالب، الملقب بجعفر الطيار لاستشهاده في مؤتة وحمله الراية.

حمزة: حمزة بن عبد المطلب، أسد الله وأسد رسوله.

عباس: العباس بن عبد المطلب، عمّ النبي ﷺ.

حبشي: بلال بن رباح، مؤذن الرسول ﷺ.

رومي: سلمان الفارسي، الصحابي الباحث عن الحق.

التابعون والأولياء

أويس: أويس القرني، من كبار التابعين المشهورين بالزهد.

جنيد: الجنيد البغدادي، إمام من أئمة التصوف.

بصري: الحسن البصري، إمام الزهاد في البصرة.

معروف: معروف الكرخي، ولي مشهور في بغداد.

سفيان: سفيان الثوري، إمام في الزهد والحديث.

أحمد: الإمام أحمد بن حنبل، إمام المذهب الحنبلي.

شافعي: الإمام الشافعي، إمام المذهب الشافعي.

نعمان: الإمام أبو حنيفة النعمان، إمام المذهب الحنفي.

مالك: الإمام مالك بن أنس، إمام المذهب المالكي.

أوزاعي: الإمام عبد الرحمن  الأوزاعي، فقيه الشام دفين بيروت .


مصطلحات صوفية

أقطاب: جمع قطب، وهو الولي الذي يكون محور الولاية في زمانه.

أوتاد: أولياء ثابتون كالجبال، يُستند إليهم في حفظ الأرض.

أبدال: أولياء إذا مات أحدهم خَلَفَه آخر.

نقباء: أولياء ذوو دور في الإرشاد.

نجباء: أولياء مكرمون ومختارون.

أخيار: الصالحون الأتقياء.

•فضلاً وليس امراً حبايب قلبي 
اشتراككم في القناة يزيدنا شرف
ويساهم👇في إضافة👇إبداع الى ابداعنا


• للتواصل مع الحسابات الرسمية للحضرة الصوفية 
 
• فيس بوك ‏   /  / sufismhome   

• انستگرام ‏  /   / sayed_ahmad_sayed   

• منصة اكس  / https://x.com/sufi_hadra/

• تيك توك /  / sufismhome  


• واتساب : / 46739161503 +

Sufism home -الحضرة الصوفية - يا اهل الديوان  ft. Saad Baghdadi

Śrī Sūkta, also called Śrī Sūktam, is a Sanskrit devotional hymn (set of shlokas / Śloka-s) revering Śrī as Lakṣmī, the Hindu goddess of wealth, prosperity and fertility. Śrī Sūkta is recited, with a strict adherence to the Chandas, to invoke the goddess' blessings. The hymns are found in the Rig Vedic khilanis, which are appendices to the Ṛkveda that probably date to pre-Buddhist times.
The goddess Śrī appears in several earlier vedic hymns, and is the personification of auspicious and royal qualities. Śrī Sūkta is perhaps the first text in which the homology between Śrī and Lakṣmī is drawn, and the goddesses are further associated with the god of fire, Agni. Since the later epic period (ca 400 CE), Śrī-Lakṣmī is particularly associated with Viṣṇu as his wife or consort.
The Śrī Sūkta describes Śrī as glorious, ornamented, royal, lustrous as gold, and radiant as fire, moon and the sun. She is addressed as the bestower of fame, bounty and abundance in the form of gold, cattle, horses and food; and entreated to banish her sister alakṣmī (misfortune), who is associated with need, hunger, thirst and poverty. The hymn also associates Śrī with (agrarian) fertility and she is described as the mother of Kārdama (mud), moist, perceptible through odour, dwelling in cowdung and producing abundant harvest. 

The Śrī Sūktam assumes specific significance because of Śrī Mahālakṣmī's presence on Lord Śrī Venkaṭeśvara, at Tirumala, or Viṣṇu's chest, at the Heart. Lakṣmi is the embodiment of Love, from which devotion to God or Bhakti flows. It is through Love/Bhakti or Lakṣmī that the Ātmā or soul is able to reach God or Viṣṇu.

Śrī or Lakṣmī is also the personification of the spiritual energy within us and universe called kuṇḍalinī. Also, She embodies the Spiritual World or Vaikuṇtha; the abode of Lakṣmī-Nārāyaṇa or Viṣṇu, not to be confused with Heaven, as The Heavenly Planets are still part of the Material Universe. Vaikuṇtha-Dham is purely spiritual, eternal and self illuminating. She is also supposed to have the Divine qualities of God and the soul. Lakshmi is God's superior spiritual feminine energy or the Param Prākṛti, which purifies, empowers and uplifts the individual. Hence, She is called the Goddess of Fortune.

The Śrī Sūkta uses the motifs of lotus (padma or kamala) and elephant (gaja) – symbols that are consistently linked with the goddess Śrī-Lakṣmī in later references. The lotus is thought to be symbolic of purity, beauty, spiritual power, life, fertility, growth or, in Tantra, the entire created universe. It is a recurring motif in Hindu (as well as Buddhist and Jain) literature and a lotus growing from Viṣṇu's navel is said to mark the beginning of a new cosmic creation. The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Śrī-Lakṣmī's stature as the goddess of abundance and fertility.

Later Hindu iconography often represents Śrī-Lakṣmī in the form of Gaja-Lakṣmī, standing on a lotus, flanked by two elephants that are shown showering her with water with their trunks. 
The Śrī Sūkta is one of the Pañca-Sūktam (5 Suktams) recited during the 3-hour long Abhiṣeka of Venkateswara, at the famed ancient Hill Shrine of the Tirumala Venkateswara Temple in Andhra Pradesh, India. The Abhiṣekam to the main deity is performed every Friday. Śrī Sūkta is also recited during the daily Arjitha Vasanthotsavam seva.

Sri Suktam

Sri Rama Raksha Stotram

Listen to Sadhguru​ sing "Shiv kailasho ke wasi" with Mohit Chauhan​! A duet that cannot be missed! This was a few nights ago in front of the iconic Adiyogi at the Isha Yoga Center​ on the occasion of the Sapta Rishi Arati.  

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Sadhguru & Mohit Chauhan - Shiv Kailasho Ke Wasi

Hari Narayana

Rudram Pooja Chantings

Download this chant here:

isha.sadhguru.org/Yogeshwaraya

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music.apple.com/pg/album/yogeshwa…0655?i=1472130754

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open.spotify.com/album/23khGOil6KIjBuWvlFJRS0

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This Yogeshwaraya chant in Raag Shankara, is a musical offering by Pandit Jasraj to Adiyogi.

In the Indian tradition, Shiva, the Adiyogi has many forms, each of which represents a powerful possibility for inner evolution. Yogeshwaraya - meaning the lord of Yoga - is a musical offering to Adiyogi by Sounds of Isha, Pandit Jasraj and Rakesh Chaurasia.

In the yogic tradition, Shiva is not worshiped as a God. He is the Adiyogi, the first Yogi, and Adi Guru, the First Guru from whom the yogic sciences originated. Guru Purnima is celebrated as the day when Adiyogi began the transmission of these sciences to the Saptarishis, his first seven disciples. So this Guru purnima, this is our musical garland. An offering of different renditions of the Yogeshwaraya chant to the Adiyogi.

Lyrics and Meaning:

Yogeshwaraya Mahadevaya
The Lord of Yoga, the great one

Trayambakaya Tripurantakaya
Three-eyed one, destroyer of the Tripura

Trikagni Kalaya Kalagni Rudraya
He who like fire, devours the past, present and future within himself

Neelakantaya Mrityunjayaya
Blue-throated one, who has conquered death

Sarveshwaraya Sadashivaya 
Lord of everything, the eternal one

Mahadevaya Namaha
Oh great one, we bow down to you



Isha Foundation is a non-religious, not-for-profit, public service organization, which addresses all aspects of human well being. 
www.ishafoundation.org/

Learn more about Sadhguru
www.isha.sadhguru.org

Yogeshwaraya - The Source Of Yoga

Yogeshwaraya Mahadevaya - Pandit Jasraj (Raag Shankara)| Shiva Stotram

Sounds of Isha -
"Yad vaacha na abbhyuthitham"

Bho Shambho Shiva Shambho Swayambho - Shiva

In this Devotional Poem written in the 14th century, #Surdas describes how he finds true joy in his Guru, and nowhere else. Watch this space for more songs from #Alaap - Songs from Sadhguru  #darshans. 

Lyrics and Meaning:

Mero man anat kahan sukh pavai
Where else can my mind find endless joy?

Jaise udi jahaj ko panchhi, phir jahaz par avai
Like a bird that soars away from a ship in the ocean, only to return

Kamal-nain ko chhandi mahatam, aur dev ko dhyavai
Like having seen his lotus eyes, one still goes looking elsewhere

Param gang ko chhandi piyaso, duramati koop khanavai
Like a thirsty man who ignores the mighty Ganga and digs a well for water like a fool!

Jihin madhukar anbuj ras chakhyo, kyon karil phal khaavai
Having tasted the sweet nectar of a lotus, why should a bee go for a bitter fruit? 

Surdas prabhu kamadhenu taji, chheri kaun duhavai
Surdas says, when the holy Kamadhenu herself is available, why would one milk a goat?

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Isha Foundation is a non-religious, not-for-profit, public service organization, which addresses all aspects of human well being. 
http://www.ishafoundation.org/ 

Learn more about Sadhguru
http://www.isha.sadhguru.org

Mero Mann | Surdas ke pad | सूरदास के पद | Devotional Poem | Alaap - Songs from Sadhguru Darshan

Mystics have always used sound in ways far beyond the realm of mere entertainment - by breathing in an ethereal dimension into simple rustic sounds from life around to give us a taste of the beyond. A simple twang of the ektara often did what a thousand words could not do to touch people.

Sounds of Isha is Sadhguru's own home grown, anomalous group of 'musicians' - inspired by their deep yearning and sense of gratitude. Dabbling with and melting into their instruments, their work is a subtle fusion of the rich and diverse beings that they are. The group members are full-time volunteers with Isha Foundation, living a life of dedication and austerity; thus, their inspirational songs are usually created after a full day's activity, due to their passion and zest to share a different dimension of the foundation's work.

Their melodies are a fusion of music from different parts of the world - traversing effortlessly and seamlessly across boundaries and cultures. Whilst the music of these songs sooth our minds and the melodies enthrall us, the true potential of the songs is in their capability to instill in us an element of the eternal silence that touches the core of the human being. The performances of Sounds of Isha are set apart to deliver a potent and intoxicating ethereal concoction, transporting those who listen into subtler states of being - becoming the basis for inner exploration.

Yogeshwaraya Mahadevaya - Pandit Jasraj (Raag Shankara)| Shiva Stotram

Sounds of Isha

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